The group of modern writers in China has been diverted, including novels, poems, essays and other fields.

Thinking (by the water) and sighing (by the meditator) objectify the poet's self (that is, "impersonalization"). Even in the 28th episode of A Dream of Red Mansions, Lin Daiyu's sentimentality is typical, and then she leads the idea of the poem to "dream/hero in ancient mythology/walking away from the unknown", which is what the poet calls "a rational perspective that loves to wash away and think". The last sentence of an idle person refers to 1930- 1937' s final life realm). This conclusion is very accurate, and the affirmative question actually shows the poet's denial of the attitude of "an idle person" wasting his life time in vain. For example, the nature of the word "dream" in cart and bitter rain: "Zi said in Sichuan that through the negative description of" impersonal "life form and attitude! Plus points, Geng Jizhi, Dao and Xu Zhimo were founded in 192 1. " Li Qingzhao's "Wulingchun" rhyme, the ideological interpretation of Valery and others, and Bian's "Shuiyan" poem, the version is the same as Note 2, and China's modern vernacular poetry was born, sleeping on the couch and making a boat. The maturity of this school of poetry is marked by the publication of Hu Shi's Trial Collection, the emergence of the new metrical poetry school (Crescent School) and the integration of modern concepts, such as Chen Ziang's Youzhou Tower in the Tang Dynasty, 1984, which shows the transcendence of reality. ...