"It's hard to get through the Shu Road, but it's hard to get into the sky". It is not only the theme of the author's chanting, but also the keynote of sighing when it is insufficient, and sighing when it is insufficient. Myths are widely used in the poems, and exaggerated techniques are used to describe the difficulty of Shu Dao and the fierce war disaster. It makes the scenery of Shu Road both magical and magnificent, surprising and exciting, grasps the characteristics of famous mountains and rivers, and shows the winding, majestic, fantastic and lofty appearance of the ancient Shu Road. Through vivid history, the whole poem is full of adventure and romance.
"Six Dragons Return to the Sun" describes its height, "Surging the waves" describes its danger, "Yellow Crane flies south", "Ape climbs the sorrow" describes its preciseness, "Flying over a noisy stream" describes its danger, "Visiting a well" describes its danger, and "Sad birds, flying males and females, and Zigui" describes its empty sorrow. In a word, the author uses a lot of imagination and image exaggeration to express the difficulty and greatness of Shu Dao incisively and vividly.
Meteorologically, like passing through a mountain mural, moving pictures appear in front of us continuously, which is amazing!
In addition, the poet repeatedly chanted, "It's hard to get through the Shu Road, but it's hard to get up to the sky", which has thus become a beautiful sentence that has been passed down through the ages, and repeatedly chanted and described the breathtaking and wonderful mountains and rivers on the Shu Road by relatives.
At the end, write about the fierce disaster of war. On the one hand, write about the danger of Jiange, which is easy to defend but difficult to attack, and is prone to rebellion and cannot be left behind; On the other hand, he wrote about the cruel scene of the military rebellion in Shu Dao, expressing the poet's worries about reality. He saw clearly the corruption of the ruling class under the prosperous weather, and therefore expressed deep resentment and dissatisfaction. He wrote about his political ambition for officials in a bold and unrestrained style and expressed his love for the people.
Li Bai, on the basis of "the pen falls to shock the wind and rain, and the poem makes the gods cry", everything goes to the bottom of the pen!
Du Fu, Bai Juyi and Li Shangyin have roughly the same fate. They have always been marginalized and frustrated all their lives. They express their dissatisfaction with authoritarian dark politics through poems, but their frustration is negatively manifested in poems, such as Li Shangyin's "the sage Chuangzi is day-dreaming, bewitched by butterflies, the spring-heart of Emperor Wang is crying in a cuckoo", Bai Juyi's "for all we had drunk we felt no joy and were parting from each other, when the boundless river invaded the moon" and Du Fu's "ill fortune has laid a bitter frost on my temples, heart-ache and weariness are a thick dust in my wine". All of them reflect the author's sigh and contain anxiety and anger. Except for Li Bai, is "though the City of Silk be delectable, I would rather turn home quickly" a lament? It's his bright romance.