Note: "▲" means a short pause, which means "the sound is still broken and the feeling is still there", which is slightly shorter than the pause time of "/"; "/"means pause; "⌒" indicates a connection.
Dream like a horse
Author: Haizi
I want to be a distant/loyal son.
And material/short-lived lovers.
Like all poets whose dreams are horses.
I/have to follow the old path of martyrs and clowns/.
Ten thousand people want to put out the fire. I/I will lift this fire/high by myself.
This fire is a big flower, which falls to the sacred motherland.
Like all poets whose dreams are horses.
I have been with this fire all my life/all night.
This fire is the language of the great motherland/and Liangshan Castle made of stone.
Dream of Dunhuang-the skeleton that will be cold in July.
Such as snow-white firewood/and hard snow strips across the mountain.
Like all poets whose dreams are horses.
I threw myself into this fire/these three lamps are my imprisons/they spit out brilliance.
Ten thousand people will go through my knife to build the language of the motherland.
I am willing to start from scratch.
Like all poets whose dreams are horses.
I want to go through prison, too
Of all God's creations, I/am the most perishable?
At an irresistible/fatal speed
Only food/is my baby, and I hold her tightly.
Hug her/have a baby at home
Like all poets whose dreams are horses.
I also want to bury myself in the mountains around me.
A vigilant/quiet home
Facing the river/I am infinitely ashamed.
I wasted my years and felt very tired.
Like all poets whose dreams are horses.
Time is fleeting. There is not a drop left in the water. ▲ There is a horse/a life.
In a thousand years/if I am born again/on the shore of my motherland.
A thousand years later/I have rice fields in China.
Kicking Zhou's snowy mountain Tianma
Like all poets who dream of horses.
My choice/eternal career
My job is to be the life of the sun.
Throughout the ages-"Japan"-he is extremely brilliant/bright.
Like all poets who dream of horses.
At last/I was carried into the immortal sun by the gods at dusk/.
Sun/is my name.
The sun is my life.
The Peak of the Sun/Burying the Body of Poetry-Millennium Kingdom and Me
Riding a 5,000-year-old phoenix/and a dragon named "Ma"-I will fail.
But poetry itself will win the sun.
Extended data:
The moral of a dream like a horse
1, (the first two sections) The basic position of the poet. The poet pursues a lofty goal, "I want to be a loyal son in the distance"; In his life, because of his lofty beliefs, his daily life is barren, but he does not mean that "matter is short-lived, and it is not worthy of our diligent pursuit and careful consideration." Therefore, the poet said that he should only be a "material short-lived lover".
The poet's role model is a proud child who rises in the body when human poetry is great, and a master of poetry who has a spiritual utopia. Like all poets who take dreams as horses, Haizi is not afraid to live in a depressed and misunderstood world. In the dark night of existence, in a "second-rate year", faith, purity, courage and love were all extinguished for the second time.
Many poets use this as an excuse to write nihilistic and absurd poems, and many poems actually become things to defend nihilism and absurdity. However, Haizi disagreed. "Everyone should put out the fire, and I hold it high and let the fire bloom in the sacred motherland."
Here, we have a new understanding of the spirit of poetry, and poetry has been greatly promoted and redeemed. It bears hell, high above. It must maintain its ideal temperament and dignity and resist the spiritual decline. While realizing the salvation of soul, the poet also completed the sublimation of individual life: "With this fire, I can spend my life in the dark."
2. (Section 3 and Section 4) is the poet's understanding of language. Poets are people who deeply meditate on "language as the home of existence" (Heidegger's language). The poet is aware of an essential feature of human beings-the situation where language is covered, the possibility of clarification and promotion, and the realistic basis of creating the spirit of spiritual development by saving language. Therefore, understanding language is related to understanding survival and life.
Here, Haizi wrote his deep attachment and conscious sense of belonging to the motherland's culture, "Liangshan walled city built by the language and stones of the motherland/Dunhuang with dreams as the top". The language here is not only the original meaning. It also extends to the "background" of a broader ethnic and cultural atmosphere. These are the "language pedigrees" handed down from generation to generation in the poet's spirit. Haizi should carry them forward, "throw people into this fire", "be willing to start from scratch" and "build the language of the motherland".
However, it is extremely difficult to reactivate the past tradition in an intellectual community in China, which is shrouded by a sense of "cultural failure", which not only tests the poet's understanding and creativity, but also tests his confidence and will. It is a dilemma of actively seeking and trying to survive in a predicament. Therefore, Haizi wrote, "These three lamps are imprisoning me, emitting brilliance" .../I would also like to sit at the bottom of the prison.