It takes about 100 words to extract and feel the spring water in the starry sky (12).

Springs in the first five-year plan:

Post-illness shadow

Stronger than before,

Flowering branches,

But there is a small fruit.

We just meet as different pets!

I think this poem is very successful. In the new poem, I expressed the poetry of a poetess. I see some fruit trees. When I saw it before, it was in full bloom. I haven't seen you for a long time. The poet is ill. When he recovered, he came out to see the trees, and the leaves were lush. And "the flowering branches bear small fruits", so the poet was very happy and said, "We just changed." So this poem really won a good poem after a brief encounter. The success of new poems is always like this, just like a photographer taking pictures. The poetry of this new poem is written by an ancient poetess in one of her sentences, that is, "green, fat, red and thin". I quoted all of Li Qingzhao's Dream: "Last night, it rained suddenly, and I slept soundly. I asked the shutter, Haitang is still there. -You know it should be green, fat and thin! " Writing like this is old poetry. Although it shows the personality of a poetess, it is the most rare one. However, the words "green, fat, red and thin" seem to be separated from readers by a lot of distance, and they can't meet each other like the poems of new poets. Old poems come from ordinary things, while new poems often come from unexpected things, that is to say, observing present things. It is interesting that there are two female poets in ancient and modern times, and it is interesting that new poems and old poems with the same theme are different in nature. This poem in Bing Xin's poetry collection has no smell of old poetry. I quote this poem only to show that there are poems in Bing Xin's poetry collection, and the nature of new poems and old poems will not be confused. Of course, there are many poems in Bing Xin's poems, which are not successful new poems, but naturally written by new poets at that time.

Another example is "Spring" DiYiWuJiu:

A long time?

A cool breeze is coming.

Where is Tian Jia?

I really want to go home in the wind,

Listen-

The cold moon

Turned into a mass of light

Fly gently on the waves.

This is what the author wrote down in an instant, and its expression is just like making a movie, leaving a shadow of the moment and then presenting it to people actively. Although the poem takes the same scenery as the old poem and simply uses the sentences of the old poem, we still feel that this is not the keynote of the old poem, and there are poems in this new poem. Here, we can also see that the nature of new poetry and old poetry is different. The old poem is based on emotion, while the new poem is a complete poem based on text. In old poems, such as "there is a bright rainbow in the west corner of the small building, listless, waiting for the bright moon to grow", it may or may not be the poet's true feelings at the moment, and it may be a combination of text and emotion, so it is impossible to write this thing alone, nor can it be a poem or a word. Another example is Su Shi's When is the Bright Moon? Ask heaven for wine. I don't know what year it is tonight. I want to go home by wind, but I'm afraid Qionglou Yuyu is too high. Cold ... "? It's about the poet's real feelings now. The source of Ms. Bing Xin's sentence "I really want to go home in the wind" is here, but does Su Can insist on it? You must write down other joys and sorrows to become a word. The problem of old poetry is not here. I asked like that, which was close to a "stupid question". What is an absurd statement? However, in order to oppose the new poetry, there is a strict boundary here. To write a new poem well, there must be a complete poem at present. As for how to write this complete poem better, that is another question. When I read Bing Xin's poems this time, I often think of this question and want to talk about it while I can.

Another example is Spring Water 16 1;

Lift the cup from the window-

Falling flowers!

Say goodbye to you!

That's cold water,

Consider it a sweet bar.

