-Corona.
Maybe you are really tired of crying.
Maybe, maybe you should get some sleep,
It's called nighthawk. Do not cough.
Frogs can't blow horns, bats can't fly,
Don't let the sun cover your eyes,
Don't let the breeze brush your eyebrows,
No one can wake you up,
Take an umbrella to block your sleep,
Maybe you heard earthworms turning mud,
Listen to the roots of this grass absorb water,
Maybe you listen to this kind of music
More beautiful than the voice of swearing;
Then close your eyelids first,
I'll let you sleep, I'll let you sleep,
I gently cover you with loess.
I told the paper money to fly slowly.
While appreciating this poem, the author advocates that this poem should have the beauty of music, painting and architecture. Generally, mourning poems always express strong grief and sorrow, but this poem sets out from "three beauties" and writes Corona Hector as a beautiful requiem.
For the deceased who has just passed away, people often doubt whether he is really gone forever, and often have the illusion that he will continue to live around. So "maybe you are really too tired to cry" is natural and acceptable. The word "cry" implies that the deceased died of grief. I was tired of crying and wanted to sleep, so I ordered eagles, frogs and bats not to disturb the sleepers. The mention of these animals also implies that the environment is not indoor, but a graveyard in the wild.
Don't let the sun catch your eyes, and don't let the breeze brush your eyebrows. The dead have been buried underground, where will there be sunshine and breeze? These two sentences are unreasonable, and this "unreasonable" just shows the poet's eager concern. In order to "shelter you from sleep", it must be "no one can wake you up", and "holding an umbrella for shade" is also a hint of the environment.
People can't hear the sound of earthworms turning mud and pumping water from grass roots, but the dead can hear it, and these natural sounds are more beautiful music than the "curse", which echoes the above-mentioned "crying too tired" and also means injustice to the dead.
The last paragraph uses "I let you sleep" not only for the beauty of music and architecture (keeping the number of words per line and the amount of food unchanged), but also to express the author's sincere feelings. Repeatedly urged, but also reluctant to go. Finally, "I gently cover you with loess, and I call paper money to fly slowly." Obviously, this is Corona Herr, and the words "gently" and "slowly" are in harmony with the sadness and farewell of the whole poem, just like adagio in music.
Chen believes that "suffering is the spirit of Wen Yiduo's poetry creation" and this poem is "the perfection of the combination of skill and content" (preface to Selected Poems of Crescent Moon). Xu Zhimo also said: "In the past five or six years, several of our friends who wrote poems were influenced to some extent by the author of Dead Water." (preface to the tiger collection). Wen Yiduo contributed to the development of new poetry in exploring the art of poetry and establishing the style, which can also be seen from this poem.
Question 2: Appreciation of Mr. Wen Yiduo's Poetry Dead Water is the most important work of Mr. Wen Yiduo, a representative writer of Crescent School. His brushwork is spicy and subtle, his ideas are novel and ingenious, and his language is elegant, rich and meaningful, which has always been praised. However, there has always been controversy about the thoughts and feelings contained in it. Some people think that stagnant water shows a kind of disgust, hatred and disappointment to the dark reality, some people think that stagnant water expresses a desire to destroy the world and create a new life, some people think that stagnant water conveys a bitter irony and ruthless curse to the old world and old things, and so on. I think, in Dead Water, the poet's feelings can be said to be severe and cold mixed with fiery enthusiasm. For the former, it is easier to understand, because the poet's attitude towards the symbol of reality-"a ditch of desperate stagnant water" is just like this. For the latter, it is difficult to be perceived because the poet's enthusiasm is hidden in fierce irony and clever teasing. Wen Yiduo felt very wronged and people didn't understand his mind. In a letter to the student Zang Zaike's family, he said: "You still keep saying that the author of Dead Water is only good at skills. God, where did this come from? " "I only feel that I am a volcano without eruption. The fire hurt me, but I still don't have the ability (that is, the skill) to explode my shell and radiate light and heat. Only a few friends who have been with me for a long time (like the dream family) know that I have a fire, and I feel my fire in stagnant water. " What are the grievances, pains and fires in Wen Yiduo's heart? From the above two dialogues, it is not difficult to see that "unfairness" lies in people's misunderstanding that the skill of stagnant water is better than thought, and misunderstanding the author's creative basis and performance theme. The "pain" in the heart and the "fire" in the heart need to be analyzed in detail with the content of stagnant water.
"Pain" and "fire" are mutually causal and closely related. Pain is the condensation of sadness, anger, pain, disappointment and despair. Prolonged suffering and pain will undoubtedly arouse the author's anger, and the fire and anxiety in his heart will only increase the author's struggle and struggle. In its coldness and harshness, Dead Water is full of unstoppable fire. In my opinion, the word "fire" in Dead Water has two meanings: first, it refers to the poet's anger at the darkness, ugliness, corruption and sin of reality; Second, it refers to the author's fiery enthusiasm for light, hope, struggle and rebirth. Why is there still a long way to go?
