Among the obscure poets, Shu Ting's poetry creation is very representative. Her beautiful writing and colloquial narrative content have touched the sensitive nerves of countless people. Her poems also fully show the unique delicacy and femininity of women. Through gradual and rhythmic transformation, all kinds of profound philosophies are displayed flatly and faintly. Therefore, it is of practical significance to study the creative characteristics of his poetic language for the development of today's poetry.
1. The coexistence of longing and sadness. There are two distinct feelings in Shu Ting's poems.
1. 1 Like the early "Going to the Sea", it depicts the theme of tenacious struggle despite the wind and rain. The author wrote: "Let you make a fake roar, let you make a fake calm, and let you take away everything in the past-this world has both the pain of sinking and the joy of awakening." When she reflects on today's society, she will not only immerse herself in hopeless pain, but actively respond to it. Later, goddess peak expressed the deconstruction of feudal thoughts, the rejection of traditional female ideas, and the full publicity and release of modern female consciousness. "The torrent by the river/Privet privet in Jin Ju/is inciting new betrayal/It is better to cry on your lover's shoulder for a night than to exhibit on the cliff for a thousand years." The relationship between people and society is brand-new and unconventional.
1.2 Shu Ting's poetry creation began in the year when the "four evils" were rampant. At that time, there were heavy sorrows and sorrows, pains and sorrows everywhere. With her keen emotional tentacles, she silently recorded that humiliating and absurd era. "My pain has become an excellent injury. /I can't say it if I don't think enough. " ("Rain Don't"); When the youth of a generation is about to wither, she can only express her inner loss and sadness with such helpless words. It is precisely because of such a storm of indignation that it gave birth to endless thinking about life for later generations: "Maybe you have pursued your whole life/you still have to look for it from the pursuit itself" ("Send your friends abroad").
2. Run through the theme with "love". "Love" is the god of her emotional support and the simplest voice in her subconscious.
In Shu Ting's poems, there is not only unyielding self-love for fate, but also "not sinking" in a depressed social environment. "The light is on-it answers greetings from all directions with such fiery love-the light is on-it is so arrogant and tyrannical in the dark" (when you come to my window). Her call for "life humanity" is her courage to despise the darkness. In To the Oak, a clear concept of love is put forward: "Love is not only your majestic body, but also your position and the land under your feet." This is not an echo of love me, love my dog, but an insistence and understanding of love. "We share cold waves, storms and lightning; We enjoy fog, flowing haze and rainbow. " Don't look at love with secular eyes, and don't treat love as a transaction. The days we walked together, with wind and rain, high tide and low tide, were all great love of spiritual blending. Obviously, her unconventional view of love has a far-reaching impact on today's society.