As a person, Wang Zengqi's prose is plain and unpretentious, which stems from his indifference to the world. Even in adversity, his mood is relieved. In the days when he was sent to work for the Rightists, he was ordered to draw a map of potatoes. He thinks that drawing pictures at the potato research station is "the life of a fairy". After painting a whole potato, you have to cut it to draw the outline. After the painting, "the potato pieces were useless, so I buried them in the cow dung fire and baked them." I dare say that no two people in the country have eaten so many varieties of potatoes like me. "
The overflowing beauty in Wang Zengqi's novels lies in discovering the soul and spirit of our nation and expressing the traditional virtues of our nation with a near-pious attitude. He said, "I wrote about beautiful and healthy human nature." And beautiful and healthy humanity, no matter how old the national tradition is, will always be as fresh as dew. To this end, he wrote the famous "Being ordained" and "The Chronicle of the Big Fight". The innocent and hazy love sprouted between a pair of lively and lovely children in "Being ordained" contains the love of life and life, and is full of songs of humanity and human feelings. This inner joy is the same as that of ancient Yuefu and folk love songs. The love story in "The Chronicle of the Big Bang" is slightly tortuous. Lovely clouds and the pure and sincere love of the young and romantic blacksmith eleven sons have been brutally ravaged, but the extremely loyal love can make the living die and the dead live. This is the beauty that makes writers "yearn" and "surprise". It is deeply hidden among the people and in the tradition of our nation.
However, while it shows beautiful and healthy human nature, it often sighs deeply about the ugliness of human nature. The Fisherman's Child reflects that money turns people into demons, The Pearl Lamp reveals the scattered concept of feudal chastity, Career describes how difficult childhood and the world are without childhood, and Chen reveals the cruelty of feudalism and patriarchal autocracy. Of course, the author has no intention to hide the weakness of our national psychology and character. "Different Ice" also satirizes the wretched psychology of ordinary people who follow the rigid life and turn to "Different Ice" for help because of the hopeless life: the psychological self-adjustment of the rice shop owner in "Eight Thousand Years" is also quite similar to that of Ah Q.
The author criticizes the psychological state of inferiority, mediocrity and numbness, but after all, sympathy and pity are more than criticism. Because in the author's view, writing the past today requires repeated precipitation to get rid of anger, especially sentimentality. Therefore, even if the death of Lao She is written in The Sun in August, there is only a cavity of resentment hidden in the sad and cold silence. Getting rid of anger and sadness and being calm and indifferent can be said to be the main style of Wang Zengqi's novels, and it is also his own distinctive "psychological basis of lyric realism." However, as Lin Jinlan said, "Eliminating internal heat can also eliminate blood gas. In addition to clearing' sentimentality', it may also clear' trauma'. "
2. About Wang Zengqi's composition material Shen Congwen (1902- 1988), formerly known as Shen Yuehuan, pen names Xiu, Shang Guanbi, Xuan Ruo, etc., whose real name is Maolin and whose real name is Chongwen, from Fenghuang County, Hunan Province. His grandmother Liu is Miao, his mother is Tujia and his grandfather Shen Hongfu is Han.
Shen Congwen is a famous modern writer, a researcher of historical relics and a representative of Beijing School novels. Shen Congwen 14 years old graduated from high school and joined the army. 15 years old went out with the army. He worked as a staff sergeant, and later worked as a butcher and tax collector in the city with the army in the name of a secretary.
He hates the darkness of the world. After being exposed to new literature, 1923 went to Beijing, but failed to enter the university. Embarrassed, he began to write under the pseudonym "Hugh Yun Yun".
There are more than 80 collected works created by Shen Congwen in his life, which is the largest number among modern writers. Early novels include Oranges, After Rain and Others, Witch's Love and so on. The basic theme has been seen, but the urban and rural clues are still unclear, the description of gender relations is shallow, and the purity of literature is poor.
After 1930s, his works became very mature. His works have been translated and published by more than 40 countries such as Japan, the United States, Britain and the former Soviet Union, and have been selected into university textbooks by the United States, Japan, South Korea, Britain and other countries or regions 10, and twice nominated as candidates for Nobel Prize in Literature. After the founding of New China, Shen Congwen worked in the Museum of Chinese History and the Institute of History of China Academy of Social Sciences, mainly engaged in the study of ancient Chinese costumes. 198 1 year published a monograph on ancient Chinese costumes, which lasted 15 years.
