the more dangerous last sentence: how many spring flowers and autumn moons. Name of the poem: Nian Nujiao Jiang Shui Yun Ying. Real name: Zhu Xi. Nicknames: Zhu Zi, Wen Gong, Mr. Ziyang, Mr. Kao Ting, Cangzhou Sick Old Man, Yungu Old Man. Font size: the character is dark, and the middle character is dark. Time: Song Dynasty. Ethnic group: Han nationality. Birthplace: Youxi, Nanjian Prefecture (now Sanming City, Fujian Province). Date of birth: October 18th, 113. Time of death: April 23rd, 12. Main works: Jiuqu Acura, Spring Day, Liuhua, Thoughts on Reading Books, Boating, etc. Main achievements: Master of Confucianism, Neo-Confucianism in Song Dynasty.
We will provide you with a detailed introduction of "That is more dangerous" from the following aspects:
1. Click here for the full text of Niannujiao Jiang Shui Yun Ying, and see the details of Niannujiao Jiang Shui Yun Ying
Jiang Shui Yun Ying, the swan geese want to fly south.
where can I make a guest with a pot? The sky is green and misty.
It's hard to smile in the world, and there is Huang Ju, a purple peony.
It's a good thing to go home. The scenery is today,
life experience is different. Reward the festival,
you must be drunk, so it is not against it.
life is like a letter, so why bother to complain about it?
Endless past and present, how many spring flowers and autumn moons,
That's even more dangerous. And ask Niu Shan guests,
why do you have to stick to your clothes alone?
Second, the translation
The river is flooded with clouds and the geese want to fly south. Where can I make a guest with a pot? The sky is green and misty. It's hard to meet a smile in the world, and there is a purple peony and Huang Ju, which can be inserted into my head. The scenery is today, and the life experience is not the same.
The shadows of clouds are immersed in the river, and Hongyan is planning to fly south. Where are you going to climb the mountain with your hip flask and your guests? Of course, it is to find a place that is green and quiet and smoky. It's a rare smile in the world. Fortunately, Huang Ju can pick it and put it in her hair, and enjoy herself. The scenery is still the scenery of previous years, but unfortunately people are no longer the people of the past.
you must be drunk when you pay for the festive season. Life is like sending, why bother to complain about it? Endless past and present, how many spring flowers and autumn moons, that is even more dangerous. And ask Niu Shan guest, why alone with clothes.
In order to celebrate the Double Ninth Festival, you should get as drunk as a fiddler. Please don't refuse to drink again. People live like parasites in this world. Why do you have to work hard and hate that life is too short in the end? Throughout the ages, there are countless spring flowers that bloom and fade, and there are countless days when the moon is full and short, endless. If you can understand, there will be no sense of crisis. Ask Qi Jinggong why he has to shed tears on his skirt because life is short.
Third, appreciation
Rewriting words and sentences according to the original content of a certain style into another genre is called implicit inclusion. This word implies Du Mu's poem "Climbing Mount Qi on Nine Days".
I read it for the first time, but I think it transplanted the original poem sentence by sentence, just plain and distant. Repeatedly chanting experience, only to find that the spirit of artistic conception has been thoroughly remoulded.
Look at Du Muyuan's poem: "Jiang Hanqiu's shadow geese are flying at the beginning, and they are carrying a pot with guests. It is difficult to open a pen in the world, and chrysanthemums must be inserted. Only to indulge in the double ninth festival, do not have to sigh and hate the sunset afterglow. This is only the case throughout the ages. Why should Niu Shan be alone? " On the Double Ninth Festival, Du Mu climbed Qishan with his friends, and the beautiful scenery made this late Tang poet feel rare joy. However, when the sun sets, it touches the author's impermanence and sorrow. In the Spring and Autumn Period, when Qi Jinggong went to Niu Shan, Linzi, the capital of Beiwang, said with tears, "Why not go here and die!" The poet regrets why he should cry alone like Qi Jinggong, because life is impermanent, and it has always been so, who can be spared! Words seem broad-minded, but in fact they are depressed and sad. Now look at this word. A river falls in autumn water, and the sky is full of clouds and shadows.
The swan goose in the sky of Wan Li is flying for the first time, just as Chongyang. "Where is the guest with the pot?" Ask. "The sky is green and misty." Answer. I can't answer a verb, but it's pure scenery, which gives people the feeling that the people who are carrying wine up the mountain are dissolved in the dense mountains and green mountains, and the artistic conception is extremely ethereal. If you use the word "Shang" in the original poem "Carrying a pot with a guest", it is not true. Usually living in the world, it is difficult to open a smile. Today, when I am in the embrace of nature, I am naturally smiling. What's more, it's full of dogwood purple and chrysanthemum yellow, so you can put on a full head and enjoy yourself! "The scenery is now, and the life experience is not the same." How many people in the past who climbed mountains and felt sad have long since become the past ("no"), but the beautiful nature is real and constant ("yes"). What the author actively affirms here is not only the natural beauty of the present ("the present"), but also the people in the scene and the present life. Adding these two sentences to the ci immediately injected a source of fresh water-like new ideas, and the ci sentiment has obviously separated from the poetic sentiment.