This poem, I think, is more than just taking pictures. The poem came, and I moved it to the manuscript paper. The poet was drinking cold water there, but suddenly he saw a petal falling from the window. It comes once in a blue moon, so a new poem can be achieved in an instant. This poem is also considered "helpless". Although the poet has a glass of cold water in his hand, he wants to "drink a cup of new words". Old poems are not written like this. For example, the poem of the Tang Dynasty: "Birds change when they fly, but flowers fall when they sit for a long time." It may not always be the scene at that time. I'm afraid it happens all the time. However, is this new poem we are talking about well written? This is really an interesting question. As far as the nature of new poetry is concerned, this poem in Bing Xin's poetry collection is indeed a new poem, but it can also be changed, that is, it can be written more generally. -what I mean is actually very simple. This new poem can be written into an old poem. Just like this word: "a new word, a glass of wine, the weather was old last year." When will the sunset come back? There is nothing to do, flowers bloom and fall, and it seems familiar that Yan returns. Xiao Yuan Xiang Jing is a man. "On the one hand, it shows the author's personality, on the other hand, it also shows the universality of the genre of' Ci', so the production like this has become a classic, perfecting poetry with genre. Ms. Bing Xin's new poem is really a poem. Generally speaking, when writing a new poem, it seems a little anxious to write it. The new poet at that time was naturally overwhelmed by a poem, and the direct poetry was written directly on paper. In this way, poetry is naturally poetry, but the method of writing poetry is too much like writing prose, that is, according to the situation at that time, a cup of cold boiled water is regarded as sweet wine. We can feel the emotion of poetry here, but poetry lacks universality. If the artistic conception of new poetry changes here, I think it is suitable for the genre of old poetry. The six sentences in the poem "Huanxisha" I quoted earlier are irrelevant, and we can't know whether the poet's poetic interest at that time was "the weather was old last year". Is it "wandering alone in the small garden"? I think the key point of this word is "when does the sun set?" "In any case, the famous sentence" I can't help but feel deja vu "must be written in a poem, that is, love and literature are born together, and together they are a wonderful good word. A new poem has the power of its own. It's like hand-to-hand combat, but sometimes it's too abrupt. Ms. Bing Xin raises a glass and calls for flowers. If this is the focus, it should be the scene where ancient poets create poems. This is the value of Ms. Bing Xin's new poems. The new poet really only knows new poems and takes care of them wholeheartedly. As far as the work itself is concerned, we can think that it is not complete yet. As far as the nature of new poetry is concerned, China's poets have met face to face with new poetry, which is almost enough. It seems better to refit these new clothes into old poems, which is only our guess, and these chapters that can be refitted into old poems actually fill the personality of their new poems, which is the most meaningful.

Another example is Spring Water 164:

Will leave?

The shadow of the ship is too clear.

Wangshan River;

Slight clouds!

How can you only suppress gloomy emotions?

Don't dream songs?

This poem is also directly poetic and written on paper, which means that Ms. Bing Xin's new poems are mostly prose, although they are written in sentences close to the old ones. The shadow of the boat is too clear, and the view of the mountains and rivers, we feel a kind of power when we read it. It's really that the ship's shadow is too clear and the mountains and rivers are green. When you look again, you will see a slight cloud, surrounded by dreamlike songs. If we say that such a change of "parting" mood should be the process of poetry creation by ancient poets in China. However, the life of new poetry is naturally expressed directly. This is the significance of Ms. Bing Xin's new poetry in the history of new poetry. It shows the individuality of new poetry and lacks the universality of poetry. If we realize this universality, the life of Ms. Bing Xin's new poems should be the theme of old poems. Although this is my personal observation, I really want to attract everyone's attention to this matter, or it is not without interest. On the one hand, we can understand the nature of new poetry, on the other hand, it is related to the method of writing poetry, whether writing poetry is writing prose. From the creativity of new poets' poems, we can know the creativity of ancient poets. The old poem lost its life, leaving only its shell, but the life of this poem was found in the new poem. These relations are invisible, and we can see the significance of the development of new poetry by paying attention to them. But I can't talk about the method of writing poetry here. I will try my best to give full play to it when I meet the right opportunity in the future. Just please don't misunderstand that there are two ways to write a thing, and the two ways to write it become two different things. New poetry should be different from writing prose, just as ancient prose is different from writing poetry.

Another example is spring water (104)

The fish came up,

A bug is floating on the water-

In this do or die, my fragile heart,

Suddenly I trembled.