The whole poem consists of five sections, which are divided into three levels in turn. The first section is the first floor, the second to fourth sections are the second floor, and the fifth section is the third floor. The first and second stanzas are connected with each other, echoing each other from a distance, and the middle three stanzas are combined with movement and irony, which constitutes the main part of the whole poem. The first section "This is a ditch of desperate stagnant water,/and the breeze doesn't move at all." Section 5 "This is a ditch of desperate stagnant water,/This is definitely not beauty." The definition of "stagnant water" with "despair" twice not only shows the rotten, lifeless and hopeless status quo of "stagnant water", but also expresses the poet's hatred, indignation and despair of evil. The next sentence, firmly, hit the floor, like a court ruling, undoubtedly sentenced the criminal to death as soon as the town wood rang. On this basis, adding "the breeze can't blow half an inch" and "this is not the beauty", or exaggerating the description, or flatly denying it, is like adding insult to injury, adding fuel to the fire, cursing and flogging without mercy, that is, clapping and applauding, which is exciting. The first two and the last two "not as good" are summarized by the height of points and surfaces. The former is "it is better to throw more garbage and throw away your leftovers." Fighting evil with evil and fighting poison with poison are full of grief and excitement after death and despair. It can also be seen that this desperate stagnant water "is definitely not the beauty." It hides evil and practices evil, and it is sinful; It's alive and dying. The latter "it is better to leave it to the ugly to cultivate/see what world he has created" is by no means the author's disheartened and stand by, but the angry words of despair. Since such a desperate backwater cannot be transformed and saved, and it has rotted to the bone and is full of evil, it is better to let nature take its course and let it perish. Extremely sharp language subtly conveys the author's profound hatred for the dark reality and reactionary warlords. The implication of "look at what world he has created" is that if ugliness is cultivated, it can only be ugly and ugly, and evil is evil. He just made the world smoky and dark. In the face of such an enviable black-and-white society, with no distinction between right and wrong, lack of justice and no hope, can you expect it to create a "what world"? ...& gt& gt
Question 3: Wen Yiduo's evaluation of Sun Yin's one to three poems is the first part. It is about a series of feelings that the poet woke up from his sleep in the morning and suddenly caught a glimpse of the sun. As a result, the dream of chatting and forgetting homesickness faded away, and he had to return to this strange land and look at the black industrial chimney through the window. The tension of real life makes him particularly fond of unconscious and ignorant dreams. Although he can't be intoxicated with dreams forever, the strong discomfort when he just wakes up will naturally make people angry about things. In his view, Sun's appearance is too rude and unreasonable, "stabbing my heart"! How long will that miserable day be over? This meaning has been expressed in the previous tide.
Then, the "heat" of the sun was also experienced by the poet. As the sun rises in Ran Ran, the earth is getting warmer and warmer, and flowers and glistening dew on the grass are dried up. However, what has the sun, which gives life to all things, done to me? The eyes of poets who shed tears in the wind are always wet, and the heat of the sun is far from enough to dry them. Because compared with the warmth of the homeland, this heat of the sun is really not worth mentioning. Since Wen Yiduo left his hometown, tears have often accompanied him through countless lonely days. The Qing Dynasty poet also said: "The earth turns smooth,/Everything smiles at the sun; /It's not that I can't laugh,/but tears rolled out first. " However, it should also be pointed out that it is the poet's "cold tears" that are not dried by the sun. Obviously, these are not "tears" spread out in Qing Chao, but they are probably the product of the poet's dreamland. When he saw the hometown he had missed for a long time in his dream, he was so excited that tears filled his eyes. In the morning, these tears are already cold and cold.
Then, the poet turned his eyes to the sun that had risen to the sky. He thought, this day has just begun, how long will it take for the sun to sink into the horizon again! The "twelve hours" of the "nine twists and turns" is really too long. Besides, his career in the United States has just begun, and there are still five long years! How painful it will be to spend five years hour by hour like today! /kloc-in the winter of 0/992, Wen Yiduo wrote in a letter to his family: "The taste of a thoughtful China youth staying in the United States is indescribable. ..... I am a citizen of a country, and I have 5,000 years of history and culture. Why am I not beautiful? Will it be said that our people can't control the killing gun, why not be aboveboard? In short, he despises our people. It's a long story. " This may be the so-called "probation"? It is generally believed that the poet's "probation" is the bullying and discrimination of foreigners against China people, that is, "people who are looked down upon by others", which did exist at that time. Moreover, I also want to emphasize that such "discrimination" is not necessarily a matter of attitude towards life, but has cultural implications. In the 20th century, western civilization has reached its peak and achieved the goal of "modernization", while China culture is still under the rule of feudal autocracy. This historical gap will inevitably cause a lot of psychological distance between ethnic groups. Westerners have their supercilious attitude, while China people may have an extremely keen feeling, which is called "cultural inferiority". Wen Yiduo was shrouded in this "cultural inferiority complex" at that time. The more he feels inferior in the practice of cultural education, the more likely he is to try his best to safeguard the dignity of the motherland's culture, and his hometown is the epitome of the motherland's culture, which of course strongly affects his feelings. Four to six verses of this poem belong to the second part. Poets hope to learn about their hometown with the help of the sun.
