The first half of the word focuses on scenery. "Independent cold autumn, Xiangjiang North, Orange Island." From the beginning, the author put himself in the broad background of autumn water and sky. At the same time, it also brings readers into a lofty realm of late autumn. Looking from a distance: "The mountains are all red and the forests are all dyed." The author not only saw the maple forest in Yuelu Mountain in front of him, but also thought of the yellow cottonwood in Xiangshan Mountain, Beijing, and countless mountains in the motherland that turned from green to red, such as tallow, Metasequoia glyptostroboides, maple, oak, pistachio, etc ... The heavy mountains and layers of trees made the god of nature touch the crayons and smudge a purple color, which was even more beautiful than the spring flowers that opened in February. Close-up: "The river is overflowing, and a hundred people are fighting for it." Autumn water is clear, Jiang Bibo is in autumn, and the Xiangjiang River at the foot of Changsha in Qinyuan Spring is more crystal clear in autumn, such as green jade and transparent crystal. On the river, Qian Fan is fighting for hair and crossing, silent and full of vitality. Looking up, "the eagle hits the sky", the cloudless autumn sky in Wan Li, and the eagle is brave and strong, flying freely. Looking from afar, "the fish is fragrant and shallow", because of the transparency and shallow bottom of the river, the fish swing their fins and swim at will. In just four short poems, the author depicts a three-dimensional and vast south of Wan Li with colorful autumn colors, just like Guan Shanyue, a famous contemporary Lingnan painter, with colorful landscapes. It is worthy of being the masterpieces of "driving the mountains and setting your eyes on the sea" (Li Bai's "Dangtu Zhao Yan Shaofu's Painting Landscape Songs") and "Talking about Wan Li" (Du Fu's "Song of Wang Zai's Painting Landscape Pictures"). "You see all over the mountains, and all the forests are dyed; The river is full of water, and hundreds of people compete for the flow. The eagle hits the sky, the fish is shallow, and all kinds of frosty days compete for freedom. " From the content point of view, write mountains, Woods, Xiangjiang River, ships, eagle fish and so on. There are both natural objects and animals and plants, with complete categories and full of vitality. From the perspective of landscape writing, the author has a distance from the perspective, from logic, from point to surface, from reality to nothingness, from nature to human beings. It and the northern scenery of "Snow in Wan Li" described in another poem "Spring and Snow in Qinyuan" by the author are unprecedented panoramic landscapes in classical poetry.
poetic sentiment
Changsha Qinyuanchun
Author: Mao Zedong (Modern)
Independent cold autumn, Xiangjiang River north, Orange Island. Look at the mountains everywhere,
The layers of forest are completely dyed; The river is full of water, and hundreds of people compete for the flow. The eagle hits the sky,
Fish is shallow, and all kinds of frost fight for freedom. Lonely, ask the boundless earth,
Who dominates the ups and downs? I took a hundred couples on a trip to reminisce about the past years. Just classmates and teenagers,
In full bloom; Scholar spirit, Fang Qiu. Point out that this country,
Inspire words, Wan Huhou's dirt. Do you remember hitting the water in the middle stream?
The waves stopped the flying boat?
translate
On a crisp autumn day in late autumn, I stood alone in Orange Island, watching the clear water of Xiangjiang River slowly flow northward.
You see that thousands of peaks have all turned red, and the layers of trees seem to be stained with color. The river is crystal clear, and the big ships are racing against the wind and waves.
The eagle flies briskly in the vast sky, the fish swims briskly in the clear water, and everything competes for free life in the Qiu Guang.
Facing the boundless universe, I want to ask: Who decides to dominate the rise and fall of this boundless earth?
In retrospect, my classmates and I often come here hand in hand to play. Talking about state affairs together, countless extraordinary years still haunt me.
Students are in their youth and prime of life; Everyone is ambitious, unrestrained and strong.
Commenting on state affairs, writing these turbulent and clear articles, treating the warlords and bureaucrats at that time as dirt.
Do you remember we swam in the rapids together? At that time, the waves were big enough to stop the fast-moving ships.
