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Poetry, poetry, poetry and song are actually interlinked. Let's first understand the importance of sound for reading poetry!
Whether people will have emotional reactions when listening to poems. How many emotional reactions you have are related to the following factors:
First, the quality of the speaker's voice itself (this is related to the reader);
The second is the sense of rhythm (the poet's responsibility is to provide the beat sign, and the reciter should show the potential rhythm);
Thirdly, poetic imagery (which is related to the quality of poetry and the cultivation of the audience);
Fourth, the personal situation of the reciter (being famous and beautiful helps to improve the openness of readers).
The difference between listening to poetry and listening to songs is only the order of these factors. The order of importance of listening to songs is:
(2), (4), (1) and (3)
Knowing the importance of sound to reading poetry can make it easier for us to choose works. Poetry, as a style with obvious rhythm and rhythm, sometimes a good poetry text can really make people ignore the reader's own level. Classical poetry is not discussed here, because most of them are metrical and the space is too short. For example, some surreal poems can easily meet this condition. Let's take the poem of love as an example:
read
Most love poems have similar experiences. The image in the poem is advancing silently, and the image is powerful and complex. In this colorful writing world, readers feel scattered flowers and plants, and more importantly, strange rocks.
In China, readers have no room to question the order of flowers and plants, nor can they think about whether the prominent rocks are harmonious in the natural scenery in an instant. Readers must free themselves to accommodate the objectivity, consciousness and textuality that complex eyes can touch.
When words are integrated, you can feel the interest in reading best. (Jane Zhengzhen's "The Image World of Love Works")
The meaning of the above passage is very clear, that is, when facing these poems, the audience must empty everything to understand the connotation of the works. Because many works of love are squeezed by different parts of speech, single sentences are constantly twisted and folded, resulting in different meanings. Specific to the text are:
When I opened my eyes slightly, there was a metallic sound.
The jingle fell from the wall and landed on the dinner plate at the guest door.
Followed by an afternoon of debate, all kinds of unclean displays.
Language is just a pile of unwashed clothes.
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My face spreads like a tree, and the tree grows in the fire.
Everything is still, only the eyes behind the eyelids are moving.
Move in a direction that many people dare not say.
I am a bitter pear that has been sawn off.
On the rings, you can still hear the wind and cicadas clearly.
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The above is the choice of writing techniques, and then the cold lyricism. The works of poets such as Kitajima and Duoduo can also suppress the voice of the reciter to some extent. Take Duoduo as a column: his poems are concise in image, lively in rhythm, accurate in language, sharp and full of tension. If the landlord has a low voice, but likes bright and exciting works, you can watch this song:
Facing the sun
Author: Duoduo
Give our family, give our motto.
You put all the children on their father's shoulders.
Give us light and shame.
You let the dog wander with the poet.
Give us time and let us work.
You sleep in the dark, pinning our hopes.
Baptize us and make us believe.
We were born, and then we died with your blessing.
See the dream of peace and smiling face.
You are God's pastor.
Confiscate human greed and jealousy.
You are the king of souls.
Love fame, you encourage us to be brave.
Touch everyone's head, you respect the ordinary.
You created and rose from the East.
You are not free, like a universal money!
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Well, that's all I have to say for the time being. Sound condition is very important for reciting, but it is not the only criterion. Grasping the connotation of the work is as important as emotion. I personally recommend Yongming Zhai's poems. In particular, the classic "monologue" in the poetry group "Women" is very suitable for the voice of the landlord, which is relatively small and soft!
soliloquy
Author: Yongming Zhai
I, a fantasy, am full of the charm of the abyss.
Born by chance. Earth and sky
The two are one, you call me a woman.
Strengthened my body.
I am a white feather as soft as water.
You hold me in your hand, and I will hold the world.
Dressed, in the sun
I'm so dazzling that you can't believe it.
I am the gentlest and most sensible woman.
See through everything but share everything.
Longing for a winter, a long night
I want to hold your hand and take my heart as the boundary.
But my attitude in front of you is a fiasco.
When you left, my pain
Spit my heart out of my mouth.
Who is forbidden to kill you with love?
The sun rises for the whole world! I only did it for you.
Concentrate the most hateful tenderness on your whole body.
From head to toe, I have my own way.
A cry for help, the soul can also reach out?
My blood can turn my sea
Hold high to the foot of sunset, who remembers me?
But I remember more than just my life.