Bing Xin are also famous social activists. Since the founding of the People's Republic of China, she has served as a member of the second and third Council of the Chinese Writers Association, a secretary and consultant of the Secretariat, a member and vice-chairman of the second and fourth National Committees of the Chinese Federation of Literary and Art Circles, a vice-chairman of the Central Committee of the China Association for the Promotion of Democracy, a member of the Standing Committee of the first and fifth National People's Congresses, a member of the fifth and seventh National Committees of the China People's Political Consultative Conference, a member of the eighth and ninth National Committees, a vice-chairman of the National Children's Welfare Foundation and a member of the Standing Committee of the China Women's Federation. She always pays attention to and devotes herself to various activities with great love for the motherland, people and children. She has made outstanding contributions to the development of China's literature, women and children, and to upholding and improving the system of multi-party cooperation and political consultation under the leadership of the China Communist Party. Bing Xin is deeply influenced by the trend of thought of * * *, and is regarded as a writer who writes with the philosophy of love, especially the thought of love for the lower classes. Ba Jin listed "love" as the theme of Bing Xin's works, saying that "I hope all young people will read some books by Bing Xin and have a sincere love". In the style of her works, Bing Xin is known for her soft and beautiful words. Liang Shiqiu commented that Bing Xin was short in prose and novel, and thought that the genres of Stars and Spring Water were not worth imitating and became fashionable. During the Republic of China, Bing Xin received relatively low evaluation from contemporary female writers (such as Zhang Ailing and Su Qing). Zhang Ailing wrote in "I See Su Qing": "If it is necessary to divide the female writers into a column to comment, then I can't be proud of comparing me with Bing Xin and Bai Wei ..." Compared with the well-known reputation, Bing Xin's masterpieces are not many, and the most familiar ones today are Little Orange Lantern and Three Letters to Young Readers. Bing Xin's famous saying is that "with love, there is everything". Her words and deeds all her life, and all her millions of words, all illustrate her incomparable love for the motherland and the people and her abundant confidence in the future of mankind. She loves all the outstanding cultural achievements accumulated by the Chinese nation and all mankind through history. She loves life, beautiful things, and the look and character of roses. Her innocence, kindness, fortitude, courage and integrity make her enjoy high prestige among readers at home and abroad. The people of China are proud to have such a literary master as Bing Xin.
Writer's comments
Zhu Ziqing's prose is mainly narrative and lyrical essays. The theme of his works can be divided into three series: one is a group of essays with the main content of writing about social life and attacking the dark reality. The representative works include The Price of Life: 7 cents, The White Man: The Picture of God's Favorite Zhu Ziqing < P > and The Class of Government Massacre. Second, a group of essays represented by "The Back" and "Children" mainly describe personal and family life, show the human relations between father and son, husband and wife and friends, and have a strong human touch. Thirdly, a group of lyrical sketches based on natural scenery, Qinhuai River in the Shadow of Paddle Lights, Moonlight on the Lotus Pond and Spring, are their representative works, which accompany generations of people's joys and sorrows. The latter two kinds of essays are the best written by Zhu Ziqing, among which "The Back" and "Moonlight on the Lotus Pond" are well-known masterpieces. His prose is simple and meticulous, clear and gloomy, famous for its refined language and beautiful writing, and full of true feelings. The sincerity of Zhu Ziqing's prose feelings is well-known. His "The Back" and "Mourning the Woman" are called "the first-class literature in heaven and earth". In the faint pen and ink, there is a deep feeling, without any affectation, but with touching power. Especially in The Back, Zhu Ziqing's deep affection for his father Hongjun Zhu makes readers feel a little nostalgic and moved. He wrote in On Realism and Picturesque, On Slogans and Slogans, Zhong Ming < A record of nausea and bitterness > Preface and other articles, emphasize "truth" and "nature", emphasize "rhetoric is sincere", and emphasize that "propaganda and writing cannot be short of ... sincere attitude". It is this "sincere attitude" that makes him pour his true feelings between the lines. And this kind of emotion, which is revealed from the depths of the heart, is more likely to cause readers to sing. Zhu Ziqing embarked on the road of literature and was famous for his poems at first. He published a long poem "Destruction" and some short poems, which were included in Snow Dynasty and Traces. Since the mid-192s, he has devoted himself to the creation of prose, including the collection of essays "The Back", Miscellaneous Notes on Europe, You and Me, Miscellaneous Notes on London, and the collection of essays "Standards and Criteria" and "Appreciation of Elegance and Custom". His essays include landscape writing, travel notes, lyric writing and essays. First, he wrote beautiful scenery with meticulous and beautiful works such as Qinhuai River in the Shadow of Paddle Sound and Moonlight on the Lotus Pond, which showed the achievements of vernacular literature. Following the sentimental works such as The Back, Children, Mourning for the Wife, he set up a model of "talking style" prose with rich literature and quality. Finally, the poet, the scholar and the fighter are unified by the mixed feelings with subtle words and interesting reasons. He has contributed to the construction of modern prose style which is simple, lyrical and natural. As a scholar, he has made great achievements in poetry theory, classical literature, new literature history and Chinese education. His works include Miscellaneous Comments on New Poems, Distinguishing Poems, Talking about Classics, Teaching Chinese (co-authored with Ye Shengtao) and the handout Outline of China's New Literature Research. His writings are included in The Complete Works of Zhu Ziqing. "Hurry" was selected as the second lesson of the sixth grade in the primary school of People's Education Press and the 19th lesson of the sixth grade in the primary school of Hubei Education Press. "Spring" was selected as Lesson 21 of the first semester of the People's Education Edition, Lesson 88 of the sixth semester of the Shanghai Education Edition, Lesson 9 of the first semester of the Chinese Edition, and Lesson 1 of the first semester of the Beijing Curriculum Reform Edition. "Back" was selected as the 11th class in the second semester of the People's Education Edition, the 5th class in the first semester of the Shanghai Education Edition, the 3rd class in the third semester of the Changchun Edition, and the 2nd class in the first semester of the Beijing Curriculum Reform Edition. Moonlight on the Lotus Pond was selected as the first lesson of compulsory Chinese in Grade One of the People's Education Press. The characteristics of Zhu Ziqing's lyric prose are as follows: 1. Sincere and simple feelings; 2, accurate observation of natural scenery, sensitive to sound and color; 3. He is good at collecting, comparing, and stimulating various techniques, starting from the transition, waving his hand and watching, which not only makes the best of the song but also has a lingering charm; 4. The writing style is exquisite and beautiful, and the rhythm is ups and downs, full of poetry and life interest. On the one hand, Zhu Ziqing's pursuit of elegant, harmonious and restrained beauty is the continuation of China's traditional cultural spirit, on the other hand, it also implies the escape and denial of China's realistic social scene.
Xu zhimo (15.1.1897 ~ 19.1.1931) was a modern poet and essayist. Han nationality, from Xiashi Town, Haining City, Zhejiang Province. Xu Zhimo is Jin Yong's cousin. Originally known as Zhang Yi, it was renamed Zhimo when studying in the United States. Used pen names: Nanhu, Shizhe, Haigu, Gu, Dabing, Yun Zhonghe, Xianhe, Delete Me, Xinshou, Huanggou, Huan and so on. Xu Zhimo is a representative poet of Crescent School and a member of Crescent Poetry Society. He graduated from Hangzhou No.1 Middle School in 1915 and studied in Shanghai Hujiang University, Tianjin Beiyang University and Peking University successively. In 1918, he went to the United States to study banking. In 1921, he went to study in Britain and became a special student at Cambridge University, studying political economy. I was deeply influenced by western education and romantic and aesthetical poets in Europe and America during my two years in Cambridge.
Chinese name: Xu Zhimo
Alias: Xu Zhangyi
Nationality: China
Nationality: Han
Birthplace: Xiashi Town, Haining City, Zhejiang Province
Date of birth: January 15, 1897
Date of death: November 19, 1931. A cold night? Tiger set? Traveling around? Fallen leaves? Scales of Paris? Roulette? Self-dissection Autumn
Diary, Drama, Translation of Zhimo Diary? Love eyebrows? Bian Kungang? Mansfield's short stories
Zhang Ailing, a modern writer in China, whose real name is Zhang Ying. On September 3th, 192, he was born in an imitation Western-style mansion built in the late Qing Dynasty at No.313, Maigen Road, the western concession area of Shanghai. Zhang Ailing's family background is prominent, her grandfather Zhang Peilun was a famous minister in the late Qing Dynasty, and her grandmother Li Ju Couple was the eldest daughter of Li Hongzhang, an important official in the imperial court. Zhang Ailing created a large number of literary works in her life. Types include novels, essays, screenplays and literary works, and her letters are also studied as part of works. In 1944, Zhang Ailing got acquainted with the writer Hu Lancheng. In 1973, Zhang Ailing settled in Los Angeles. On September 8, 1995, Zhang Ailing's landlord found that she had died in an apartment on Rochester Avenue in westwood, California, at the age of 75, due to arteriosclerosis and cardiovascular disease. Another athlete of the same name, Zhang Ailing.
