2. In the second section, I wrote about willows on the shore. "Golden Willow" is a vivid description of willow trees in the sunset. It is beautiful and graceful, like a "bride", which not only symbolizes its physical beauty, but also conveys the poet's infinite joy and attachment. Who can leave a beautiful wedding? "Yan Ying" and "rippling blue waves" are in "my mind", where things and me are integrated and scenes blend.
The third section is about the aquatic plants of He Kanghe River. The green aquatic plants are swaying in the water waves, comfortable and calm. And it means to greet the poet. "I would like to be a water plant", which is not only integrated with my things, but also expresses the poet's eternal love for He Kang, and he is willing to stay in He Kang forever. Born and bred.
4. In the fourth quarter, write about the pool clearing under the elm tree. The clear spring reflects the rainbow in the sky and is colorful. Like a dream made by a rainbow, it is deposited among floating algae. Integrating feelings into the scene makes people enter a dreamlike artistic conception.
5. In the fifth section, the poet's feelings reached a climax. In the process of wandering around the scenery, the poet seems to forget his dream of leaving soon and walking with a long pole to find a "rainbow". When I came back in the evening, the water waves and starlight reflected each other, and the poet couldn't help but want to "sing", and his mood was at its peak.
6. In the sixth quarter, extremes meet, and joy begets sorrow. The poet returned to reality from fantasy and was depressed. Therefore, we can't "sing". Only when we "quietly" sound the sad sound of parting will the poetic scene be restored. Even the summer worm seems to have realized the feeling of parting and remained silent. Silence is Cambridge tonight, which is full of feelings of parting that cannot be resolved, and pushes the poet's meditative state of mind to the extreme.
7. Section 7 echoes the beginning. The poet is so reluctant to leave, but he "doesn't take away a cloud", and he doesn't want to disturb his beloved Cambridge and let Cambridge grieve with me. This paragraph is not a simple repetition of the first paragraph, but more affectionate and nostalgic. At the same time, there is also a free and easy charm.
In the first section, the three words "gentle" are the most wonderful, which makes us realize the beauty of Cambridge, and the most concentrated expression of this beauty is the word "quiet". Three "gentleness" is the poet's reflection on the beauty of Cambridge. Even if he "left", he still kept this quiet beauty in his heart. He could not bear to break this quiet beauty and show his love, which set the emotional tone for the whole poem.
The second to sixth sections are typical summaries of the whole process of the author's feelings and thoughts.
The golden willow in the sunset is the concrete embodiment of this quiet beauty, and this golden willow in the poet's heart, like a quiet and beautiful bride, can make him feel uneasy and excited. The bride is so beautiful that the poet dare not look at her directly. He looked away. Looking down, I saw the "swagger" and "green" under the gentle waves. The water grass swayed gently with the waves, as if showing off its freedom with the poet. In this scene, who doesn't want to be such a water plant? There was a flash in the corner of the poet's eye, which made him turn his head involuntarily ―― it was Byron Tan, but in the sunset, it was a crushed rainbow on the dream coast! The rainbow full of dreamy colors is also looking for its own dreams, which naturally reminds the poet of the scene of singing and dreaming by the river. At this time, the poet seems to be dreaming again, but the reality makes it impossible for the poet to sing: parting is imminent, no; I can't bear to be quiet and beautiful in my heart. Only "quietness" is what the poet wants. At this time, Cambridge was silent and seemed unwilling to leave.
The last section echoes the first section and explains it in simple terms. "Gently" has become "quiet", and I can't describe anything.
The poet wrote his deep attachment to Cambridge with beautiful images and a quiet and peaceful mind.
The artistic form of Farewell to Cambridge;
1, form: four lines and one section are patchy, and the number of words is similar to each other-the building is beautiful and clear: the first sentence uses three "gentleness" in succession, which makes us feel as if the poet came on tiptoe, like a breeze, and then quietly swayed away; And the deepest affection has become a "floating cloud in the west" between the stormy waves. "The last paragraph has three quietness corresponding to the first cycle. Come smartly, go smartly. With a wave of his sleeve, what shook off? Needless to say. Why take away a cloud when you've been in Cambridge once? -the first and last cycles echo each other, and the structure is rigorous, giving people the beauty of the whole.
2. Language: the beauty of rhythm and melody-the beauty of music is clear: for example, in the first verse of the poem, the adjective "light" is used three times, which makes the rhythm light, the melody soft and subtle, as if the poet were walking on tiptoe; The second verse of this poem is musically like a happy tune played with a violin full of bows; In the form of rhyme, strictly abide by the second and fourth rhymes, cadence, catchy. This beautiful rhythm ripples like ripples, which is not only the voice of pious students seeking dreams, but also conforms to the ebb and flow of poets' emotions and has a unique aesthetic pleasure. Seven verses are strewn at random, and the rhythm is slowly spread out in them, which is quite poetic. It can be said that it embodies Xu Zhimo's poetic beauty thought.
3. Artistic conception: Liu Jin's Bride flaunts a rainbow-like dream-the beauty of painting is obvious: almost every section of eight poems contains a paintable picture, which gives people a visual aesthetic enjoyment. One of the manifestations of the picture is that the poet used colorful words and created a series of vivid artistic conception. The golden willows covered with sunset glow, the green grass on the soft mud and the pool under the shade of the tree came into view one by one. The two metaphors are well used: the first one boldly imagines the Golden Willow by the River as a "bride in the sunset", turning the lifeless scenery into something alive, warm and pleasant; The second is that the clear pool water is suspected to be a "rainbow in the sky", but it has become a "rainbow-like dream" after being crushed by phytoplankton. Poets such as Zhuang Zhou Mengdie forgot everything about me in the madness of love, felt the "beautiful image in the waves/rippling in the heart", and were willing to be the grass swaying in the soft waves of He Kanghe River. This good structure of the unity of subject and object is not only a wonderful hand, but also a painstaking effort; In verses 5 and 6, the poet opens up a new artistic conception. Borrowing \ "dream/dream \", \ "full of starlight,/singing in the splendor of starlight \", \ "singing,/but I can't sing \" and \ "Summer insects are silent for me/silence is a Cambridge tonight \", the whole poem is pushed to a climax, just like a spring river. But his madness of falling on the greener grass and singing in the bright stars did not come true. At this time, silence and silence are better than many love words! . The poet seems to be caring for a lover's sleep, fearing that this dream will be damaged by the slightest bit, and the melody like a sigh is perfectly unified with parting. The second manifestation of the beauty of the picture is that the poet turned every picture into a dynamic picture through words with strong movements, such as \ "waving \" \ "rippling \" \ "swaying \" \ "smashing \" \ "wandering back \" \ "waving \", giving people a three-dimensional sense.