Poet: Mao Zedong Dynasty: Modern.
Mountain, the horse hasn't got a whip yet. Looking back, I was only three feet away from the sky.
Mountains, rivers and seas, huge waves. Rushing, ten thousand horses are still fighting.
Mountain, pierce the sky, not residual. Heaven wants to fall, follow it.
To annotate ...
(1) three feet three from the sky: only three feet three from the sky. The author's original note: "Hunan folk song:' There is Skull Mountain on the top and Bamian Mountain on the bottom, three feet and three feet from the sky. People should bow their heads when crossing the road, and horses should dismount when crossing the road. "Peaceful Magnolia" is quoted from Three Ji Qin in Han Dynasty: "The common cloud is too white in martial arts to go to heaven. "
The battle of ten thousand horses is still fierce: a thousand troops fought fiercely. Compare this mountain to a fierce battle in Ma Benteng. The king of the Jin Dynasty specially wrote the quatrains: "The mountain is as urgent as a horse." Du Fu's "Dan Qing to General Cao Ba": "It seems that I have just returned from a fierce battle."
③ Pierce the sky: Pierce the sky. Li Daoyuan's Notes on Water Classics and Rivers: "Even the mountains stab the sky."
④ unbroken: the blade is unbroken. Zhuangzi Jian Shuo: "The sword of the son of heaven, with Shicheng in Yan Xi as the front and Qi Dai as the flower." This is a sword.
⑤ Heaven wants to descend, relying on it: "Huainanzi Astronomical Training" "In the past, workers and Zhuan Xu fought for the emperor, but they couldn't touch the mountain in anger, and the sky broke and the land was lost." There is a myth that mountains are the pillars of heaven.
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Mountains, galloping horses have no saddles. Looking back suddenly, it is only three feet three feet away from the sky.
Mountains, turning rivers into the sea, set off wild waves. Pentium agitation, such as ten thousand horses.
Mountain, the blade that pierces the sky is still sharp. The sky seems to be falling, but Xiongfeng is alone.
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As the name implies, the sixteen-character order has only sixteen characters. In these short sixteen words, it is difficult to fill out a complete image.
Mao Zedong did it. These three poems are magnificent, bold and free, and full of charm. Every sentence is a stroke of genius, which shows the body and strength of the mountain, and also reflects the author's grand mind and ambition, enough to touch ghosts and gods. Even with these three poems, Mao Zedong's name will remain immortal.
These three commands with the word 16 were written on the Long March, and the time range was from 1934 to 10, which must have been revised after repeated deliberation. There is no specific mountain he refers to, but the general impression he got from the mountains along the Yunnan-Guizhou-Sichuan road.
The first song is about Cui Wei and the precipitousness of this mountain. "The mountain is three feet away from the sky." In fact, the Long March was a large-scale transfer, with mountains in front and several pursuers behind, which prompted the troops to March quickly. So when Mao Zedong reached a high point and looked back, it was already very high, as if it was almost day. 193465438+In February, the Red Army entered Guizhou, and Babaoshan in the annotation was in Leishan County, Guizhou. In this poem, Mao Zedong didn't describe the towering mountains in detail, just starting from his feeling of riding a horse. Imagine that because the mountain is steep, people sitting on horseback have to lean forward to keep their balance. At this time, he has no time to take care of his back, and when he reaches the top of the mountain, he can enjoy the surrounding scenery loosely. At this time, we can find that the blue sky seems within reach. This description is very accurate and vivid. It is not entirely the great momentum of Mao Zedong that creates the power of the word itself. At that time, the steep and mysterious mountains in Cui Wei were the most basic materials. Of course, when Mao Zedong accurately described them, he also showed his excellent observation ability and extraordinary aesthetic vision.
The second song is about the majestic momentum of mountains. "Mountain, thread waves monstrous. Pentium is anxious, and Wanma is still fighting. " This sentence has no allusions. The mountain is still. At most, when the wind is strong on the mountain, the vegetation will sway with it. Because Mao Zedong himself is moving, his observation angle is also dynamic. Maybe he is still riding a white horse. Then in his eyes, mountains can stir up waves like rivers and seas, and he himself is in this wave. He thinks the mountain is too majestic, rushing, roaring, spinning, even jumping and dumping. So he can naturally think of the towering mountains as if hordes were struggling.
The third song is about the magnificence of mountains. "Mountain, pierce the sky. Heaven wants to fall, and it depends on it. " Personal feelings are written here, with greater momentum and more tragic image. If the mountain in the first song is "three feet three from the sky" and there is still a distance of "three feet three", then the mountain in this word directly pierces the sky like a gun and a halberd, and even becomes an intermediary between heaven and earth. Without the support of mountains, the sky will fall. This is a picture that is difficult to describe and seems to be in front of us, with a strong personal subjective color, which well illustrates Mao Zedong's extremely magnificent and bold imagination.
The three poems are a whole, and Mao Zedong wrote about mountains, but through the description of mountains, Mao Zedong's broad mind, lofty aspirations and extraordinary personality are fully revealed.