Graduation thesis: artistic characteristics of Sanmao's prose

Prose is a creative style that pays attention to self-awareness, and it is also a literary style that can better reflect the writer's essential strength. Excellent prose has this kind of aesthetic quality and creativity full of life experience. Reading Sanmao's prose, we can not only realize the structural function of style-artistic language on the works, but also clearly feel Sanmao's ability to master the language skillfully. The image system established by his prose language has almost reached the realm of extraordinary carving and vivid expression. Sanmao can truly and concretely feel everything that her writing object feels, or sketch its action, or use dialogue to render it. With keen and delicate perception, she accurately captured the characteristics of the writing object and integrated her unique feelings. In this way, her writing has an appeal that makes readers forget themselves. Reading Sanmao's prose seems to be an undisguised dialogue with the author, as if listening to a friend tell her touching experience, profound feelings, faint sadness and unrestrained happiness, giving people a warm and satisfying feeling of happiness. Because of this, I think Sanmao is indeed a name that cannot be ignored in any case for contemporary prose creation. First, the free and broad discourse space In the noisy mass culture market, prose occupies a large territory with its fresh and elegant, even aristocratic characteristics. Reading Sanmao's works in this cultural background will clearly appreciate her efforts to construct the artistic and social values of prose, and she will take our minds to a higher level. Compared with those works that are narrow-minded and only obsessed with shallow love, Sanmao's words are leading the audience into a broader discourse space, paying close attention to people's spiritual world in fresh love and free and tolerant thoughts, and gaining a tension between "persistence" and "innovation", which should be a very important reason why her words are widely recognized by people. After reading Neighborhood, you will definitely remember everything your neighbor borrowed except toothbrush and husband, and you will also find the dialogue "Put this camel in your refrigerator" humorous and memorable. The male midwives who have been baptized by civilization in the works are even more eccentric. He refused to have dinner with his family, so his son always came to borrow a knife and fork at dinner every day. The opening line must be: "My dad is going to eat, I'll get a knife and fork." Although he borrowed it and returned it, Sanmao was still able to shrug off it and gave him a new set. Unexpectedly, only two days later, the child came to borrow it again. "My mother said that set of forks is new and should be put away. Now my father wants to eat ... "It seems that San Mao's things are not only his own, but also borrowed his knife and fork. They were baptized by civilization and confidently borrowed knives and forks so skillfully intertwined. "I". After reading these conversations with children, the author no longer needs to describe the words and deeds of midwives. Through the boy's mouth, Sanmao has conveyed a wealth of information. The author's treatment in this way has left a broad imagination space for readers and received endless aesthetic effects. She formed her own distinctive writing style when portraying people with exotic styles. Humor, wit and sincerity. She turned the vulgar atmosphere into a happy ending, which not only contained others, but also washed herself and really entered a beautiful realm. Second, the pleasant rhythm and tone Generally speaking, the organization of prose language should be carried out according to the meaning, but this is not all. After reading Sanmao's prose works, you will feel its inherent sense of rhythm and beauty of rhyme. She "tries to achieve a pleasant rhythm or at least avoid disturbing effects, and has a special sense of rhythm among writers, readers and listeners, which is independent." This is also very valuable. Her language pays attention to natural charm and overall rhythm, and is good at short sentences. One word, two words, three words and four words are interlaced, and sentences can be made, which is full of music and cadence. The tone is faded and vague, and the appropriate boundary between the two is very free and natural. In meditation and intensive reading, you will always feel the rhythm and sweetness of the voice, and the rhythm is in harmony with the emotional atmosphere and content. In her leisurely narration, we can hear cantabile andante and beautiful music, and we will go with her to find that touching dream. Third, fresh and natural, not obscure style Reading Sanmao's prose, we can also feel her fresh and natural, not obscure style, and naturally think of Li Qingzhao's fresh and beautiful lyrics. Li Qingzhao, a poetess in feudal times, was