Shen Congwen died in Beijing on 1988. From the mistake of 19 15, Shen Congwen entered the second junior middle school in Fenghuang County from a private school, and transferred to Wenchangge Primary School six months later.
Because Shen Congwen is lively and loves to play, he often plays truant and goes to the streets to watch puppet shows, so his schoolbag is hidden in the land temple. On one occasion, he put his schoolbag in the earth temple and watched the play all day. After watching the play, the other children had gone home from school. He went back to the Earth Temple to get his schoolbag, only to find that it was gone. At this time, he was anxious, but on second thought, it was no big deal that the schoolbag was gone.
The next day, he went to school as usual. As soon as he walked under a nanmu tree on campus, he met his class teacher, Mr. Mao. With an irate look on his face, Teacher Mao sent Shen Congwen to kneel under the nanmu tree and asked him loudly where he went yesterday.
Shen Congwen knew he couldn't hide it, so he simply replied, "I went to the theatre." Teacher Mao saw that Shen Congwen was so arrogant in playing truant, so he severely criticized: "Diligence is meritorious, drama is useless, trees like to grow up, but you like to be a dwarf under the tree. It's disappointing!" After kneeling for about half an hour, Teacher Mao told him to get up.
At this time, Teacher Mao asked Shen Congwen in a gentle tone if he hated the teacher and punished him by kneeling under the tree. Shen Congwen said frankly, "Of course, I hate that you shouldn't be punished and humiliated in front of your classmates."
Later, Teacher Mao brought Shen Congwen into the office and slowly enlightened him and said, "The tree grows upward, but you have to kneel down. People should be enterprising, not arrogant and arrogant. "
After being patiently persuaded and taught by Teacher Mao, Shen Congwen became brave after knowing his shame, changed his old stubborn temper and studied hard, and his grades improved rapidly. Although Mr. Shen has always loved calligraphy and is quite famous in the circle, he has never regarded calligraphy as a fun thing for himself, nor has he thought about selling words for profit.
Except once. After the victory of the Anti-Japanese War, Mr. Shen returned to Peiping from Yunnan. At that time, while he was a professor, he used a little time to edit a supplement for a newspaper.
A poet named Ke Yuan, because of family difficulties, had to write a letter to Mr. Shen Congwen, the editor who often published his poems, asking for his help. After Shen Congwen knew the situation, and because he was not well off at that time, he put a notice in the literary weekly of Tianjin Arts Daily on September 201947: "A young writer who had never met before wanted to make a' begging for help' because of the difficult funeral situation at home. Anyone who is willing to break the friendship of this promising young writer and spare no effort to do so,
This word is tentatively set at 6,543,800 yuan. My idea is that whoever wants my words can write to me and tell him how to send money directly to poor writers when I send it. "
At the same time, he also wants to generalize. "If you think this method is reasonable and sponsored, I want to sell words to the families of several dead writers for half a year." After 1949, Ke Yuan became a professional writer in Guangzhou Military Region.
For various reasons, he didn't know the whereabouts of Shen Congwen until 1980, so he went to Beijing to find Mr. Shen and told him how he had helped a lot. But Shen Congwen himself has long forgotten this matter.
Since his youth, Shen Congwen has made his mark in the literary world by writing some trendy vernacular novels. Because of the introduction of the poet Xu Zhimo, he was hired as a teacher by Hu Shi, president of China College. However, the dull Shen Congwen made a fool of himself in the first class. He never imagined that among the female students who witnessed his embarrassment, Zhang Zhaohe would become his wife.
Zhang Yunhe, the second sister, once teased Shen Congwen that she could only be ranked as "Toad 13". Shen Congwen was tempted when he saw Zhang Zhaohe.
Feeling inferior and dull, he didn't dare to confess to Zhang Zhaohe, so he quietly wrote the first love letter to Zhao He. The teacher's love letters are sent out one by one, nourishing each other's hearts bit by bit.
