Representative figures: Yang Shiqi, Yang Rong and Yang Pu.
From the Yongle period of the Ming Dynasty, a so-called "Taige style" appeared, and its promoters were all "Taige ministers", so it was called "Taige style". The imperial court advocated "Jing Zong" and archaizing, which was a retrogression in poetry creation.
2. Sanyang
Representative figures: Yang Shiqi, Yang Rong and Yang Pu.
All three experienced Yongle, Hongxi, Xuande and Orthodox Dynasties, and successively held important positions in Taige. When it was orthodox, it was assisted by college students, which was called "Three Sheep". The content is full of praise, time-sharing reality, artistic pursuit of elegance and integrity, mediocrity.
3. Chaling School
Representative figures: Li Dongyang, Xie Feng, Zhang Taiji, "Six Gentlemen of Li Men"
Named after a place name, the leader of the reassignment, Li Dongyang, is from Chaling, Hunan. Explore the tone of Tang poetry and try to change the weak poetic style with vigorous style. His works are mediocre and lack originality, and he became the forerunner of later antique.
4, the first seven sons
Representatives:, He Jingming,, Bian Gong, Kang Hai, Wang,.
In order to distinguish it from the seven sons, such as Li Panlong and Wang Shizhen, who appeared in Jiajing Qin Long, the world called them the first seven sons. Advocating retro, noble and humble, from "respecting the ancient" to "antique".
5. The last seven sons
Representative figures: Wang Shizhen,,, Zong Chen, Liang Youyu, Xu Zhonghang, Wu.
Influenced by Li Mengyang, He Jingming and others, he continued to advocate retro, echo each other, flaunt each other, and became more powerful, and was called the last seven sons in the world.
6. Four gifted scholars in Wuzhong
Representatives: Tang Yin, Zhu Yunming, Wen Zhiming, Xu Zhenqing.
Named after living in Suzhou, Jiangsu (Wuzhong area) and being brilliant, she is unrestrained, unrestrained, self-expressing, shallow and meaningful.
7. Tang and Song School
Representatives: Wang, Mao Kun, Gui Youguang.
It was named for opposing the view that "literature must be in Qin and Han Dynasties and poetry must flourish in Tang Dynasty".