In the first half of Lisao, the poet repeatedly poured out his concern about the fate of Chu and people's life, expressing his desire to reform politics and his will to persist in his ideals and never compromise with evil forces despite the great disaster. The second half reflects the poet's thoughts and feelings of patriotism and love for the people through the statement of dreaming, pursuing ideals and dying after failure.
Li Sao, as an extended material, is a masterpiece with rich ideological content, which can be summarized into two aspects. One is to describe the contradiction between poets and dynasty rulers, that is, the opposition between ideal and reality; The second is to describe the pain and entanglement of the poet's mind, that is, the contradiction between enterprising and retiring.
The theme of the whole poem, that is, through the description of the poet's lifelong struggle for lofty ideals, strongly expresses his anguish and ambivalence of being killed, his spirit of dedication to the country, and his deep patriotism and sympathy for the people who share the same fate with the country, and his indomitable struggle spirit of bravely pursuing truth and light and upholding justice and ideals.
At the same time, it profoundly exposed the decadent and dark nature of the noble group of Chu headed by Chu Jun, and criticized their crimes of reversing right and wrong, running a private party, harming talents and doing evil for the country.
In Li Sao, Qu Yuan successfully created the first lyrical protagonist with full image and distinct personality in the history of China literature, which embodied Qu Yuan's great thoughts and lofty personality.
Li Sao is a passionate political lyric poem and an artistic masterpiece combining realism and romanticism. Some plot fragments in the poem reflect the historical facts at that time, such as "at first, I had a good talk with Yucheng, but later I regretted leaving him." It's not hard for me to leave my husband. It hurts my soul. "
In other words, Wang Huai repeated his political diplomacy and attitude towards Qu Yuan several times, but he completely adopted a romantic approach: he not only used myths and legends, but also used a lot of metaphors to express his feelings for flowers and birds.
The deployment of vehicles in the figurative symbols used by poets is based on the inheritance of traditional culture, which always gives people a feeling of endless meaning. Because of the poet's incomparable anger and uncontrollable passion, the whole poem is like a flowing river, which is boundless, but both the conception of the poetic mood and the external structure reflect the poet's extraordinary artistic ingenuity.
Baidu encyclopedia-Lisao