The author exhorts his friends to reward the beautiful scenery of the festival. Although he is as drunk as a fiddler, don't let down the great Guang Chen. "Life is like sending, why bother to complain?" Life is limited, so we should cherish it. Why bother complaining about the setting sun? Although these two sentences use the original poem, they are not pretentious and broad-minded, but actually fully affirm the value of present life. "Endless past and present, how many spring flowers and autumn moons, that is even more dangerous." These three sentences, transplanted from the original poem "this is the only way through the ages", are completely contrary to their meaning and even more innovative. It's all about turning a stone into gold and reinventing yourself. Endless past and present, how many spring flowers and autumn moons, summarize endless time and infinite space up and down. From ancient times to the present, it is called the universe, and the four directions are called the universe. The author focuses on octupole and thinks for thousands of years, but he feels that in the infinite universe, there is always vitality, so there is no crisis! The author is a famous Confucian philosopher in Song Dynasty. According to Confucianism, the universe, life and ontology are one, that is, endless vitality. This vitality is reflected in the life of all things in the world. "There has never been a breath." (Zhu Xi's The Mean or Question) Although life is limited, the vitality of the universe is infinite. The meaning of life is to live in its proper place, which embodies the ontology of the universe, and the limited life will be integrated with the infinite universe. Knowing this, life is full of fun. "When you ask Niu Shan guests, why bother to stick to your clothes alone?" The implication is permeated with this optimistic spirit. The conclusion of Zhu Ci and Du Fu's poems is still the same language but different meanings.
Du Fu's poems console himself with the impermanence of life, and his words seem broad-minded but real, sad and depressed. Zhu Ci, on the other hand, uses the optimistic spirit of life to deny the impermanence and sadness of life. And this kind of sadness has tortured many ancient poets. Looking back, pondering that "the scenery is now, the life experience is not the same" means more obvious and deeper.
Let's imagine that the author Chongyang climbed the mountain together, and when he was excited, he used pen and ink to include Du Mu's poems. River water, cloud shadow, swan goose, green sky, misty rain, purple dogwood, Huang Ju, in the author's eyes, the nature is full of vitality, instead of "how to travel in the four seasons, how everything grows", "kite flies in the sky, fish jumps in Yu Yuan" and "everything grows together without harming each other".
On the Double Ninth Festival, people climb mountains together, return to nature, smile, get drunk, and stretch their temperament, all of which are full of the interests of "Leshan", "Happy Water" and "Happy Forget Worry". The author's "chest is second to leisure, straight to the same stream as everything in the world, each with its own wonderful place, hidden in the words" "Notes on the Analects of Confucius". In the author's ci, it is not the realm of general life emotion in Du Mu's poems, but the philosophical realm of the Confucian harmony between man and nature. This realm is no different from the realm of "those who are in late spring, those who have already taken their clothes in spring, five or six champions, six or seven boys, bathing in interpretation, dancing in the wind, and returning home with singing". Zhu Xi's ci praises nature and life, showing the spirit of China's Confucian philosophy and the realm of Song Ci, which is a great contribution to Song Ci.
This word expresses philosophical thinking, which is characterized by simple explanation, beautiful and lofty artistic conception and clear and generous style. Therefore, it is rich in rational interest without falling into vulgarity.
Volume 117 of Poems of Past Dynasties quotes Reading Continuum to comment on the cloud: "If you are heroic, you will look down on Su Xin; If the syllables are harmonious, the servant will command Qin Liu. Wash away the customs of the headscarf. " It can be described as knowing words. This word belongs to the implicit style, and it is important to introduce the new with the old, and its artistic attainments are different from Du Muyuan's poems. Although it almost transplanted the original poem sentence by sentence, it is full of new ideas in several places, and the whole word is also refurbished everywhere, which has a brand-new face. For example, after reading the whole word, and then recalling Shangcheng's remark that "there is purple peony in Huang Ju, and it's as good as being full of flowers", we can see that returning to the mountains is not only purple peony and Huang Ju's flowers, but also full of life and interest of integrating man and nature. For example, the whole article can be connected with the same class and thoroughly remoulded, only in the height of mind. Little iron turns into gold, but it is wonderful. There is no lack of this new artistic feature in Song Ci and Song Poetry. This, in fact, is a reflection of the cultural spirit of the whole Song Dynasty, which is good at inheriting and innovating. The word Zhu Xi is a metaphor for this cultural background.
Fourth, Zhu Xi's other poems
Boating, Poems to Encourage Learning, Spring Day, Thoughts on Reading Books and Lanjian. V. Note
Make friends: Climb the mountain with the guests.
earthly: that is, life.
Evodia rutaecarpa: cornus, a plant with strong fragrance.
as drunk as a fiddler.
Poems of the same dynasty
General Cao, Xiaqutang, Tengwang Pavilion, Poems of Meishan in Tang Dynasty, which are also played as notes, titled Aixi, Abandoning Gongyuan as a Value Plate for Rice _, Seeing a Guest off to the Valley of the Spirit, etc.
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