What is the central idea of Hongye belief?

Lin's literary creation began with poetry, and poetry is also the most influential among readers. Those poems that express personal feelings have won a group of "forest fans" with sincerity and beauty. It should be pointed out that the academic research on Lin's poems seems to place too much emphasis on Xu Zhimo's influence on Lin, so the richness and profundity of Lin's poems are limited. In fact, most of them are different from Xu Zhimo's free and easy poems. Time, back and forth, and kites all contain dignified and meaningful meditation under the soft appearance. Because of illness, her poems are sometimes inevitably depressed, but they should not be exaggerated. Unlike the often quoted poem "Faith is just a fragrance", they can't stand the west wind rustling. You know, in the poem that led to this sentence, the poet went on to say, "The pride of autumn is a fruit,/not a bud,-life will not allow you/give you accumulated fragrance." Loving life and being willing to give is the keynote of Lin's personality. Read Days after Rain, Lotus Lantern and Passion and Faith in Red Leaves. Even though the illness made her unbearable, the doctor concluded that her future was running out. Even though she wrote a slightly sentimental miscellaneous poem during her illness, she also wrote that death was a comfort without any sadness, and she never showed the decadent atmosphere in Xu Zhimo's later poems. Lin's other poems, such as Twilight and Nianguan, reflect the poet's sincere feelings for the lower class, but they have not received due attention from readers and scholars. When many female poets in the same period shouted for the people, but they were shoddy, or meticulously forgot the sufferings of the people's livelihood, there were few masterpieces like Lin, which showed the contents outside the window in a beautiful form. If we only look at the origin of Lin's creation, we can only see that she regards the New Moon as her own creative garden (in fact, the number of poems published in the New Moon is very limited), and she has more exchanges and discussions with Xu Zhimo, and her works have been selected in the Selected Poems of the New Moon. There seems to be no reason to call her a "crescent poet", but Lin "never thought she was a" crescent poet "and didn't like being called her. Although she is a woman, her poems are more thoughtful and expressive than some male poets of the Crescent School. Technically, she writes poems in a simple way, outlines characters or scenes, and supports rich poetry with life pictures. This narrative element is especially hard to see in the works of "New Moon Poet". If we really want to say that she belongs to the crescent school, it will be limited to the short-lived early works at most.

Compared with his poems expressing will, Lin's novels have an obvious tendency of "holding pottery". She has only six short stories, almost all of which are full of humanistic spirit. Ninety-nine degrees, showing all beings and worrying about various contradictions; Jigong reflects the fate of the characters and the past events of a period; Wen Zhen praised the bottom people and saw social vitality from the boring reality; All three novels show the author's creative tendency of paying attention to the window from one side. Among them, the handmaid Wen Zhen is a dazzling artistic image. She is kind, gentle, resolute, calm, capable, kind and capable, and unwilling to be at the mercy of her master's family. She finally left for the vast world to strive for a better life. Wen Zhen is one of the most beautiful female images in the history of modern novels in China. Embarrassment is her first novel, which describes the hero's unspeakable love mentality and wins praise for its incisive psychological analysis. Ninety-nine Degrees, the most famous novel, has a bird's eye view of the whole city by using the techniques of stream of consciousness and jumping structure. It has a strong atmosphere of the old capital, many characters and distinctive personality. Although the works are foreign and earthy, they blend Chinese and western techniques in one furnace. Lin's proficiency is very admirable, which is related to a group of inexperienced writers trying western technology in the south at this time. It is no wonder that some university textbooks mistakenly include Lin in the section of "New Sensation School" (The History of Modern Literature in China, edited by Zhu Donglin and others). , modified in the first edition 1999). Lin's novel style is atmospheric and rational, and the language is simple and pure, which is certainly beyond the reach of many female writers of her peers, even among some male writers. Xiao Gan, a novelist of Beijing School, praised Lin as the "soul of Beijing School", not only because she compiled the selected novels of Ta Kung Pao 1935, but also because her works represent some important features of Beijing School novels.

About no one calls Lin an essayist. If she doesn't write number theory, her narrow sense of beauty is not as good as her novels. However, people keep saying that Lin's poems are "not as good as her prose" (in Bian's words, it is Hui's Chatting with a Poet). Her prose should be among the "excellent articles since the May 4th Movement" (Yu Shi Shu Hua by Jiang Deming), and "it is not inferior to put these essays together with everyone's works" (the edge of literary world). "Out of the Window" was selected by Zhu Ziqing as a national The National SouthWest Associated University style demonstration, and it is a well-known masterpiece. As for those letters to friends, they are not so much prose as prose. Even her articles on architecture are affectionate and wonderful. A few chapters and fragments are no different from American words, travel notes or lyric sketches. Friends all admire Lin's talkativeness, eloquence, wisdom, eloquence and humor. The Sri Lankan has passed away. Fortunately, these essays were left behind so that later readers could trace back to her style. Just open one of her essays, such as "Each other" written during the Anti-Japanese War, sit in the "wife's living room" and tell her in Kan Kan words:

After the baptism of artillery fire or wandering, the sun and the moon have changed again and again. Are there no traces of this experience on each other's faces? However, when the whole country is in full swing, everyone is "separated and lost" ... going to his hometown and far away places ",which naturally means" I am sad, but I don't know what my feet are ". The words engraved on my face didn't surprise the other person, I just smiled. A few sweet and sour lines are often added to the corners of the mouth, which can help the other person chew life. Why not acquiesce to this: people should laugh when they are confused. Although this kind of smile is just a persistent figure, it is necessary, just as protective color is necessary for many creatures.