Jian'an, Zhengshi, Taikang, Yongjia, Yuanjia, Yongming, which dynasty and emperor each refer to?

Jian'an: Eastern Han Dynasty - Emperor Xian of Han Dynasty (Liu Xie), 196 AD to 220 AD

Zhengshi: Wei in the Three Kingdoms - King Qi (Cao Fang), 240 AD to 249.

Taikang: Western Jin Dynasty - Emperor Wu (Sima Yan), 280 AD to 290 AD

Yongjia: Western Jin Dynasty - Emperor Huai (Sima Chi), 307 AD to 313 AD Year

Yuanjia: Emperor Wen (Liu Yilong) of the Song Dynasty in the Southern and Northern Dynasties, 424 AD to 454 AD

Yongming: Emperor Wu (Xiao Yu) of the Qi Dynasty in the Southern and Northern Dynasties, 483 AD to 494 AD

Jian'an Literature:

Jian'an is the reign name of Emperor Xian of the Han Dynasty at the end of the Eastern Han Dynasty, from 196 to 220 AD. The political power of this period was completely in the hands of Cao Cao. The literary leaders at that time were all Cao family figures. Most of the seven famous poets of Jian'an died during the Jian'an period, so this period is called Jian'an literature.

Representative writers: Three Cao - Cao Cao, Cao Pi, Cao Zhi,

Seven Sons of Jian'an - Kong Rong, Chen Lin, Wang Can, Xu Qian, Ruan Yu, Ying Jun, Liu Zhen

< p>Zhengshi Literature: Zhengshi is the reign name of Wei’s deposed Emperor Cao Fang (240-249), but what is customarily called “Zhengshi Literature” also includes the literature from the period after Zhengshi until the founding of the Western Jin Dynasty (265) creation.

Representative writers: Zhengshi celebrities - He Yan, Wang Bi, Xia Houxuan

The Seven Sages of the Bamboo Forest - Ruan Ji, Jikang, Ruan Xian, Shan Tao, Xiang Xiu, Wang Rong, Liu Ling

Taikang Literature:

Taikang was a prosperous period for literature in the Western Jin Dynasty. At this time, the situation was stable and literati had time and energy to devote to literary creation and research. In the well-off society, most literati forgot about themselves and praised virtues. Therefore, the formalist style of writing became increasingly serious. They pursued the beauty of the form of literary works, but their creative achievements were not very high. The literati pursued the artistic expression of their works through self-taught. Therefore, the literary trend of this period tended to be Gorgeous, elegant and refined poetry, advocating parallel figures in literature, and beautiful words have become common features of poetry

Representative writers: Pan Yue, Lu Ji, Zhang Zai, Zhang Xie, Zhang Kang, Lu Yun, Panni , Zuo Si

Yongjia Literature:

After the Yongjia Rebellion, a large number of gentry moved southward, which was not only a great migration of population, but also a great migration of culture. It was objectively It promoted the spread of Central Plains culture and promoted the exchange and integration of northern and southern cultures; it also changed the spatial pattern of the development of Chinese literature and had a significant impact on the layout, genres, themes and styles of Chinese literature. Therefore, "Yongjia Literature" was formed

Representative writers: Liu Kun, Lu Chen

Yuanjia Literature:

Yuanjia poets still have gorgeous words, but they also inherit It breaks the tradition of focusing on emotions in classical poetry, and especially understands the characteristics of Jian'an poets. Compared with poems before the Han Dynasty, Yuanjia style poems show more conscious artistic conception and more tempering efforts; the transformation of poetry from unconscious literary works to conscious literary works began in Jian'an And the great success came from Yuanjia. The literature of this period is called "Yuanjia Literature"

Representative writers: Yan Yanzhi, Xie Lingyun, Bao Zhao

Yongming Literature:

Yongming Literature is mainly written by the Southern Qi Dynasty and Liang Dynasty poetry. One of the main features of "Yongming Style" is the emphasis on the rhythm of poetry. Zhou, a phonology expert at that time, proposed the four tones of "Ping Shang Go Ru Ru". Shen Yue applied it to the rhythm of poetry and advocated it as "four tones". The theory of "Eight Diseases". The proposal of this theory of rhythm laid a theoretical foundation for the rhythm of rhymed poetry in the Tang Dynasty.

Representative writers: Xie Tiao, Shen Yue, Wang Rong, Fan Yun, Qiu Chi