Ignorance when I first woke up caused a lot of resentment, but it was meaningless after all. The sun still rises every day, dispelling people's dreams, spreading their own heat to the earth, and still slowly completing their mission, and any emotional resentment will not help. The poet is gradually waking up. He watched the sun running in the sky, and he felt sorry for its superior position overlooking everything. He fantasized that he could travel on the sun and "see his hometown once a day"; The rising and setting of the sun reminded him of the legend in Huai Nan Zi: "The sun rises in the D Valley, bathes in the salty pool, blows in the hibiscus, … enters the Yuyuan River". In this way, the sun has just come from the eastern mainland and the poet's hometown. Thinking of this, the poet seems to be a little excited. He eagerly asks the visitor from his hometown for news: "My hometown at the moment." Is the official willow in Beijing wrapped in autumn? In the poet's life experience, "hometown" and ...
Question 4: Appreciation of Wen Yiduo's Dead Water
This is a backwater of despair,
The breeze doesn't move at all.
Why don't you have some rubbish,
Throw out your leftovers.
Maybe copper will turn green into jade,
Several petals of peach blossoms were embroidered on the tin can.
Let greasy weave a layer of Luo Qi,
Shape a steaming cloud for him.
Let the stagnant water ferment into a ditch of green wine,
Full of pearl foam;
Little beads' laughter turned into big beads,
I was bitten by a flower mosquito who stole wine again.
A desperate backwater ditch,
A little clear.
If frogs can't stand loneliness,
Dead water again. It is singing.
This is a backwater of despair,
This is definitely not the beauty,
Why don't we leave it to ugliness to cultivate,
Look at the world he created.
1April, 925
The poet Wen Yiduo studied in America. During his stay in America, he deeply felt the racial discrimination in America. This aroused his strong patriotism and nationalism. His poem "Laundry Song" is a description of this mood. 1in the summer of 925, the poet who could not bear the racial discrimination in the United States resolutely returned home early. He thought that the haunted motherland would bring him comfort, but he was exposed to the reality of warlord melee, and his life was as dark as stagnant water. Dreams are disillusioned, leaving only deep sadness and resentment. In the poem Discovery, I violently vented my disappointment and anger "This is not my motherland, no, it is not". The poet feels sad for people living in dire straits and resents the ugly and decadent society, but he is helpless about all this. It is under such historical background and thoughts and feelings that he wrote the poem "Dead Water" from 65438 to 0926.
"Dead Water" adopts symbolic and ironic artistic techniques, which profoundly exposes the dark rule of the northern warlords and shows their determination to be incompatible with this darkness. The whole poem has five stanzas. The first section is the impression of stagnant water, which symbolizes the darkness of warlord rule with "desperate stagnant water" and "the breeze doesn't move at all" Sections 2 to 4 describe the ugly situation of stagnant water respectively. In the second section, the poet decorated the beautiful images of "jade", "peach blossom", "Luo Qi" and "Xia Yun" with "copper", "tin can", "greasy" and "mold", which is a satire on the ugly nature of the existing society. This superficial phenomenon is nothing more than "broken copper and iron" giving birth to rust, and "leftovers" have become moldy. The third section reveals the essence of stagnant water. The so-called "green wine", "white foam", "small beads", "big beads" and "flower mosquitoes" are just the evil consequences of the decay and fermentation of stagnant water, which makes people feel disgusted and desperate about this "stagnant water" that is flooding and about to be destroyed. In the fourth quarter, the poet made the frog "sing" in the stagnant water, which was a wonderful irony. "A ditch of stagnant water" was supposed to be lifeless, but the frogs fed by stagnant water sang a "vivid" hymn, and the thick skin of reactionaries surfaced. In the fifth section, the poet puts forward a firm attitude towards "stagnant water", which means that "stagnant water is not where beauty lies" and "let ugliness cultivate it". The poet's implication is to let "stagnant water in this ditch" have a carnival. The so-called "full of evil" will only lead to a dead end. It implies the poet's hazy expectation for the future. As Zhu Ziqing once pointed out: "Wen Yiduo is really a fire. In the poem "Dead Water", he said:' This is a desperate backwater. /This is definitely not the beauty. /It is better to let ugliness cultivate it. /Look at what kind of world he has created.' This is not to praise the flower of evil, but simply to fill' ugliness' with evil as soon as possible, and' despair' will have hope. "(Zhu Ziqing's Complete Works of Wen Yiduo? (Preface) There is light in darkness and hope in despair. This is the dialectics of Wen Yiduo's patriotic thought and the strength of his patriotic poems.