full of rebellious personality and creativity. Both San Mao and Li Qingzhao have strong personalities to break free from bondage, so they all show innocence, simplicity, naturalness, innocence and taste in their language styles, never moaning without illness, and never being obscure and pretentious. The natural artistic conception in her works shows the constant connection between her and Li Qingzhao. Compared with Li Qingzhao in feudal times, the social content and thoughts and feelings embodied in Sanmao's Ci exude a fresh and detached temperament, and a modern feature that emotions constantly break the shackles of reason. So it is understandable that readers have a lot of praise for her. Sanmao's prose creation does not deliberately pay attention to language skills. She is used to directing Chen Qi's affairs, telling her true feelings with clear strokes and showing relaxed interest. Her works are full of tenderness and charm, and her happiness is full of desolate and foggy loneliness and vicissitudes. It should be said that every article is her painstaking efforts, an article is a kind of artistic conception, and every sentence in the article is a factor that constitutes this artistic conception. This kind of emotional expression is straightforward, frank and willful, with irresistible artistic momentum. Take the language at the beginning of several articles as an example: "It's a pity that my husband is a foreigner" (hotel in the desert) "One evening, Jose suddenly had a whim ..." (Buzz is watching in the desert) "My neighbors all look dirty and sloppy outside" (neighborhood). Sanmao is written with emotion, and there is a kind of peace of mind away from the hubbub in these sentences. What to express and what kind of emotion to express, she will clearly convey it and firmly lock the reader's eyes; A word opens an artistic conception, and the expression of emotion and the expression of things are synchronous, one hidden and one obvious, one dark and one bright. 4. Prose is a style of expressing one's mind directly, which is closely related to one's thought, soul and life experience. Sanmao's interest only lies in creating the realm of beauty, and he is bound to stay away from the ethical pursuit of quick success and instant benefit, thus stubbornly sticking to the ontological position of art. Therefore, we can clearly see the elegant beauty reflected in the way of language integration and expansion in Sanmao's prose. Every time I read Sanmao's prose, I always feel that her article is not profound, but it always makes people feel different. Her fresh, popular and vivid language always brings me into a world full of spirituality and opens my heart. I often wonder why these simple words, which I have long been familiar with, can create many interesting and memorable artistic conceptions in her works. Indeed, Sanmao's language emphasizes simplicity, and there are almost no cold and eccentric words and long sentences in more than a dozen prose collections. The writing is straightforward, the words are simple, but full of elegant colors. The so-called "color" in this paper is about the personality charm of her language, which makes Sanmao's language break away from the superficial appearance and rise to a unique and personalized way of telling. Although Sanmao's language is simple and straightforward, it doesn't mean that her language is superficial and she can't write incisive and profound sentences. On the contrary, in her chapters, we can easily see her profound knowledge in China's ancient poetry, as well as her rich knowledge in geography, fine arts, philosophy, society, ethics, religion and martial arts. Rich cultural background permeates the text, or appears implicitly or explicitly in the sentence, forming a writing style of mixed literature and white, appealing to both refined and popular tastes, and naturally meeting refined and popular tastes. Let's read her article "I don't know if I am a guest in my dream". Although the first part of the text is inevitably emotional, her free and unrestrained thinking about Wan Ren naturally blends martial arts, ancient prose and poetry. Let's take a look at how Tears are only a thousand lines, Every bosom friend has a thousand glasses of wine, The Shepherd instructs Xinghua Village, evening rain Begins Autumn Pond, I don't know the guest in my dream, and I am greedy in the afternoon, and how they blend into the sentence and blend into the context without showing the taste of dropping the book bag. Look at the role of the characters' name "No regrets", the title "the legendary swordsman" and the martial arts trick "White Crane flapping its wings" in the article. As for the musical effects of epigrams and tunes in the text, we need to feel them with our hearts and read them aloud. After reading it, you will find that they not only increase the knowledge capacity of the article, but also create an elegant and elegant sense of language.