Zhang Zhaohe, a female student, counted one by one, but remained silent all the time. Later, it was widely rumored in the school that Shen Congwen wanted to commit suicide because he could not pursue Zhang Zhaohe.
In desperation, Zhang Zhaohe took all Shen Congwen's love letters to the principal theory, and that principal was Hu Shi. Zhang Zhaohe showed the letter to Hu Shi and said, "The teacher always treats me like this."
Hu Shi replied, "He loves you stubbornly." Zhang Zhaohe immediately replied, "I don't love him stubbornly."
Hu Shi said: "I am also from Anhui. I'll talk to your father and be a matchmaker. " Zhang Zhaohe quickly said, "don't talk about it. It seems that this teacher should not be like this. "
Without the support of President Hu Shi, we had to let Miss Shen continue to bombard her with sensational words. Shen Congwen started his marathon love letter writing.
3. Composition: Approaching Wang Zengqi (600 words) Wang Zengqi,1born in Gaoyou City, Jiangsu Province on March 5, 920, is a contemporary writer, essayist, dramatist and representative of Beijing School writers in China. Known as "lyrical humanist, the last pure scholar in China and the last scholar-bureaucrat in China." Wang Zengqi has made great achievements in the creation of short stories, and has also made in-depth research on drama and folk literature and art. His works include Taking the Ring, Fanhua Collection, Lost Water and Late Cui Wen Tan.
1In the autumn of 935, Wang Zengqi graduated from junior high school and was admitted to Nanjing Middle School in Jiangyin County to attend high school. /kloc-in the summer of 0/939, I went from Shanghai to Kunming via Hongkong and Vietnam, and my first choice was to be admitted to China Literature Department of National Southwest Associated University. 65438-0950 Editor of Beijing Literature and Art sponsored by Beijing Federation of Literary and Art Circles. In the winter of 196 1, I wrote a night in the sheephouse with a brush. 1963 Night in the Sheep House was officially published. 198 1 year 1 month, different kinds of ice are released in yuhua district. 1996 12, was elected as a consultant at the Fifth National Congress of the Chinese Writers Association.
He passed away at the age of 77.
Wang Zengqi experienced numerous hardships and setbacks in his life and was treated unfairly. Nevertheless, he
Always keep a calm and open-minded attitude and create a positive, optimistic and poetic literary life. Jia Pingwa commented on Wang Zengqi in a poem: "It's a fox, and it's refined."
Wang Zengqi is knowledgeable, has a wide range of interests, likes painting and calligraphy, likes to talk about medical ethics, has in-depth research on drama and folk literature and art, and has experienced many vigorous events such as enlightenment to save the country, seizure of political power, anti-rightist struggle, "Cultural Revolution" and reform and opening up all his life. However, he deeply felt the noise and tension of modern social life, which made readers form a psychological set of yearning for tranquility, leisure and tranquility, and pursuing spiritual pleasure, purification and sublimation.
4. How to write Wang Zengqi (1920- 1997), a native of Gaoyou, Jiangsu Province, is a modern writer, essayist and stylist. He is the author of novel collection "Encounter Collection" and prose collection "Qiaopu Collection", and most of his works are included in the complete works of Wang Zengqi.
I received a formal traditional education when I was a child. 1939 was admitted to the China literature department of the national The National SouthWest Associated University, and 1940 began to write novels, studying under Shen Congwen, a professor of Chinese literature at that time. 1943 After graduation, he taught in middle schools in Kunming, Shanghai and other places, and published a collection of novels, Encounter. 1948 went to Beiping and worked in the History Museum. Soon after, he joined the China People's Liberation Army (PLA) South Group in the Four Fields. He went to Wuhan and stayed to take over the cultural and educational units. /kloc-transferred back to Beijing in 0/950 to work in literary groups and literary publications. 1956, Peking Opera script "Fan Jinzhong Drama" was published. 1958 was classified as the right wing and decentralized to Zhangjiakou Agricultural Research Institute. 1962 transferred to Beijing Peking Opera Troupe as a screenwriter. 1963 published a collection of children's novels, Night in the Sheep House. Participated in the finalization of Shajiabang, a model opera during the Cultural Revolution. 1979 to start writing again. After the 1980s, he wrote many novels describing the customs of the Republic of China, which were well received. He has published a collection of novels, a collection of flowers, a selection of Wang Zengqi's short stories and a collection of essays, Evening Tan. The chronicle of the uproar won the 198 1 National Excellent Short Story Award. Other influential works include Empress Dowager Cixi and Different Ice. Most of the novels written are about childhood and hometown, and the people and things in memory are simple and natural. Show harmonious taste in relaxed euphemism. He tried to be indifferent, get rid of the noise and interference from the outside world, and carefully constructed his own artistic world. Consciously absorbing traditional culture, it has a strong local flavor and shows the inheritance of Shen Congwen. In the aspect of novel prose culture, it is the first to open up the atmosphere.
