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How to describe the dance of Indian Karama sisters?

[Ask questions and get down to business, leaving suspense. 〕

If I were a poet, I would write a long poem to describe their various dances.

If I were a painter, I would touch them with various colors and dye their bright brow and gorgeous clothes.

If I were a composer, I would use notes to convey their light dance steps and ringing bells.

If I were a sculptor, I would simulate their slim, agile and energetic figures on jade.

[A parallel segment consisting of four "ifs" is ready for the following. 〕

The dance of the Karama sisters fascinates everyone, and no art can perfectly summarize it. Flutter, brow, clothing, dance steps, bells, figure ... Any angle can be an art.

But I'm nothing! I can only describe this amazing dance art in my own poor words.

[The author's modest statement. No matter how beautiful the text is, it can only be a little worse, leaving readers room for imagination. 〕

The first part: I always write about the strong feeling brought by dance, and Poverty and Amazing write about the visual impact brought by dance from the comparison. 〕

Like a baby, he saw a dazzling red lotus in the morning sun and a peacock dancing in the depths of the forest. He wanted to surprise him, but he couldn't find the right language except "dumb".

Pour out your surprise with a series of metaphors. 〕

Silence expresses the joy and excitement in my heart implicitly, humorously and humbly. 〕

But, my friend, can I hold back my joy and excitement and not spit out my silence to you?

I [dare not] pretend to be a scholar who studies Indian dance, to explain the history and factions of Indian dance, and to show that their performance of Bharata dance is authentic. I [dare not] like a dancer. I admire their gestures professionally and how they "behave like people".

"Dare not" and "Dare not" deny the scope of appreciation. 〕

I am just an admirer, but I am willing to do my best to express the "beauty" of flying that I feel in my heart!

["Appreciator", the author is equivalent to our readers, so we are not the appreciators of this beautiful text? 〕

The second part: Summarize the surprise and excitement brought by dancing, and summarize the most essential characteristics of Karama sister dance in my heart with "flying beauty". 〕

My friend, on an unforgettable night-

The curtain slowly opened, and a dance statue of Shiva Kanda was enshrined on the small table in Taiwan, with two high-legged copper lamps burning on both sides. The atmosphere on the stage was quiet and solemn. 〕

Indian dance has a strong religious color, and the background of Karama sister dance shows distinct national characteristics. 〕

Karama Lakshman is out. What a good moment! She lowered her head, folded her hands and looked up at the audience. She has a beautiful face, long eyebrows and eyes that can speak thousands of words.

Yan Guang: "Beautiful face" and "a pair of long eyebrows and eyes that can speak a thousand words" are more attractive to women. There is glory before dancing, and love before dancing. 〕

She stood stiffly.

The flute sounded, the tambourine sounded, and Sansong and Karama began to dance.

She used her long eyebrows, beautiful eyes, fingers and waist, flowers in her bun and pleated skirt around her waist, and her delicate dance steps and countless crisp bells to dance the joys and sorrows in the poem.

[Man Dance: long eyebrows, clever eyes, fingers, waist, bun flowers, pleated skirts and thin steps-from "light clouds moving slowly" to "whirling". 〕

Although we don't know the content of the story, our emotions can sing with her movements! We saw her frown suddenly, revealing infinite sadness; Suddenly blushed with laughter, revealing endless joy; Suddenly, the drooping eyelids on the side show a low and euphemistic shyness; Suddenly, I looked at it angrily, showing all-powerful anger; Suddenly, I touched my arm gently, drew my eyes, smoothed my eyebrows and made a delicate and decent dress. Suddenly stand up, press the arrow and pull the bow, so that people can almost hear the clank of the strings! Like Potian, she forgot the audience and herself in the carnival dance. She just tried her best to tell the beautiful poetry story of ancient India with flexible and skilled limbs and facial features!

The Karama sisters vividly demonstrated their "joys and sorrows" through cheerful dancing. People don't have to stick to stories, but there are joys and sorrows. Exquisite dance has crossed the cultural barriers, making people feel that there is a heart in mind. We watched her suddenly frown ... and people could almost hear the jingle of strings. It's really amazing that dance achieves this charm. 〕

A dance performance (little sister Rada, sometimes dancing alone, sometimes with her sister, she is a chick! We find that they are not only gods and people, but also plants and animals: such as lotus flowers fluttering, deer jumping and peacock strutting, which can be described incisively and vividly. The most wonderful thing is the "snake dance", the gentle shaking of the neck and the trembling of the shoulders: a series of flexible peristalsis, from the fingertips of the right hand to the fingertips of the left hand! I really can't describe it, so I can only borrow two poems by Bai Juyi, "Zhu Ying dazzles the stars and China fights dragons and snakes".

Karama's dance is beautiful, as if flying, but it is not enough to fly, and you need to devote yourself to the soul to achieve the realm of beauty. She is a part of the dance itself, integrating body and mind, transcending the carrier of form and entering the realm of free flight. The real dance is the dance of thought, not the dance of skill. 〕

The third part: The "flying beauty" in dance is expressed through body, manners and costumes. Dance is difficult to express in words, but the author vividly reproduces the subtlety of dance by means of metaphor, parallelism and other rhetorical devices, so that readers can appreciate both language and dance. 〕

After watching the dance of the Kalama sisters, people deeply realized the beautiful and long-standing culture and art of India: dance, music, sculpture, pictures … are all like branches on the same banyan tree, hanging down and rooted underground. So many branches are closely connected on the earth, and this is the vast people of India.

Karama and Rada are just two [soft branches] on this big banyan tree. Although Karama has spent her 22-year-old life on the stage 17 years; Rada, 12 years old, has also had four years of performance experience, [but] we know that India's great mother earth will continue to raise them.

Art exchange can enhance mutual understanding and communication among all ethnic groups in the world. All outstanding artists are rooted in their own cultural soil, and so are the Karama sisters, "absorbing the food provided by Mother Earth." Without the influence of India's long-standing culture and the connotation of Indian culture and history, the dance of the Karama sisters would not be so beautiful and moving. 〕

Soft branches summarizes the relationship between these two men and the Indian nation. "But" is full of infinite hope and sincere wishes. 〕

Part IV: All outstanding artists are rooted in the national cultural soil. This spiritual food will provide a steady supply for her children. 〕

The most disappointing thing is that they just showed their "Youlong" dance to the people of China. Because of the needs of the people of the motherland, I will fly back in two or three days!

Summarize the reasons why Sister Karama returned to China, bringing infinite yearning and nostalgia. 〕

In early spring, Beijing is not as flowery as its hometown of South India. We can only learn from their great poet Tagore's poem: Let's hang our admiration and gratitude on their chests like red flowers and take them back to the Indian people to thank them for their friendship and enthusiasm, and for their kindness in sending Lakshman sisters!

A grateful heart can actually "wear a flower string" like a flower, with poetic language, beautiful dance and swaying posture. 〕

The fifth part: Sincerely express gratitude and gratitude, poetic language and "Youlong"-like dance complement each other. 〕