A summary of common sense of classical poetry and literature

1. Theme: Li Sao expresses the poet's profound introspection and criticism of the dark reality that Chu was in power and loyal sages were abolished, his grief and indignation at his incompetent situation, and his ardent hope for the king of Chu to appoint talents, reform Chu politics and carry forward the strong patriotic spirit of Chu. Artistic features: 1. Strong passion and fantastic imagination. In the first half of Li Sao, looking back on the past and recalling life experiences, ideals and experiences is basically realistic, but those poems that exaggerate their excellent qualities in a comparative way have the characteristics of whimsy; In the second half, the exploration of the future road is even more passionate, and the loyal and deep patriotic feelings burst out incisively and vividly through the pentium and elegant imagination. 2. Pure, beautiful, independent and unyielding lyric hero image. Noble birth, lofty ideals, sober, pure, independent and unyielding personality, and its unusually strong emotions constitute the perfect imagination of the lyric hero, which is symbolic and shows the spiritual essence of this lyric poem. 3. The expansion of Bixing technique. It develops the metaphor of The Book of Songs into the combination of metaphors in long poems, and also combines the simple metaphor of The Book of Songs with the independent metaphor. On the basis of The Book of Songs, the metonymy tradition of the famous vanilla beauty in China literature was formed by expressing feelings with things and expressing feelings with things, which had far-reaching influence. Four. Structural features. The whole poem revolves around the poet's unswerving feelings for the motherland and the spirit of pursuing lofty ideals and dying without regret. The first half reviews the history and writes realistically, while the second half explores the realization of the ideal and writes falsely. V. Features of form and language. It not only adopts the form of folk songs, but also draws lessons from the brushwork of prose, and becomes a new literary expression with arbitrary sentence length and alternating rhyme and prose. In the second half of Li Sao, the poet's ideological activities are often set as questions and answers between subject and object, and descriptions are arranged. The language is rich and colorful, and disyllabic feet abound.

2. Performance: 1. The extensive use of Chu language and myths and legends has created a new style. Secondly, it created a precedent in the history of China literature. Fourthly, he used a lot of magnificent imagination to create romanticism in China's classical poems (The Book of Songs is the beginning of realism). Fifth, the metaphor of vanilla beauty is popular in later generations.

3. Status: Song Yu is a great poet after Qu Yuan, and his overall achievements in creation are not as good as Qu Yuan's. However, his development in diction is of far-reaching significance to the development of later generations' Ci Fu. It can be said that Song Yu has the significance of inheriting and developing Ci and Fu in the history of literature and is indispensable for the growth of Ci and Fu in later generations.

Probably summed up a ha, for reference only. ......