This poem fully shows Bing Xin's love, and the best place to write it is: "This little success will make me die, and my fragile heart suddenly shakes." This sentence describes in detail the eleventh small fight to the death. Only in this way can we fully appreciate Bing Xin's treasure of life and sympathy for the weak!

[excerpt]

Darkness,

How to draw?

Deep down,

Deep in the universe,

A resting place with bright sunshine.

Excerpt from the star-V.

[opinion]

This poem compares darkness very appropriately, without using many flowery words, but it compares darkness very clearly. Let's talk about the depths of the soul. If your heart has no distractions, I believe there is no darkness in the depths of your soul. Then I talked about the depth of the universe, but I don't think so. Most of the universe is dark, but there are also stars like the sun that bring light and warmth to people. Finally, a sunny rest place, isn't it? The only place where sunlight can't reach is darkness. The rest place he said is only night, and night is the time for sunshine to rest, but darkness is short after all, and darkness can never overcome light.

The third part of the spring:

Young man!

You can't fly like the wind,

It should be as still as a mountain,

Like floating clouds,

A helpless life,

I only did the poet's information!

[Appreciation]

This is a very wonderful philosophical poem. The poet compares the clever metaphors of flying wind, floating clouds and quiet mountains, and tells us the true meaning of self-cultivation. Zhuge Liang once earnestly warned his son Zhuge Zhan in The Book of Honesty: "Be quiet to cultivate one's morality, and be frugal to cultivate one's morality. If you don't stay in the garden, you will be unclear, restless and not far away. Be sure to calm down before you can learn. " It can be seen how important it is for us to calm down and get rid of impetuousness!

"A wise man, abandon your fantasy flowers! She is only ethereal, but it reflects the spring scenery in your eyes. "

In the collection of poems, this poem is my favorite. I used to be a dreamer, indulging in fantasies about the future every day, but unable to improve the present wisely. When I was a child, I would fantasize about how successful, smooth and incomparable my future was, but it was just a particularly gorgeous and unreachable flower in my imagination, not reality. At that time, learning was because "I like to do it or not", and my grades were getting worse and worse. I fantasize every day and often miss rare opportunities. I remember when I was in the second grade, other students were eager to try and prepare actively, but I fantasized that I would get good grades. I was dumbfounded when I saw the test questions. Most of my classmates are on the list, but I am disheartened. I regretted it then! Love fantasy, but have no intention to fight for the real fragrant flowers at present, it is just a meaningless daydream! We should all throw away imaginary flowers and pick real flowers!

The stars in the spring ⑦

Excerpt:

Loneliness increases depression.

Get busy and get rid of troubles-

My friend!

Happiness lies in continuous work!

Comments: When we are lonely, we only think about things that bother us, while when we are busy, we have no time to think about things that bother us. Naturally, busyness will eradicate troubles. Some people don't like being busy, but when they are not busy, they will increase their troubles. Is it annoying, too ! ! So happiness is in constant work! The best thing about this poem is the word "increase" in the first sentence. The word itself means to increase on the basis of the original, not just to be depressed in loneliness.

Pet-name ruby spring with stars

Excerpt:

Haibo kept asking rocks,

The rock is always silent and never answers;

However, his silence

Millions of people have been able to think.

Excerpted from-1 16

Comments: This poem mentions rocks and waves. On the beach, we carefully observed that the waves came up with the tide, hit the rocks, hit and retreated. In this way, the waves hit the rocks violently, and the rocks resisted the attack of the waves again and again. When asked about the rocks in the earthquake-stricken area, the rocks remained silent. Rock and roll thought a lot, but didn't answer.

Everyone will hold grudges, and so will animals. What does the rock think when the sea waves hit it again and again? The silence of the rock is to let Haibo know his ignorance and feel guilty. For these reasons, rocks have withstood and paid a price. And what will the rock think when Haibo goes to sympathize with the rock? The rock remained silent. It is not that he has nothing to say, but that everything he wants to say is buried in his heart.

