Most of Li Bai's poems handed down today come from Zungan Collection. However, the debate about the authenticity of Li Bai's Ci may continue because the date of completion and authenticity of Zungan Collection itself are questioned. According to the general view in the field of ci poetry, at least the first four poems of Bodhisattva Man Mo Mo Zhi Nv, E Yan and Qing Ping Le should be regarded as Li Bai's works, but the Song people have not found strong evidence for this view.
Whether Li Bai wrote ci or not, "Li Bai's ci" has become a synonym, representing an insurmountable peak. Whether these words were written by Li Bai or not is a secondary matter.
In terms of pioneering significance and artistic achievements, "Li Bai's Ci" enjoys a high position in the history of Ci. This position is just like the position of ancient Greek mythology in western art. As an unattainable norm, "Ci of Li Bai" has become an eternal idol in people's hearts.
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Another romantic artistic technique in Li Bai's poems is to grasp a certain feature of things and boldly imagine and exaggerate on the basis of real life. His exaggeration is not only strange in imagination, but also always combined with concrete things, so natural and unobtrusive; So bold, true and credible, it has played a role in highlighting the image and strengthening feelings. Sometimes he combines bold exaggeration with sharp contrast to enhance the artistic effect by increasing artistic contrast.
Li Bai's best genre is seven-character poems and quatrains. Li Bai's seven-character song also adopts the structure of opening, closing, jumping and swinging. The beginning of a poem is often abrupt, such as a sudden surge, while the middle image of the poem is abrupt, often omitting the transitional care, as if there is no trace to follow, and the end of the poem comes to an abrupt end at the emotional climax.