Write from the opposite side. "Gaotai" originally looked far away, but said "I didn't expect it", which made the situation abrupt and gave people suspense. Then, repeat the word "Wang" at the end of the last sentence with a thimble to explain the suspense-"Looking far makes people worry". The two sentences are vertical, open and close, ups and downs, smooth and full of momentum. The following is written around the view that "seeing far is annoying"
"The mountains are endless and the rivers are long." Write three or four sentences about what can be seen from the high platform: overlapping mountains have been extending to the distance, but they have not been cut off; This long and uninterrupted river winds forward with no end in sight. The vast mountains and rivers you can see when you climb the mountain should make people feel relaxed and happy, but because the people you miss are far away from the "Lianshan" and the "River", the overlapping Lianshan blocks the distant sight, and the long river is also pulling your yearning for the distance. Put pen to paper, two sentences describe the scenery implicitly, which contains feelings, making people want to see the poet's ethereal and melancholy feeling when he looks at the mountains and rivers. He sees himself carefree.
As if to explain the question in the reader's mind, the next two sentences clearly explain where the thinker is by asking himself and answering himself: "Where is the thought?" Luoyang south grinding head. "Being in the south of the Yangtze River, while the other side is far away in Luoyang, is not only far away, but also isolated from the north and south. These two sentences are like a general narrative, but as mentioned above, they just explain what you think. Beauty lies in asking and answering questions, revealing a kind of anxiety and helplessness, which is reinforced by the swaying painting style. Seven or eight sentences are based on the scenery, lyricism and narration of the last six sentences: "What's the use of solving people's worries if you can't see?" "Looking at the distance was originally to relieve anxiety, but if you can't see it, you might as well not look at it. This couplet is a response to the first couplet, which is "unpredictable" and "worrying" throughout.
The meaning of the poem is very clear and simple, but it expresses sadness that is far from being seen, and there is no epigram of deliberate management. It is completely simple and homely, but when reading it, I feel a sincere emotion hovering between the lines, and I can obviously feel the rhythm of opening and closing and the ups and downs of emotions. Shen Yue is an advocate of new poetry, but his representative works, such as Biefan and Shi Pin, can quite reflect the sincere characteristics of ancient Chinese and Wei poems. This shows that the new poetry theory and system need a long process from advocacy to maturity, while the old system and writing methods are often more handy to use.
In the era of Shen Yue's life, the North-South confrontation has lasted for more than a century. I'm afraid it's difficult to determine whether the thinker in the poem, who is far away in the south of Luoyang, is true or false, realistic or figurative. Interestingly, the image of "Luoyang Road" also appeared in Emperor Liang Jianwen's "Lingao Terrace", which said: "The high platform is half cloudy, and the hope is not very high. The vegetation is uneven and the mountains and rivers are the same color. Like Luoyang Road, it's a long way to go in Xiu Yuan. Yubu is an old lover, and love comes to remember. " Compared with Shen, we seem to realize that our "lover" has a virtual symbol. But what it refers to is hard to guess at random.