The blue sky, the yellow leaves on the ground, the waves of autumn colors, the cold smoke and green on the waves. The mountains reflect the setting sun, the sky meets the water, and the fragrant grass is ruthless, even outside the setting sun.
The soul of the dark country, chasing the thoughts of the journey, unless every night, good dreams leave people to sleep. I rest and lean alone high in the Mingyue Tower, drinking wine makes me sad. Turned into tears of lovesickness.
This is a poem describing the nostalgia of traveling abroad. The whole poem borrows scenery to express emotions. Scenarios blend. "The scenery that is difficult to describe is like the present. There are endless opinions behind the words." (Ouyang Xiu's "Sixty-One Poetry Talks")
The scenery is described in the upper column, and the scenery is full of emotion. "The sky is blue and the sky is yellow, and the ground is yellow leaves." The two sentences look up, the sky is full of white clouds, and the ground is full of yellow leaves. One "sky" and one "earth", one "blue" and one "yellow", summarize the autumn colors. It shows the myriad phenomena of nature and gives people an open mind. In the "Farewell at the Long Pavilion" section of Wang Shifu's "The Romance of the West Chamber" of the Yuan Dynasty, the sentence "Blue cloud sky, yellow flower ground" is derived from this sentence. This sentence has become an eternal famous sentence describing autumn scenery. Then, the author looked straight up and looked into the distance - "Autumn colors are rolling in waves. The cold smoke is green on the waves." Two sentences. The rich autumn colors and the long autumn waves are all blended into it. At the end of the horizon where the autumn colors and autumn waves are connected, there is the green and slightly chilly autumn smoke. Here, the blue clouds, yellow leaves, green waves and green smoke are vividly reflected in the author's pen. It forms a colorful "Autumn Color Picture at Dusk". The sentence "Mountains reflect the setting sun" brings the green mountains into the picture, and integrates the sky, earth, mountains and water into one, reflecting each other. At the same time, the "setting sun" also points out that the scene is an autumn scene at dusk. The two sentences "The grass is ruthless" change from the real scene in the eyes to the virtual scene in the mind, and the emotion of separation is hidden in it. "Fragrant grass" has always been one of the images that "separation" relies on in poetry, such as "Qing Ping Le" by Li Yu, the later master of the Southern Tang Dynasty: "Departure and hatred are just like spring grass, which will return to life if we travel farther." With the lingering feeling of grass, . It is a metaphor for constant love and thoughts; complaining about the ruthlessness of "Fragrant Grass" shows that the author is sentimental and attaches great importance to emotions. It is used to reflect the hatred of the guest who is moved by the scene and can't sleep at night. Just like Tang Guizhang's "A Brief Explanation of Tang and Song Ci": "In the first part, it is written that the sky is connected with water, the water is connected with mountains, and the mountains are connected with fragrant grass; the sky is connected with blue clouds, the water is carried with cold smoke, and the mountains are carried with the setting sun. From top to bottom, from near to far, It is a purely ethereal state, which is difficult to achieve even in painting." What the predecessors said is a classic saying that uses scenery to express one's feelings.
The lower column is lyrical, and the emotions blend into the scenery. The two sentences "The Soul of Dark Country" directly express the lingering and entangled feelings of nostalgia and thoughts of traveling in the author's heart. "Darkness" means melancholy: "Chai" originally means "to follow", here it means "entanglement", which is the entanglement of thoughts about traveling. The two lines "Every night unless" describe the deep nostalgia of traveling alone in the end of the world. It's always there, "good dreams" are rare, and there's nothing you can do to eliminate them. The following "Hibernate and lean alone" further shows that the poet was disturbed by homesickness at night and it was difficult to have good dreams. He wanted to climb up the building and look far away to relieve his sorrow: but a bright moon reflected the loneliness of the poet in a foreign land. The last two sentences are derived from Li Bai's poem "Toast a glass to eliminate sorrow and sorrow will become more sorrowful". Drinking wine is used to relieve the pain in the chest. Unexpectedly, "drinking people's sorrow turns into tears of lovesickness". The author had a sudden idea, "Using a paragraph of 'sorrow' to cleverly connect 'tears' and 'wine', which is filled with desolate sadness and is soul-stirring to read." ("Song Ci Appreciation Canon") Just like Tang Guizhang's "Tang and Song Ci Ci Briefs" "Interpretation": "The next film touches the scene and evokes emotions. The four sentences of 'Dark Hometown Soul' are written about the long stagnation outside and the deep homesickness. The sentence 'Mingyue' is sharply mentioned. The two sentences 'wine enters' are in harmony, and 'the building is high' points out the previous sentence. The scene in the film is what you can see upstairs. The wine melts into the intestines and the tears are fresh. It shows the true feelings of the public."
In short, let us use the words of the predecessors to evaluate this poem: the whole poem is low and graceful. , without losing the aura of Shen Xiong and Qing Gang. Zou Zhimo's "Yuanzhizhai Ci Zhong": "Fan Xiwen's "Su Muzhe" contains a lot of beautiful language in the first part, and pure tenderness in the second part, so it became a masterpiece.
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