-Read "Autumn Rain Prose"
After reading this anthology of Mr. Yu Qiu's works, I am completely impressed by his magnificent literary spirit and unpretentious spirit, and I am also shocked and sorry for his painful and profound philosophical reflection and the sadness, sadness and helplessness revealed in the article.
The shock in dullness comes from the soul that returns to the essence of life after retreating from fanaticism. The feeling of desolation and dignity has traveled all over the body with blood for a long time. Lyric language and cadence of parallelism constitute a patchwork literary landscape. In poetic narration, his prose is dominated by a philosophy and full of historical thinking and exclamation. This language does not pursue the clarity like water, but pursues a kind of tidal anger and poetry. The experience and feeling of life are contained in a philosophical discourse, which is rich and simple. Generally speaking, his prose is poetic, fluent and aura, writing history is lukewarm, writing human feelings, vivid and touching.
"Only books can send you a signal that a noble life has long passed away, and only books can show you all the beauty and wisdom compared with ugliness and stupidity."
Mr. Wang's words aroused people's love for books. I have never seen such an article, and it is not artificial at all; I have never seen such a heaven and earth, and it has not been swallowed up at all. Walking alone in such a world, the giant becomes a dwarf; Walking alone in such a world, the dwarf becomes a giant.
His articles are neither lyrical nor narrative, unlike traditional essays or essays. Because of its unique style, the prose collections "Cultural Journey" and "Notes on Mountain Residence" have been reprinted repeatedly at home and abroad, but they still cannot meet the needs of readers.
His knowledge is really too high, so natural and unrestrained and so calm, so vertical and horizontal time and space and so melancholy.
"Stormy Tianyi Pavilion" is a tragedy in which Tianyi Pavilion, which survived hundreds of years of ups and downs, was finally destroyed by thieves and robbers. An ordinary pavilion has become "an extremely difficult and tragic cultural miracle", and Tianyi Pavilion carries too much. The fate of Tianyi Pavilion was the fate of China culture at that time. Like Tianyi Pavilion, many cultural treasures in China have not been respected and cherished by people after hundreds or even thousands of years of wind and rain, and finally fell into the jaws of death. When it was about to become extinct, people suddenly woke up and hurried to find a few pieces of culture and sighed.
Life is like climbing a mountain, and a quiet life is like climbing a sand mountain. Soft and delicate sand won't scratch your feet or make you bump, but slowly erase all your strength. The crazier, the more gentle and hateful. You climb and climb towards your goal, but it seems that the more he climbs, the more he grows. I just feel that I don't care anymore, so I climb, not for anything else, but for the road that my footprints are forming. When you look back again, oh, you climbed so far and so high. But sometimes, we compete for the top. When you climb to the top of the mountain, you find the most beautiful scenery at the foot of the mountain ... "At this time, the climb just now has become sad. Looking forward to the peak and height, the peak is only a narrow foothold. Can't rush, can't go straight, just enjoy the pleasure of looking down for a while. How can you stop and sit for a long time? Nothing in the world is difficult for one who sets his mind to it. I feel unprecedented loneliness and fear. The truly warm beauty in the world is clinging to the earth and lurking in the deep valley. "Life is really hard, you can't find it until the peak, and you can't get close to it at the peak. It seems destined to go uphill and downhill all the time.
Su Dongpo's breakthrough made me understand Su Dongpo's helplessness and pain when he was framed by a group of treacherous, mean and unreasonable villains, and his admiration for his rebirth. His introspection is not a cunning psychological adjustment, but an extremely sincere self-analysis, with the aim of finding a true self. He gradually returned to purity and ethereal, and became accustomed to indifference and stillness. His art and talent have been refined and sublimated, and he has really matured. People often regard Su Dongpo's "Niannujiao Chibi Nostalgia" and "Chibi Fu" in Huangzhou as eternal masterpieces, but how many people can appreciate Su Dongpo's elegant demeanor in Huangzhou landscape as Yu does? This is a kind hug and deep dialogue between a generation of cultural celebrities and another cultural celebrity in a long time. As a cultural celebrity, Su Dongpo lived in the distant past, while Yu flourished in all corners of the country today. Not only do they get along far away, but the environment is also very different. But as a cultural celebrity today, Yu can understand Su Dongpo's breakthrough life better than ordinary people.
