Butterfly Lovers Fade Hua Lian Red Star Xiao Su Dongpo
Flowers wither and red apricots are small. Swallows fly, green water people go around. There are few branches blowing willows, and there are plenty of fragrant grass in the sea!
Swing inside and outside the wall. The layman in the wall, the beauty in the wall laughs. Laughter dies in silence, but passion is mercilessly annoyed.
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Su Shi, who is famous for his boldness, often has fresh and beautiful works, this song "Recent Love? It is such a masterpiece that the flowers are small and the red apricots are small. "Flowers wither, the red apricots are small on the wall", which not only writes about decline, but also writes about rebirth. The residual red faded and the green apricot was born. This is the metabolism of nature, but it makes people feel a little sad. Seeing the scenery in late spring and expressing the feelings of hurting spring are common meanings in ancient poetry, but Dongpo is detached from it. "When swallows fly, people walk around in the green water." The author looks away from the branches and moves to a vast space, and his mood is also open. Swallows are flying and green water surrounds the villagers. Spring is full, sweeping away the sadness of the sentence. I'm afraid that only Dongpo can take his time by combining these two opposing moods of hurting spring and being broad-minded with other people's common images and smooth melodies. "Swallows fly" is translated into Yan Shu's "Swallows come, pear flower falls is behind Tomb-Sweeping Day", pointing out that the time is the fifth May Day after beginning of spring, which is consistent with the landscape colors written before and after.
"Little willow cotton blows on the branches" should be the same as "flowers wither and red apricots are small", and the catkins on the branches have been blown less and less. But the author did not describe them one by one, but interspersed with the word "swallow", which injected a relaxed atmosphere into the sad tone. Flying flowers and falling flocks are the easiest to provoke people. The word "you" shows that the poet saw the fallen flowers more than once. The feeling of hurting spring and cherishing spring is beyond words. This is an authentic elegant style. According to legend, when Su Shi lived in Huizhou, he ordered his concubine to make love to Zi. Chaoyun can sing, and tears are all over her skirt.
"swinging inside the wall and outside the wall" naturally refers to the "green water family" mentioned above. Because the green water is surrounded by high walls, outsiders can only hear the laughter of people swinging in the wall, but they can't see the trace. So, "people inside and outside the wall laugh." It is not difficult to imagine that the smiling beauty is happily swinging on the swing. Implicit technology is used here. The author only writes the laughter of beautiful women, but hides all the looks and movements of beautiful women, so that readers and their entourage can imagine a happy scene of a girl swinging on the wall. It can be said that a wall blocks the line of sight, but it can't stop the beauty of youth and people's yearning for the beauty of youth. This kind of writing can be described as extremely ingenious, which stimulates imagination with "concealment", thus expanding the artistic conception of "manifestation". Similarly, when writing about women, Su Dongpo washes away the "resentment" style of the "flower school", and the scene is vivid but not superficial, and the feelings are real but not trivial, which is commendable.
From the "swing inside and outside the wall" to the end, the meaning of the word flows away in one go. Rhetorically, the word "truth" is used, that is, the word "outside the wall" at the beginning of the second sentence, the word "outside the wall" at the end of the first sentence, the word "smile" at the beginning of the fourth sentence and the word "smile" at the end of the previous sentence all roll forward inexorably. According to the rhyme, butterfly lovers is double-folded, with four rhymes up and down, the same number of words and the same rhythm. There are different emotional colors and rhythms before and after the word Dongpo, really because the author writes fluently and believes in straight books, which breaks through the rhythm of the word.
There are often various complicated contradictions between the upper and lower sentences and between the upper and lower lines of this word. For example, at the end of the last film, there are two sentences, "Blowing willow on the branches is less", and feelings are low; "There are plenty of fish in the sea" makes your blood boil. The contradiction between emotion and emotion is because the poet has been exiled repeatedly in reality, which reflects the contradiction between thought and reality. The first part focuses on sadness, and the second part focuses on joy, which is also the contradiction between love and affection. And "passionate but ruthlessly annoyed" not only wrote the contradiction between emotion and reason, but also wrote the contradiction between emotion and reason. The beautiful woman laughed and died suddenly; Pedestrians stared at the swing, filled with emotion. Although the poet wrote about love, he also permeated with the philosophy of life.
In "Spring in the South of the Yangtze River", the author borrows a ruthless and affectionate story of a beautiful pedestrian inside and outside the wall, which embodies his anxious and angry feelings, and also includes his thinking about the contradictory paradox of life.