What makes Wang Zengqi different is that he has received a formal higher education in The National SouthWest Associated University and is a well-trained person. Although he also likes to study, unlike those great scholars, he is mostly addicted to "primary schools" such as textual research of speeches and chapters, and does subtle work. He loved Shi Shuo Xin Yu and the notes of Song Dynasty, inherited the prose traditions of Ming and Qing Dynasties and May 4th Movement, and fell in love with Zhang Dai, a prose master in the late Ming Dynasty, which was also closely related to the literary proposition that the public security school in the late Ming Dynasty "expressed its will without convention". Wang Zengqi, who is well versed in China's traditional culture, has worked as a screenwriter for Peking Opera, and is well versed in the ancient oriental motto "Gorgeous is simple" and the modern western Brecht's "estrangement effect" theory. Coupled with the vicissitudes of personal life, he does not pursue the strongest voice reflecting the spirit of the times, but strives to construct the profound cultural connotation and eternal aesthetic value of his works in a subtle, ethereal and distant style. He grew up in Jiangnan and settled in Beijing. Looking through his works, there are many beautiful scenery in the south of the Yangtze River, small bridges and flowing water, and a small courtyard house and hutong in the capital. Rarely do you see the spectacular scene of thunder roaring and huge momentum. With his unique insight and aesthetic discovery of things, Wang Zengqi cut in from a small perspective, wrote trivial things, remembered pastoral customs, talked about flowers, birds, insects and fish, tested allusions, told stories off the cuff, and inadvertently set a vivid and wonderful pen, which made the classics and peaks of contemporary essays.
Wang Zengqi is knowledgeable, has a wide range of interests, likes painting and calligraphy, likes to talk about medical ethics, has in-depth research on drama and folk literature and art, and has experienced many vigorous events such as enlightenment to save the country, seizure of political power, anti-rightist struggle, "Cultural Revolution" and reform and opening up all his life. However, he deeply felt the noise and tension of modern social life, which made readers form a psychological set of yearning for tranquility, leisure and tranquility, and pursuing spiritual pleasure, purification and sublimation. People have this experience: the beauty of roaring waterfalls is respectable and awe-inspiring, but isn't it pleasant to watch fish and shrimp and listen to running water by the clear stream? Wang Zengqi defined his prose as a sketch of trivial matters, which was adapted to the adjustment of China readers' cultural mentality and expectation horizon.
It is suggested that the landlord go to Baidu Encyclopedia to check the information and select some materials to delete. It's simple.
Imitate 600 words of Wang Zengqi's prose. His words can be seen at a glance, because most of his words can be distorted.
The first person who found this was a clever French lady.
His explanation is very common: his hometown Gaoyou is a water town.
He was not the only writer from a water town, but then all those people left the water and went ashore. Some aquatic animals that landed evolved into reptiles, while others gradually became amphibians. In biological sense, this is of course an evolution, and when this biological meaning is introduced into social meaning, this choice becomes "regular" and beyond reproach today.
Only he stayed.
By the water. Occasionally look up at the weather, and then look down at my silent white water.
