Chinese New Year's Eve Sleeping Ancient Poems Pinyin Edition

At the end of the year, the pinyin version of ancient poetry leaning on the column is as follows:

Su ì w m m: n years old.

Bai Juyi

This is a good example. The first frost, the water returns to the valley, and the wind sets.

This is a good example. Ran Ran is going to have a banquet at the age of 20, and everything is back to square one.

Kè, W ǔ Nyan Dewey Hay. Why did you move to the south? You haven't paid it back for five years.

Ming, Tang, Fen, Yang Dan, Ji, Xin, Ming. The fate of the chariot has been set, and the heart is safe for a long time.

Yang y qu qu, yang ni yang. also taste the heart, read quietly and say in private.

This is a good example. Going to the countryside is not fun, and returning to China is not necessarily fun.

Huxley kǔ,shě. Why? It is easier to give up than to take.

Appreciate:

"Late Evening" is a five-character poem by Wang Anshi, a writer in the Northern Song Dynasty. The poem first describes the quiet and cool autumn night scenery of "Moonshadow Forest Pond" and "Wind with Laughter", and then describes the process of the poet and his party going to the theatre, watching movies by the water, stopping to enjoy chrysanthemums, taking teenagers to find fragrance and boating in the wild. The poet is intoxicated with it, lingering, cherishing the beautiful time of autumn night more, and also revealing the regret that the years are getting older and the years are no longer there.

The whole poem uses pure line drawing, plain language, concentrated typical materials, elegant and clean artistic conception, interesting character activities, harmonious scenes and implicit conciseness.

The title of this poem is actually taken from the last sentence "cherish the streamer at the end of the year", which refers to the ninth month of the lunar calendar. At this time, autumn water is clear and chrysanthemums are in full bloom, which is not inferior to spring scenery. Because the end of the year is approaching, "there is no scenery after this scene", it is more cherished than spring scenery. Wang Anshi's theme of replacing scenery with time is precisely to highlight this feeling of "cherishing the streamer at the end of the year".

"The moon reflects the forest pond", which means it is not a hazy crescent moon, but at least half a moon. The bright moon and clear waves set each other off, clear and moving, indicating "sailing in the wild." The chrysanthemums by the pond, hidden in the branches and leaves, are still dark despite the moonlight, which explains why we should "look". "Laughing is cool", with the word "containing", we can see laughter slowly rippling in the wind.

So, this wind is a breeze. It is precisely because of this breeze that we can "stand in the fragrance"-stand for a while and wait for the "fragrance" of flowers to float in. It can be seen that the scenes displayed in the works are harmonious and unified despite the changes in circulation. The poet's brushwork is quite meticulous.

The two couplets in the middle positively describe the poet's enjoyment process. "Peeping green and clean" is to enjoy water, and "standing incense" is to enjoy flowers. The word "green static" is quite interesting. Before Wang Anshi, many poets used "green" and "quiet" to express the moving of flowing water, such as Li Bai's Xiangyang Song: "Looking at the duck's head in the Han River"; Xie Tiao's "Going to Three Mountains at Night and Looking at Beijing": "Chengjiang is as quiet as practice".

Therefore, referring to water with "green quietness" implies this description, so its function is not limited to pairing with "delicate fragrance", it is also picturesque, which just shows the "pity" (loveliness) of water. The word "peep" should not be read casually. Xu Yi, a poet in the Song Dynasty, wrote a sentence in Yanzhou Poetry: "Gong Jing loves to see the shadows in the water, which is also good, such as' autumn water indicates the river, and lotus flowers are at the bottom'.

The poem "Peach Blossom" says:' The ditch is green in spring, overlooking the red shadow and moving the fishing boat.' Look at its shadow. "It is not difficult to see that the' overlooking' pond here is not just looking at the water, but fascinated by the' shadows in the water': moon shadows, tree shadows, flower shadows and all related scenery." The word "peep" is quite vivid, vividly writing the poet's personality; Not only that, it also contrasts with "Xiaoli", which makes the wind carefree.

"Looking for new things with young people" comes from "Standing in the fragrance": the fragrance by the pond seduced the poet, so he was more interested in "looking for young people". There is an old man and a young man in the photo. They are very close. It is conceivable that their words are endless and take care of the "laughter" above.

"Flying in the wild to help the poor", by going up one flight of stairs, to show his interest in it. "supporting the decline", although it is weak and strong; "Wild sailing boat" is a kind of boat that only receives two or three people (Du Fu's South Neighbor). Old and frail, and sitting on a boat that is not an original boat, there is neither the noise of flute nor the joy of friends, but it has aroused his high interest in swimming.

If nothing else, it is this autumn moon that reflects the night in Tang Lin and the deep affection of "cherishing the streamer at the end of the year". Therefore, "helping the elderly" is not sighing for the elderly, and "Sailing" is not poor, but only reflects his feelings more deeply through both.

Tail couplet makes the finishing point. "Extended edge", lingering. The capacity of "lingering for a long time" is very large, which not only includes all the above enjoyment processes, but also shows that the poet is still walking at night after "supporting the decline of wild navigation" As for when he "died", there is no clear writing and no hint, but a meaningful explanation of the reason for "the fate is not long": "I cherish the streamer at the end of the year."

With this sentence, all the pictures describing enjoyment will get the soul, so you don't have to ask how long it will last, you can imagine and aftertaste according to your own understanding. Although this poem is plain with a pen, it still has endless implications, which is why.