Most of his poems are based on the realistic problems of the country and the nation, expressing impassioned patriotic feelings.
Such as "Water", "Crossing the River from the South", "Water Carving Loose the Head" and "Spread Your Wings and Fly", show the great ambition to restore the reunification of the motherland;
Driving the Groom, Bodhisattva Man (Qingjiang River under Yugu Platform) and Broken Warrior (Watching Sword Drunk) show nostalgia for the northern region and praise for the struggle against gold.
Water (Chu Dora), fishing (which can make the wind and rain go back several times), He Xinlang (the boss can also say so), Partridge Sky (when strong, it can hold up a thousand banners), and Eternal Happiness (through the ages), etc., which show your dissatisfaction with the humiliation of the Southern Song Dynasty court and your hard-won ambition.
Most of these works are high-spirited and passionate.
In addition, his works describing rural scenery and reflecting farmers' life, such as Qingpingle (with a low and small roof), Xijiangyue (with a bright moon and a surprise magpie) and Yulouchun (with girls in twos and threes), are full of life and give people a fresh feeling.
His lyric poems, such as Ugly Slave (a teenager doesn't know the taste of sorrow) and Jade Case (a thousand trees bloom in the east wind night), are all written with rich savings and long sentences.
Xin Ci inherited Su Shi's bold and unconstrained ci style and the fighting tradition of patriotic poets in the early Southern Song Dynasty, further opened up the realm of Ci and expanded the theme of Ci, almost reaching the point of nothing. It also creatively integrates the advantages of poetry, prose, ci and fu, enriches the expression methods of ci, and forms the unique style of symphonic ci.
Words are bold and unconstrained, but eclectic, gloomy, bright, inspirational and charming.
He is good at using concrete techniques and strange imagination, endowing natural mountains, water, wind, moon, grass and wood with emotion and character, and placing certain hopes on them.
He is also good at absorbing folk spoken language, especially at using allusions, using things and quoting previous poems and sentences, often slightly modifying and innovating.
But some works are obscure and boring because of too many allusions and arguments.