This is a sentimental poem at the end of the year, and the time is in the silent night. In this song "A Year Will End in the Night", the poet is full of deep worries, tossing and turning, and deeply feels that the night is endless. In the first two sentences of the poem, sleepless nights show the depth of anxiety and convey the unbearable torture of sleepless nights with the word "bitterness". But the connotation of "melancholy" is hidden. There is a line in the poem "White Boat", "If I have hidden worries, I will be restless", which should be used, but the specific connotation of "hidden worries" is naturally rooted in the poet's life, experience and ideological character. Xie Lingyun is a noble scholar who thinks highly of himself, and his character is pungent. After the establishment of Liu and Song Dynasties, "the imperial court only treated it literally, not as it should be. I claim that I can participate in power, but I don't know, I am always angry. " Later, he was not only excluded by Xu Xianzhi, but also killed because of his "arrogance" and the infighting of the ruling group. This poem is regarded as his old age (he was only 49 when he died) according to the sentence "The feeling of years passing". The so-called "melancholy" in the poem may also include the meanings of "being transported" and "years passing" (Long song). In a word, it is not a simple worry about the natural life span, but a complex thought intertwined with many contradictions such as life pursuit, social personnel and so on. It is very appropriate to sum up its profound and complex characteristics with "yin sorrow"
Three or four sentences are what the sleepless poet sees and hears at night. In general, the bright moon is a clear and soft object, and the image of the bright moon in poetry is usually associated with a quiet and leisurely posture; Even if it is sad, it is often a touch of sadness. However, the bright moon is reflected in the boundless snow, which is completely different from the soft, clean, quiet and leisurely scene. The whiteness of snow gives people a cold feeling, and then it is reflected by the bright moon. Snow light and moonlight whip each other, giving people a cool bluish-white luster and a cold feeling. The whole sky seems to be a world full of cold light and snow. This is a typical beauty of Yin Gang. This sentence is mainly from the color sense to write the image of a cold night. The next sentence turns to writing what you heard at the end of the year from the perspective of auditory feelings. The "strength" of the "north wind" shows the speed, the squeal and the coldness of the wind. The word "sorrow" is like the squeal and sobs of the north wind and the poet's subjective feelings. Two sentences are written from the visual and auditory feelings, sublime, bleak, cold and bleak at the end of the year. As an impromptu description of the winter night, it is indeed a typical "direct search" and a direct and real feeling for the prospect of the eyes. Because it captures the typical scenery and realm of winter night, it gives people a very deep impression. However, the true beauty of these two sentences is not only what you see from the straight books, but also because they have a subtle fit with those worried and sleepless poets. The poet suddenly meets things in a specific situation and mood. The scenery in front of him is consistent with his own situation and mood, and his feelings and environment are in harmony, so he unconsciously describes the realm of "the bright moon shines on the snow, and the north wind is strong and sad". The bright moon reflects the cold landscape of snow, which seems to vaguely reveal the cold and loneliness of the poet's environment, while the scene of the strong wailing of the north wind reflects the poet's sad and uneasy mood. In such a cold and bleak realm, all life and vitality have been severely suppressed and destroyed, so we might as well regard it as a symbol of the poet's environment.
Five or six sentences were born from the destruction of vitality by "snow" and "north wind": "Hurry and don't drown." Transportation, that is, perennial operation. With the passage of time and the change of seasons, all the scenery can't last long, and people's years are rapidly disappearing. At the end of the year, I feel that life is being ruthlessly urged. These two sentences express the generosity of time and tide wait for no man, and life is fleeting, which comes from Qu Yuan's "The sun and the moon suddenly don't drown, and the spring and autumn are in its order." Ever since there was a sigh that the plants were scattered and the beauty was afraid of withering, poets of all ages have repeatedly recited the theme. In the big thank-you poems, this feeling of perishable life often appears and becomes the keynote of repeated chanting. This poem epitomizes this feeling. Because this sense of dying is related to the anguish that the poet's "ambition" can't be realized and the anxiety of "singing in Chunlan", and more importantly, it is set off by the realm described in the sentence "Bright Moon". This feeling does not flow in a low lament, but appears vigorous, broad and gloomy.
Jiao Ran's poetic style says: "Spring grass grows in the pond", which means "the moon shines on the snow", which means that in the sentence, although the wind is even, it is different. "Although these two couplets have natural and direct characteristics, there are also differences. The beauty of the phrase "pond" must be combined with the context, especially when you are submerged in your sickbed for a long time, ignorant of festivals, and suddenly see the special background of spring grass in the pond. Beauty lies in unexpected discovery and understanding. Jiao Ran said that it was very appropriate and beyond words. Although the couplet of "Bright Moon" is visible to the naked eye, it has already formed a symbolic artistic conception, which can arouse readers' rich association with the poet's situation and mentality, so it is said that "meaning is in the sentence". At the same time, the "pond" couplets are all natural, but the "bright moon" couplets are tempered and returned to nature, and the words "Zhao", "Jin" and "Ai" all have commercial tempering efforts. It's just that this kind of sharpening doesn't show any traces of carving. Xu's "Debate on the Origin of Poetry" said: "Five words are very clever, and the carving is extremely embarrassing, and it is natural to think." ..... You can see that it regards' spring grass in the pond' as a good sentence. "Bright Moon" couplet is another example of returning to nature through sculpture, but it still seems to be a long way from the "pond spring grass" style of nature.