6. Write an article about the Dragon Boat Festival. This is an imitation of Mr. Wang Zengqi's writing style. No less than 600 words. The fifth day of the fifth lunar month is the Dragon Boat Festival in my hometown, which is one of the biggest traditional festivals in China. It is also called Dragon Boat Festival, which means the same as "the first day" and is also called "the fifth day". The word "five" of the Dragon Boat Festival is also connected with "noon". According to the order of earthly branches, May is "noon" month. Because noon is "sunshine", the Dragon Boat Festival is also called "Duanyang". May 5, the month and the day are both five, so it is also called noon. In addition, there are many nicknames for the Dragon Boat Festival, such as the Summer Festival. I think it is difficult for me to make zongzi simply, and I don't know how to teach myself. Who knows, when I really do it, I know that making zongzi is a craft, and it is not easy to make it beautifully and firmly. On the afternoon of the fourth day, I learned to make zongzi with my mother. My mother took a zongzi leaf and rolled it with her hand, which became a hollow cone. I took a zongzi leaf like my mother and wanted to roll it up. Still straight. As soon as my mother saw it, she pointed at me and said, "My left hand holds one corner of the zongzi leaf, and my right hand rolls the other corner of the zongzi leaf. Tighten under the force and relax on the top. " Under the guidance of my mother, I rolled the leaves of Zongzi. Then, my mother put a chopstick into the hollow cone-shaped zongzi leaves, took a spoon and put some glutinous rice in it, and then shook the chopsticks evenly until the glutinous rice was wrapped. Put the glutinous rice away. When you shake chopsticks, either the rice leaves are broken or the glutinous rice is not tightly wrapped. My mother said, "Shake the chopsticks gently and pinch the rice leaves tightly. Look-"Mom said while demonstrating, and I learned while listening. Ha ha! The zongzi I wrapped looks like a dot. In the last process, I tied the thread. I saw my mother holding the leaves of Zongzi in both hands, winding the rope around the sharp corner of Zongzi twice, tying the rope head and wrapping up a beautiful Zongzi. I am very happy to eat my own lovely zongzi. Through making zongzi this time, I understand a truth: to learn a skill well, you must be sincere, careful and persistent.
7. Composition Wang Zengqi's 600-word gourmet Wang Zengqi (1920 March 5-1997 May 16), a native of Gaoyou, Jiangsu Province, is a modern writer, essayist and stylist.
He graduated from National Southwest Associated University in his early years and has served as a middle school teacher, cadre of Beijing Federation of Literary and Art Circles, editor-in-chief of Beijing Literature and Art and editorial board of Beijing Peking Opera Theatre. He has made great achievements in the creation of short stories.
He is the author of Fiction Collection, Fiction Collection, Prose Collection and Prose Collection. Most of his works are included in the complete works of Wang Zengqi. I received a formal traditional education when I was a child.
1939 was admitted to the China literature department of the national The National SouthWest Associated University, and 1940 began to write novels, studying under Shen Congwen, a professor of Chinese literature at that time. 1943 After graduation, he taught in middle schools in Kunming, Shanghai and other places, and published a collection of novels, Encounter.
1948 went to Beiping and worked in the History Museum. Soon after, he joined the China People's Liberation Army (PLA) South Group in the Four Fields. He went to Wuhan and stayed to take over the cultural and educational units. /kloc-transferred back to Beijing in 0/950 to work in literary groups and literary publications. 1956, Peking Opera script "Fan Jinzhong Drama" was published.
1958 was classified as the right wing and decentralized to Zhangjiakou Agricultural Research Institute. 1962 transferred to Beijing Peking Opera Troupe as a screenwriter.
1963 published a collection of children's novels, Night in the Sheep House. Participated in the finalization of Shajiabang, a model opera during the Cultural Revolution.
1979 to start writing again. After the 1980s, he wrote many novels describing the customs of the Republic of China, which were well received.
He has published a collection of novels, a collection of flowers, a selection of Wang Zengqi's short stories and a collection of essays, Evening Tan. The chronicle of the uproar won the 198 1 National Excellent Short Story Award.
Other influential works include Empress Dowager Cixi and Different Ice. Most of the novels written are about childhood and hometown, and the people and things in memory are simple and natural.
Show harmonious taste in relaxed euphemism. He tried to be indifferent, get rid of the noise and interference from the outside world, and carefully constructed his own artistic world.
Consciously absorbing traditional culture, it has a strong local flavor and shows the inheritance of Shen Congwen. In the aspect of novel prose culture, it is the first to open up the atmosphere.