The dark corner of history has analyzed many villains in history for us! Evil slave villains, beggar villains and hooligans are vividly portrayed by Mr. Yu Qiu. The characteristics of the villain are also vividly portrayed by him-the villain can't see clearly; A villain cannot hide his power; Villains are not afraid of trouble; The villain has a high rate of handling affairs; The villain will not let go of the injured; Villains need sympathy; The villain can't control the situation in the end! Most villains end in tragedy.
"The Back of a Dynasty" makes the author trudge along the cultural corridor of history, wandering between mountains and rivers, and confide in those wild, lonely and sentimental literati. Taking chengde mountain resort, which has experienced ups and downs, as the epitome and main line, it spreads from small to large, thus reflecting the trajectory of the prosperity and demise of the Qing Dynasty and showing us a misty history.
Shame on Shanxi makes us understand that the success of Shanxi merchants comes from the right choice. Instead of clinging to the land and handicrafts at that time, our ancestors turned their attention to the land of China and developed the financial industry. Since then, the myth of "the richest man in the sea" has been interpreted in this barren land. They are honest, forward-looking, trustworthy and strict in management, and their Shanxi-style personality cultivation is really worth learning.
Distant voices let us know the culture of Wei and Jin Dynasties, Ruan Ji, who acted strangely, and Ji Kang, who was talented but free and easy! Their tragic ending is a pity of China culture. The realm of truth is not only that celebrities abandon hypocrisy and take the truth of the original meaning of life. For us, it is also true to gain insight into things and start from the root causes to improve the quality and efficiency of life. If you grasp the background carefully in music, you can deepen your understanding and understand the connotation. If you find the real interpretation of books in your study, you can grasp the root cause and make progress.
In first frost River, Yu wrote several failed friendships, such as collapsed friendship, false friendship and power friendship. After describing all kinds of failed friendships, I sighed, "but I finally understand that the coming and going of friendship is a detector, telling you the real relationship at the original level." If a group of friends suddenly look at each other coldly in a field and plant it, it means you can go, you are already there. " The smile I give you temporarily is just a question of asking and asking. After asking, the two could not reconcile. Your existence can only bring anxiety to this village, and you are not safe in this village. Then you should go on your way. Yesterday's friendship has already disappeared in the cow dung water at dusk. The stars are in the sky, and there is a mountain road ahead. "In China, it is said that a friend draws out a sword to help him when he is in trouble, so there is a saying that there is more than one friend and more than one person. But you don't have a real confidant, and you can't coordinate with me on many issues, so we can only walk out of this restless and unsafe village, which is full of stars, which is a good time to go out.
The Window of an Old House expresses the author's nostalgia for his hometown and childhood life, Messenger laments the sufferings of wanderers and homesickness, and Living in Longhua is the author's lament for the sufferings of literati and talented people. ...
At present, the literary world is full of mud and sand, which is more and more worrying. Yu's unique writing style has opened up a new style of prose. "Yu Yu Qiu connected China's traditional cultural artistic conception with modern consciousness, which emerged in the form of reverse operation, presenting readers with a new reading text and inspiring their new aesthetic taste." Generally speaking, on the one hand, he is magnificent and unrestrained, which makes readers admire and yearn for nature with emotion, and sometimes he is deeply indignant at history; On the other hand, he sang three sighs and turned back step by step. His low tone and sad atmosphere make us think about history, nature and life again and again. As an essayist with a strong sense of culture and history, although he walks in a hurry, he can often get a glimpse of the past and the present, dig out profound connotations from dusty historical materials and plain landscapes, and then communicate history with reality and integrate philosophy with image.
The vast, desolate and silent land of China has poured down because of the arrival of smart literati, sealing up its long-standing cultural connotation. A landscape scholar seems to have become a bosom friend. The heavy and beautiful article is full of a wise man's reflection on the history of the motherland, which is so dignified and profound.
What appears in front of us is a scholar full of wisdom and speculation, but at a loss and helpless. He sometimes travels long distances and talks with the historical soul through the scenery. Sometimes I go back to my childhood in my dreams, looking for childhood laughter like flowers. ...
Culture can be written as an ornament, but culture has the ultimate direction, which is to safeguard the truth, goodness and beauty of human beings.
This is the essence of Yu's prose.
Calm down and move forward with a calm and calm cultural style. This is Yu.
References:
Read Missing in Autumn, and listen to Yin Feng's original literature.
On Yu's Writing: Wolf in Snowland Sina Blog
wait for
Many articles quoted other people's opinions, and even some words were copied on a CD, which is a collection of everyone's achievements, just to better understand the autumn rain prose. )