Yang Guifei's 93 edition Tang will give you the answer.
Generally speaking, many people in the film and television circle have played Yang Guifei, but only Lin Fangbing's version really explains what a rich woman in the world is, and she smiles like a plump beauty coming out of a picture of a beautiful woman. As the saying goes, a famous flower is taken and laughs like a king. After reading this version of Yang Guifei, others find it boring.
At first, director Chen Jialin tried to find a candidate for Yang Guifei, and actress Lin Fangbing stood out among the beautiful women. Speaking of it, just looking at her modern appearance, beauty is beautiful, but it is not amazing.
But she became the most gorgeous flower in the Tang Dynasty, relying on acting skills and the hard work of the behind-the-scenes staff of the whole crew.
Yang Shuyun, who is in charge of the makeup of the 87th edition of A Dream of Red Mansions, once again showed his talents. He designed more than ten hairstyles for Lin Fangbing, including high bun, green and white Hosta and golden bun, ranging from drunken makeup to slender eyebrows.
Yang Yuhuan, who appeared for the first time, was still a newly grown beauty, with a real face, lying on the grass and affectionate eyes. At this time, her makeup and clothing are very simple, with pink as the keynote, showing the true colors of a girl.
Li Jianqun, the person in charge of clothing, was inspired by ancient paintings and books, trying to restore the elegance and nobility of the prosperous Tang Dynasty.
Therefore, during Princess Shou's period, she wore a little gauze and deliberately gained weight. The half-exposed lotus root arm was really elegant but not seductive or demon.
When she becomes a real fairy, her makeup is light and mature, and her plain dress is still hard to hide. This is really "moving back and forth with the exquisite fairy, similar to the face of snow and flowers he is looking for."
In other words, a real beauty is better than bearing and bearing. Looking back, Lin Fangbing has an ancient woman's implication and an imperial concubine's unhurriedness.
Lin Fangbing's explanation also shows that what Li Bai said is true, "If I hadn't seen Yushan for the first time, I would have met Yaotaiyue".
The ancients said, bright eyes and white teeth, face like a silver plate, graceful figure; The beauty of the Tang Dynasty emphasized not obesity, but a warm and unrestrained spirit, fat but not fat, plump and pleasant.
You may not know that Lin Fangbing gained forty or fifty catties abruptly for the role of Yang Guifei, and finally presented a beautiful feeling.
The actor himself is a traditional opera actor, and his dance is more classical.
How can I put it? This edition of Emperor Ming of the Tang Dynasty is very particular, from serving Taoism to serving the culture of the Tang Dynasty, realizing the integration of art and television.
Whether it's Yang Guifei's dress, or the music, dance and tea ceremony presented in the whole drama, they all interpret the breath of the prosperous Tang Dynasty, which is extravagant and luxurious.
For example, the silk sleeve shirt of the imperial concubine and the Hu skirt with obvious exotic characteristics.
Of course, the makeup and hairstyles of the concubines in the palace are also different, some are dignified, some are charming and smart, and some are beautiful and elegant.
I like Yang Guifei's makeup hairstyle best, with her hair in a bun, a touch of peony makeup and plum blossom makeup on her brow, which makes people feel that peach blossoms set each other off.
Moreover, in order to restore the beauty of the prosperous Tang Dynasty to the greatest extent, the crew also made a big fuss about the types of dances, including amazing Hu Xuan dance and rare tap dance.
Yang Guifei's Qiuci dance is even more wonderful.
Zhou Jie, the actor of Zhao Liniang, is a famous dancer, dancing a green waist, just like Youlong.
Zhou Jie actually played Yang Guifei, in the movie Yang Guifei. Compared with Lin Fangbing, her appearance is more gorgeous, but she lacks the charm of a plump beauty.
Where there is dancing, there are songs. Both Tang and Yang Guifei are obsessed with musical instruments, so you will see all kinds of musical instruments appear in Tang Dynasty in turn.
Pipa, rain flute and other musical instruments have appeared many times, and there are as many as a dozen large-scale song and dance scenes. It is no wonder that the king dotes on one person.
In addition, cultural celebrities in the Tang Dynasty, such as Meng Haoran, Li Bai and Wang Wei, all appeared. The screenwriter tells the life experiences of talented people and beautiful women with minimalist pen and ink, and then contrasts the glory before the decline of the Tang Dynasty with the heroic feelings in his poems.
The drama has been filmed for nearly three years, and the etiquette teacher has been with the group all the time to train the actors in advance. Like the eyes of the imperial concubine, they are all practiced, or affectionate or tender, which has both the reserve of beauty and the unique unrestrained of women in the Tang Dynasty.
In addition, in terms of plot, Tang not only has profound lines, but also has different themes. It did not criticize blindly, nor did it have any irony, but presented the historical event in a reappearing way.
As the narrator of the finale said, Li Longji is dead. How should we evaluate him? Leave the merits and demerits to others for comment. And how innocent is Yang Guifei as an ornament of the prosperous times?
In the play Drunkenness of the Imperial concubine, the screenwriter specially adapted it to the eve of the Anshi Rebellion, and the Imperial concubine presented one last dance to the Tang Emperor. In contrast, blowing sheng here and Ma Si there are hymns, but they are actually lamentations of the decline of prosperity, and Yang Guifei is the saddest person in this lamentation.
To tell the truth, the 93 version of Tang is no ordinary TV series. It is more like a work of art carefully polished by everyone, which is not comparable to the current costume drama.