What makes Wang Zengqi different is that he has received a formal higher education in The National SouthWest Associated University and is a well-trained person. Although he also likes to study, unlike those great scholars, he is mostly addicted to "primary schools" such as textual research of speeches and chapters, and does subtle work.
He loved Shi Shuo Xin Yu and the notes of Song Dynasty, inherited the prose traditions of Ming and Qing Dynasties and May 4th Movement, and fell in love with Zhang Dai, a prose master in the late Ming Dynasty, which was also closely related to the literary proposition that the public security school in the late Ming Dynasty "expressed its will without convention". Wang Zengqi, who is well versed in China's traditional culture, has worked as a screenwriter for Peking Opera, and is well versed in the ancient oriental motto "Gorgeous is simple" and the modern western Brecht's "estrangement effect" theory. Coupled with the vicissitudes of personal life, he does not pursue the strongest voice reflecting the spirit of the times, but strives to construct the profound cultural connotation and eternal aesthetic value of his works in a subtle, ethereal and distant style.
He grew up in Jiangnan and settled in Beijing. Looking through his works, there are many beautiful scenery in the south of the Yangtze River, small bridges and flowing water, and a small courtyard house and hutong in the capital. Rarely do you see the spectacular scene of thunder roaring and huge momentum.
With his unique insight and aesthetic discovery of things, Wang Zengqi cut in from a small perspective, wrote trivial things, remembered pastoral customs, talked about flowers, birds, insects and fish, tested allusions, told stories off the cuff, and inadvertently set a vivid and wonderful pen, which made the classics and peaks of contemporary essays. Wang Zengqi has extensive knowledge and interests, loves painting and calligraphy, likes to talk about medical ethics, and has in-depth research on drama and folk literature and art.
He experienced many vigorous events in his life, such as enlightenment to save the country, seizing political power, anti-rightist struggle, "Cultural Revolution", reform and opening up. However, he deeply felt the noise and tension of modern social life, which made readers form a psychological set of yearning for tranquility, leisure and tranquility, and pursuing spiritual pleasure, purification and sublimation.
People have this experience: the beauty of roaring waterfalls is respectable and awe-inspiring, but isn't it pleasant to watch fish and shrimp and listen to running water by the clear stream? Wang Zengqi defined his prose as a sketch of trivial matters, which was adapted to the adjustment of China readers' cultural mentality and expectation horizon. In today's society, the virtual illusion of "great culture", "great discourse" and "great narrative" caused by replication technology no longer has aesthetic characteristics that can be experienced because of its illusion and rigidity.
What really has the characteristics of experiencing beauty is only the ever-present "small culture", "small discourse" and "small narrative" in the real individual existence. Wang Zengqi's contribution to China's contemporary literary world lies in his deconstruction of "great culture", "great discourse" and "great narrative", in his declaration and call for the true realm of individual existence, and in his help in discovering the beauty of "trivial matters" around him.
Beauty is around, and beauty is in duty. The reason why the spiritual temperament and artistic charm of Wang Zengqi's prose have a strong charm for readers lies in his examination of "trivial matters", which can belittle his own smallness and see the big from the small, rather than being arrogant and flattering his own smallness.
It must be pointed out that Wang Zengqi's essay Trivia contains his unique life experience, but its effect is not just to entertain himself. He emphasized that his works should complement the people of the world and be beneficial to social life, and never isolate individuals from society and oppose it. From time to time, his works reveal the carefree interest and self-sufficiency advocated by Taoism, but they are definitely different from the gossip and decadence of Wei and Jin literati. Essentially, his understanding and description of life is optimistic, and he believes that "there is hope for mankind and China will become better".
Modern art, too exaggerated, too * * *, too uses sound and light. Wang Zengqi wants to establish an original "natural art" or "green art" from content to form, create a real realm, convey real feelings and lead people to the pure land of spiritual world.
The pace of modern life is getting faster and faster, and the "trivial things" around us are left behind in memory before they can fully present their meaning. From this point of view, people seem to have no other fun in life except being wrapped and squeezed by "busy" packages.
Wang Zengqi's prose is sending such a call to people.