Make an appreciative comment
1, historical perspective
In the history of China, Qu Yuan was the first poet who wrote a lot about natural beauty and combined his description of natural beauty with his concern for the destiny of the country and people. This is a fine tradition of China's classical poetry. Mao Zedong's poems inherited this fine tradition. He is good at combining natural beauty with social beauty and expressing the content of social beauty through the vivid artistic image of natural beauty. By describing autumn scenery in Changsha and recalling his revolutionary struggle life in his youth, this word puts forward the question of "Who is in charge of ups and downs", and expresses his optimism about the future of the Chinese nation and his great ambition to take what's going on in the world as his own responsibility.
In particular, the last three sentences of this word end with a question, which skillfully answers the question of "who is in charge of ups and downs". Just like hitting water in the middle of the year, bravely throw yourself into the storm of revolution and make bold progress.
2. Aesthetic perspective
Aesthetically speaking, sublime beauty is manifested in the external aspect, which is embodied in magnificent scenes such as tall, vast, majestic and magnificent. German philosopher Kant divided sublimity into two categories: mathematical sublimity, such as the volume of mountains; The sublimity of mechanics, such as the momentum of a storm. Chernyshevski, a famous Russian literary critic, also said: "One thing is much bigger than everything compared with it, and that is sublime." Confucius also linked "greatness" with sublimity and praised: "greatness! Yao is the king. This is embarrassing, only the sky is big, this is just embarrassing. " This kind of sublimity, broadness and magnificence is vividly reflected in the description of mountains and rivers in Chairman Mao's poems. Qinyuanchun Changsha is one of the best articles.
3. Calligraphy appreciation
This work, written about 1954, is the representative work of Mao Zedong's calligraphy. It is regarded by calligraphers as the latest work, the most mature and highest work in Mao Zedong's poetry ink, and also the last monument in the ink we have seen. Poetry and ink are written on two pages of red letterhead, *** 15 lines. Mao Zedong's brushwork is quick and clever, but his words are independent. The whole article is blunt and elegant, fluent and fluent, and his words are a link between the preceding and the following, looking around and reaching the beauty of nature; Get rid of the tense situation, but the bones and muscles are healthy, beautiful and free and easy, the words are small and sparse, and the words are not connected, but the veins are smooth, the ink is moist, fat and comfortable, and there are no strange words, strange pens and unbiased ink. For example, one hundred couples, young and elegant, are walking slowly on the banks of Xiangjiang River, but they are ambitious. "This painting uses Fang Bi as a garden pen and Shi Lufeng as a Tibetan front. It is elegant and carefree, implicit and intriguing. The layout is dense, with lines without columns, and the lines are close to each other, which is almost equal to the blank between words. The structural pen is soft inside and rigid outside, "marking the auxiliary algae." "The book 100 words, the written test and ink color change with the book, which makes the book full of charm and perfect structure.
4. The angle of scenery description
"You see all over the mountains, and all the forests are dyed; The river is full of water, and hundreds of people compete for the flow. The eagle hits the sky, the fish is shallow, and all kinds of frosty days compete for freedom. " From the content point of view, write mountains, Woods, Xiangjiang River, ships, eagle fish and so on. There are both natural objects and animals and plants, with complete categories and full of vitality. From the perspective of landscape writing, the author has a distance from the perspective, from logic, from point to surface, from reality to nothingness, from nature to human beings.
5. Artistic perspective
The artistic expression of China's classical poetry attaches great importance to the blending of scenes. Liu Xie said: "The taste is complicated, but it is boring when it is light." (Wen Xin Diao Long) Xie Zhen said: "Landscape is the medium of poetry, and love is the embryo of poetry; It is a poem, a few words are unified, and the vitality is endless. " The word "Poem Four Styles" has reached the realm of well integrating scenes.
6. Main contents
Uptown: Today's Tour describes the relationship between man and nature and the autumn scenery of Xiangjiang River.
Xia Kun: The author of "Back to the Past" is related to a radical group, recalling his classmates' days and expressing his thoughts and ambitions.
7. Ideological
The sublime beauty is manifested in the inner aspect, which is the reflection of a great and noble mind. Ron Girnus of ancient Rome put forward that sublimity is "the echo of a great mind" in his article On Sublime. The second half of the word focuses on lyricism, which is the expression of this great spiritual echo. This expression is first obtained through memory.