mbth: Eileen Chang
Alias: Zhang Ying (named by parents)
Nationality: China
Place of birth: Shanghai
Date of birth: September 3, 192
Date of death: September 8, 1995
Graduate school: University of Hong Kong (HKU) Love in the city; Half-life fate; "Red Rose and White Rose"
used a pen name: Liang Jing
School: Shanghai style writer
Origin: Hebei Fengrun
Main works collection: novel collection "Legend"; Prose collection Gossip
Husband: Hu Lancheng, laya (USA)
Eileen Chang's main works
Novels? Love of the whole city? Half-life fate Heart sutra? Little reunion resents women? Jasmine scented tablets? Red roses and white roses? The first stove of agarwood crumbs is fragrant? The golden lock? Students and teenagers are not cheap? Sweet-scented osmanthus steaming a little sad autumn
prose works? Genius dream? Children's words are unscrupulous? Ember records? Change clothes and remember the way to the eye? A lesbian car? Poetry and nonsense? Talking about dancing under an umbrella? Double tone? Day and night in China? Talking about reading
writing movies? Half-life fate (22)? Red Rose and White Rose (1994)? June Bride (196)? North-South Family (1962) Love of the Whole City (1984)? Love is like a battlefield (1957)? Little children (1963)? Song to remember (1964 )
Mao Dun (July 4, 1896 ~ March 27, 1981), formerly known as Shen Dehong, was named Yan Bing. Han nationality, Tongxiang, Zhejiang. China is a famous modern writer, literary critic, cultural activist and social activist, one of the pioneers of the May 4th New Culture Movement and one of the founders of revolutionary literature and art in China. Born on July 4, 1896 in Wuzhen, Tongxiang County, Zhejiang Province. This is a land of plenty in the south of Taihu Lake, which is the most developed agricultural area in China in modern times. It is adjacent to modern Shanghai, and it is also a place where people gather together. This has made Mao Dun's open cultural mentality of facing the world bravely and his exquisite writing style. In the period of the "Cultural Revolution", I secretly wrote the sequel to Frost Leaves as Red as February Flowers and the memoir The Road I Walked. Mao Dun died on March 27th, 1981.
Chinese name: Shen Dehong
alias: Yan Bing, pen name Mao Dun
Nationality: China
Nationality: Han nationality
Place of birth: Tongxiang, Jiaxing, Zhejiang
Date of birth: July 4, 1896
Date of death: March 27, 1981
Occupation: writer. Social activist
Graduated from college: Peking University
Major achievements: Pioneer of New Culture Movement
Founder of Chinese revolutionary literature and art
Representative works: Midnight, Lin Jiapu and Eclipse trilogy,
Contents such as Advocacy Collection
Introduction to Mao Dun
Mao Dun's pen name
Mao Dun's life
Novel significance
Comments on Mao Dun's positive views
Negative views
Mao Dun's former residence
Classic works
Comments on Mao Dun by famous artists
Chronology of his works
. > Mao Dun's former residence
Classic masterpieces
Masterpieces' comments on Mao Dun
Chronology of Mao Dun's literary works. Introduction to Mao Dun
Many China writers and politicians' "first teachers" are widowed mothers, and Mao Dun was raised by his stepmother. His real name is Shen, his first name is Dehong, and his word is Yan Bing. Born in Tongxiang, Zhejiang Province on July 4, 1896. At the age of seven, Mao Dun went to the home school with his father, and was personally guided by his stepmother to learn new things. When he was 8 years old, his father was seriously ill, and went to Wuzhen Lizhi Primary School to study, and then transferred to Youcai Senior Primary School. From his remaining compositions with President Mao Zedong, Zhou Yang, Mao Dun and Guo Moruo, it can be seen that he is concerned about the country and the people, strengthening the body and eliminating evil spirits. At the age of 13, with the help of my mother, I set foot on the train in Huzhou, ending my childhood and starting my middle school life. At the age of 16, he was a scholar, a reformist figure who was familiar with Chinese medicine and had an open mind, and quite re-learned. After finishing the preparatory course in Peking University, he was unable to further his studies. He joined the Shanghai Commercial Press, reformed the old-fashioned Novel Monthly, became the chief critic of the Literature Research Association, and was also one of the founders of the Literature Research Association. Actively carrying out the revolutionary literary movement has made a pioneering contribution to the study of Lu Xun and his works. His knowledge and talent were discovered by the general manager and the director of the editorial office, and he was transferred to the Chinese Language Department to help the old gentleman Sun Yuxiu cooperate in translation. Mao Dun finished translating a popular book for young people in one month, named Clothes, and then translated Food and Housing, and later helped him compile a magazine Fairy Tales, which was the first stop for Mao Dun to start his literary creation. In 1918, he wrote a fairy tale, Seeking Happiness, and his fairy tale works included The Great Huai Country, Repaying the Country and Tree At this time, he took part in the Shanghai * * * production team's work to build the China * * * production party, went to Guangzhou to attend the second Kuomintang Congress, and served as the secretary of the Propaganda Department of the Kuomintang Central Committee. The acting minister of the Propaganda Department was Mao Zedong. Cooperation between countries has broken down.