In fact, it is the same in life. Some people like Haibo will harass you from time to time, and I am as silent as a stone. For example, a classmate in my class is sitting next to me, and it is not just something. He runs on me everywhere, satirizes me everywhere, reads my jokes everywhere, is extremely sad, and wants to break up the feelings between me and my friends. I was silent and ignored him. I want him to know that he is doing well.

"Spring Star" attended

Excerpt:

Darkness,

How to draw?

Deep down,

Deep in the universe,

A resting place with bright sunshine.

Comments: This poem is very apt to the metaphor of darkness. It doesn't use many flowery words, but it is very clear than darkness. Let's start with the depth of the soul. If you have no distractions in your heart, I believe there is no darkness in your soul. Then I talked about the depth of the universe, but I don't think so. Most of the universe is dark, but there are also stars like the sun that bring light and warmth to people. Finally, a sunny rest place, isn't it? The only place where sunlight can't reach is darkness. The rest place he said is only night, and night is the time for sunshine to rest, but darkness is short after all, and darkness can never overcome light.

Fanxing spring

Smart guy!

In this lonely world,

Can only carry the lamp of "confidence",

March in the dark.

(viewpoint)

This poem is like Bing Xin's warning to smart people not to be self-righteous. There are many self-righteous smart people in this world, but as Bing Xin said, they can only carry the lamp of "confidence". How many people are smarter than others. I think the best word in this poem is: Mo Mo, novel and poetic! star

I can only make young people's hair turn white.

You can't white the hearts of young people.

Have you ever read such a short but rich poem? This kind of poem is called "poem". It was popular for some time after the May 4th Movement. Among a large number of "short poems", the most striking ones are Bing Xin's Stars and Spring Water.

Stars and Spring Water were written by Bing Xin under the influence of Indian poet Tagore's Birds. In her own words, she collected some "fragmentary ideas" into a collection. Generally speaking, they include three aspects.

One is the praise of maternal love and innocence. Bing Xin, the first famous female writer in the history of modern literature in China, was famous for advocating "the philosophy of love" as soon as she entered the literary world. And maternal love is the fundamental starting point of "the philosophy of love". She believes that maternal love is the source of all things and the fundamental driving force for the world to move towards light. In "Stars" and "Spring Water", she regards maternal love as the noblest and most beautiful thing and praises it repeatedly:

Mom!

The wind and rain in the sky are coming,

The bird hides in its nest;

The storm in my heart is coming,

I only hide in your arms.

The poet used vivid metaphors to convey the feelings of maternal love, and his writing was sincere and touching.

This kind of ode to mother's love occupies a considerable proportion in Stars and Spring Water. It can be said that it is the deep praise of maternal love that lays the deep and delicate emotional tone of these two works. Closely related to the praise of maternal love is the treasure of innocence, childlike interest, childlike innocence and all new things:

Thousands of angels,

Get up and sing praises to the children;

Kid!

In his little body,

With a great soul.

In the eyes of poets, the world full of innocence and childlike interest is the most beautiful in the world.

The second is the worship and praise of nature. In Bing Xin's view, human beings come from and belong to nature, and should be harmonious:

We are all born babies,

Lying in the cradle of the universe

Bing Xin also combines maternal love, innocence and nature:

Creator jujube

If in eternal life,

There is only one blissful promise,

I want to sincerely beg:

"I'm in my mother's arms,

Mom's on the boat,

The ship is at sea in the moonlight. "

This poem perfectly combines the praise of maternal love, the call for innocence and the chant for nature, creating a perfect and beautiful world with sincere feelings and fresh and elegant language, giving people endless aftertaste and enlightenment. It is one of the most beautiful chapters in Bing Xin's poems.

The third is thinking and feeling about life. We call these poems "philosophical poems". This kind of poem is concise and meaningful: