The copperplate prints are still selected from Qilixiang, which shows another feature of Xi Murong's love poems. He should seize the time and engrave all the good things in life in his mind and heart. She once said, "... if I could go back in time, if I could do it all over again, I would definitely remember everything, not forget it ...", "I still remember when I was nineteen years old, standing in the courtyard of Beitou's house, with the tall Datun Mountain behind me and little green grass growing at my feet. I like it so much that I almost cried out, "Don't forget! Don't forget! "Who am I talking to? I know I am talking to my future self. I want my future self. Don't forget this moment! The poet is eager to remember the beautiful simplicity and poetic heart of every moment, so that people can truly feel her truth and affection. The so-called affection refers not only to love, but to everything that exists, whether alive or not. This "copperplate print" was created under such a tone. You in the poem may not actually refer to the person, but the poet represents all the wonderful experiences that have happened. I hope he can cherish them in his heart and never fade. The following is a segmented appreciation of the content of this poem:
This poem is divided into three paragraphs. The first paragraph "If we can return to the mountains in summer/if God allows us to meet again" uses two "ifs" to represent the longing in a hypothetical situation, while the following poem brings out the longing for "making fern leaves green again", "making streams run" and "making years beautiful again", including the longing that may happen and the longing that may not happen. "Summer is back in the mountains", "Fern leaves turn green again" and "Streams and flowing water" are eternal symbols of nature. However, human life is limited. Once it passes, it will never come back. This made the poet feel deeply, so she imagined that if time could go back, to "nothing happened yet" and "no sign yet", to the moment when you and I first met, "you appeared from the crowd/gave me a shy smile". At this point, the poet pointed out her desire to be "young again" because she wanted to go back to the time when they first met. "You emerged from the crowd/gave me a shy smile" not only used the sentence pattern of the Book of Songs, but also used the poem "Many people looked for him, but the man was in the dim light". Of thousands of people, only he is what I care about and care about, so in the gray and black crowd, I only saw him come out because my eyes were focused on him. However, what the poet said about you is not necessarily limited to your lover, but may also include everything that exists, all the moments and things that can move her. As Zeng Zhaoxu, a literary critic, said, "She only had a thousand-year dream in the realm with a little loss, so that people can still see the moonlight over the mountains, such as the youth of wine." The distant morning is a sketch of Zhang Zhu with little ink, which creates a hazy artistic conception with the visual effect of going back in time, never happening and without warning. At the end of this paragraph, I pointed out that the theme of this poem is that I am eager to seize this beautiful moment. "If I knew I couldn't forget you/I wouldn't be careless. I will try my best to carve/that ancient summer I first met/carve a complicated and delicate copper plate deeply and slowly/I will cherish every scratch/if I know I will never forget it. " In the first paragraph, "the ancient summer when I first met" explains why the poet returned to the mountains in summer. It turned out to be the season when they first met. Copper engraving is a poet's painting tendency, which is classical and clever, but its roots are clear and distinct. She hopes that she can clearly engrave that beautiful moment in her heart through the style of copperplate printing, so the whole poem shows the poet's sincere desire to seize the moment for eternity.