Problem description:
Hello, I am a foreign student.
I just started learning Tang Poetry, but I don't know much about it, which is too strange.
I have a few questions about "Tang poetry". Please do me a favor. thank you
Analysis:
Meng Haoran (689-740) had positive ambitions and ideals for society and life, which was a setback in life and a wave of spiritual world, making him a real hermit with unique personality in the prosperous Tang Dynasty. His enthusiasm, his pain, and his detachment in inviting people to travel are all naive and romantic in the prosperous Tang Dynasty. The unique social reality in the prosperous Tang Dynasty and his painful choice of life and concealment created the unique charm of his poems. He was the first poet who wrote a large number of pastoral poems from the early Tang Dynasty to the prosperous Tang Dynasty. His poems are mainly based on daily life, describing landscapes and pastoral scenery, as well as the elegant manners and leisure interests of hermits.
Dongting Lake Scenery Presents Prime Minister Zhang
Here is the lake in August, and heaven is an air.
Fog in Yungu and Menggu enveloped Yueyang City.
I want to cross the river very much, but I can't find a boat. I am lazier than you politicians. It's a shame.
I feel like a fish when I sit here and watch a fisherman throw a fish.
If the weather in this autumn is not so fresh and clear, the quiet evening may seem a bit sad.
-"Qiu Lai Denglanshan" to Zhang.
Night parking on Jiande River.
When my boat was sailing in the fog, the sun faded and old memories began.
How vast the world is, how close the trees are to heaven, and how close the moon is to the water! .
Passing through the village of the old man
Prepare chicken and rice for me, old friend. You entertain me on your farm.
We looked at the green trees around your village and the pale blue of the distant mountains.
We open your window and overlook the garden and fields, holding cups and talking about mulberry and hemp.
Wait until the mountain is on holiday, and I'll come back at chrysanthemum time.
We looked at the green trees around your village and the pale blue of the distant mountains.
We open your window and overlook the garden and fields, holding cups and talking about mulberry and hemp.
Wait until the mountain is on holiday, and I'll come back at chrysanthemum time.
Meng Haoran's Passing through the Old Village describes the beautiful rural scenery and quiet and pleasant rural life, and shows the poet's love for rural life and praise for sincere friendship. In art, language dilutes nature and is full of poetry. Poets use simple words close to spoken language to easily and naturally express ordinary rural scenery and ordinary friends' gatherings, which are cordial and poetic and make their feelings carefree. Language is tempered in simplicity and nature, and scenery is written casually.
"This poem is natural and has no trace of description." —— Fang Hui's Essays on Lv Kui.
"The whole body is clear and wonderful. The last sentence means' JIU' and belongs to nature. "
-Shen Deqian's Tang Poetry
Meng Haoran wrote a lot of landscape poems in his life. The poet took advantage of the opportunity to travel around the mountains and wrote touching poems, so his poems were very good at conveying subtle emotions in the mountains and rivers, and became the best among the pastoral poems in the prosperous Tang Dynasty.
In "Sleeping in Jiande", the poet wrote the closeness between the moon and people by printing the Qingjiang River on the moon. The river is calm and empty, only a bright moon can accompany the poet, but it reflects the loneliness of people and sets off the homesickness of travelers with the emptiness of the river. What is shown in the description of scenery is the poet's own subtle psychological feelings, which is the unique artistic style of Meng Haoran's poems.
A poet in Xiao Wang in a Boat has given full play to the artistic technique of "coexistence of reality and reality", aroused people's fantastic association with Tiantai and Chicheng, and showed the ups and downs of the poet. This is the air of this poem.
In the poem "Climbing the Wild Goose Mountain with Friends", the poet melts his homesickness and personal sadness into the world of human metabolism, thus creating a lofty artistic conception. Despite the personnel metabolism, the past is gone forever, but the true people with lofty ideals and sages have left an immortal reputation in history. Facing the shortness of life, his inner desire to establish an immortal reputation has never died out.
Meng Haoran's poems mostly use simple and natural language, straightforward syntax, smooth rhythm and simple painting method, and write the scenery in front of him without carving, creating a distant, open and detached poetic realm, showing a simple and plain life interest, natural and natural, working hard without seeking work, but with a sparse and lonely artistic personality, which is different from the precise and elegant urban style.
Meng Haoran's poetry pursues frank and fluent expression, which is obviously influenced by Tao Yuanming's poetic artistic paradigm, but his poetry is more rigorous than Tao's, and it also highlights subjective feelings, which is the result of the development of pastoral poetry in the new cultural background.
However, his excessive pursuit of frankness and fluency played a negative role in the increasingly refined and concise artistic trend of poetry in the prosperous Tang Dynasty. His expression is a little too straightforward, lacking deep charm, some poetic and not rich in ideological content. Therefore, Su Shi once mocked Meng Haoran in the Northern Song Dynasty for his "high rhyme and short talent, such as being a drunkard without material" (quoted from "Poems on the Back Mountain").
In the 16th year of Kaiyuan (728), Meng Haoran left his hometown and went to Chang 'an. Instead, he fell behind. After more than a year of hard work, he still has no way to enter the official career. In the winter of Kaiyuan 17, he returned to his hometown. During the prosperous Tang Dynasty, although there was a strong atmosphere of recommending sages in the ruling and opposition parties, in actual politics, the phenomenon of cronyism and not putting people in front of the public was inevitable, and contradictions lurked under the appearance of prosperous times. His works in Chang 'an began to reflect these unreasonable phenomena, and his early passion and ambition turned into a sense of injustice. His poems have become sharper.
From leaving Chang 'an to his death, Meng Haoran's spiritual world has undergone some changes. He has a deeper understanding of secluded life, and he has found a spiritual destination, that is, to give up the temptation of fame and fortune and keep his personality pure in his secluded home. Meng Haoran's detachment and idleness in his later years all originated from the word "truth" he realized in his heart. He wants to keep his true nature. Compared with this word, worldly glory seems less important. This spiritual realm became the object of expression in his poems. For example, his famous phrase "Early Fishing in Putan" says: "Xu Dong took an early photo, and the bamboo tree bird was already surprised. Lying in the fish mouth, the radial sound is dark. The width of the river is known at sunrise. Beautiful women often pick up, take photos and foam. Drink water to scare apes, offer fish to meet otters. The ship is not boring and the situation is clear. " The charm of any morning in the world lies in the vitality gradually recovered from burnout. This is the most touching place in the morning. The beauty of this poem lies in grasping this difficult artistic conception.
The most striking feature of the weather in the prosperous Tang Dynasty is liveliness, freshness and liveliness. Meng Haoran's poems are the most vivid representatives. As a poet in the prosperous Tang Dynasty, Meng Haoran prefers to feel the morning light from a fresh and vivid side. With exquisite brushwork, he appealed to the artistic conception of natural vitality recovery in his words to reflect the spirit of the times nurtured in his heart. On the surface, the language of Meng Haoran's poem is very dull, and there seems to be not much strangeness in conception, which forms an elegant and refined character in dullness. The poet embodies his superhuman artistic skills from his seemingly ordinary but ingenious ideas.
Meng Haoran has made great achievements in the creation of pastoral poems. Today, we call him the representative of the pastoral poetry school in the prosperous Tang Dynasty. Meng Haoran prefers to feel the morning light and spring from the fresh and vivid side. With exquisite brushwork, he appeals to the artistic conception of natural vitality recovery in his words to reflect the spirit of the times contained in his heart. Meng Haoran is one of the artistic models of the pastoral poetry school in the prosperous Tang Dynasty. He pursues observing nature and expresses the beauty of mountains and rivers with his unique artistic taste.