This poem adopts symbolism in art, and the singing of "evil" is influenced by the French symbolist poet Baudelaire's Flower of Evil. The most important artistic achievement of this poem lies in the creation of a new metrical poem. After Wen Yiduo joined the Crescent Society, he advocated that "poetry should dance with shackles" and put forward "three beauties", that is, "musical beauty", that is, the harmony of syllables. "The beauty of painting" is the beauty of rhetoric; "Architectural beauty" refers to being organized in form. This poem "Dead Water" is the concrete practice of his poetry. "Dead Water" is a work that Wen Yiduo thinks is "the first experiment with the most satisfactory syllables". Full poem >>
Question 5: Zhuangzi Wen Yiduo appreciates this poem written on 1923. The poet will publish his first book of poems. Looking back on his ideal exploration and poetic achievements in recent years, he wrote this famous poem "Red Candle" as the preface to the collection of poems of the same name.
The beginning of the poem highlights the image of a red candle, red, like a naked heart. Wen Yiduo wants to ask poets, can your hearts be so sincere and enthusiastic? Compared with this red candle, can you have the courage to spit out your sincerity? A vivid word "spit" shows the poet's persistence and sincerity in a glance.
The poet then asked Red Candle where its body came from and where its soul came from. Why do such bodies and such souls burn and destroy their bodies in the fire? Poets are confused, just like in life, they can't find the direction and think through many problems. Contradiction! Conflict! The poet strengthened his belief in the conflict that once existed. Because, the poet firmly said: "There is nothing wrong! There is nothing wrong. " The poet has found the direction of life and is ready to go to the ideal bright road, even if it is burned to ashes.
Since the fourth season, poetry has been praising the red candle, writing the responsibility of the red candle and the hardships and disappointments of life. The red candle will burn, it will break the fantasy of the world, burn the cruel prison, and save the living but not free soul with its own burning. The burning of the red candle is blocked by the wind and will burn with tears. Those tears, red candle's heart is anxious, because it can't realize the ideal as quickly as possible, and tears. Poets should praise the red candle, dedication and hard-won light. In this eulogy, the poet and the red candle are communicating. The poet found the direction of life in the red candle: hard work, exploration, firm efforts for his own ideals, regardless of the results. The poet said, "Mo Wen harvests, but requires cultivation."
This poem is full of romanticism and aestheticism. Poetry emphasizes fantasy and subjective emotion in expression, and uses a large number of lyric exclamations to strongly express the feelings in the heart with beautiful language. In the form of poetry, the poet pays great attention to the formal beauty and rhythm of poetry, so as to be consistent with the emotions to be expressed in the poem. For example, the use of repeated sentences, to some extent, adopts the rhyming form of China's traditional poetry, and each verse is relatively neat. The characteristics of China's new poems advocated by this poet are rhythm and musicality. It can be said that Wen Yiduo combined ancient and modern, cultural, Chinese and foreign poetic forms, opened up the poetic style of China generation with strong emotional expression and pursuit spirit, and inspired generations of China poets to cultivate and explore.
Question 6: Wen Yiduo's appreciation of the color of this poem is an exploration of the meaning of life. Poets think about the meaning of life in three relationships: life and color, color and meaning, life and meaning.
The poet thinks that life itself is meaningless and is "a worthless blank sheet of paper".
The meaning of life exists in phenomena, and it is precisely because of various phenomena of life that life has concrete connotation, and the phenomena of life are all kinds of colors intuitively.
From the colors in life, through people's intuition and intuition, people have all kinds of spiritual feelings. Green is a symbol of rebirth, which makes human beings have the concept of development and the desire to pursue development; Red is a fiery color, which is refreshing and produces all kinds of warm emotions; Yellow is a very bright color, which represents the concept of human loyalty, like a sincere heart, honest and selfless, and contributes everything to itself; Blue is soft, calm and noble, which can purify people's souls. Pink is delicate and beautiful, it is a budding color, and it will become more and more bright and beautiful, so it is full of hope; Grayish white is gray and light color, which can make people feel sad; Black makes people feel heavy and desperate, symbolizing the end of life. People have no other life content except direct intuition, but the color in this direct intuition gives people all kinds of spiritual enlightenment, so life has its own spiritual connotation. The poet said, "Since then,/I have been addicted to my life,/because I love his color." In this way, the poet unified his love for life and his attention to the spiritual value of life. He doesn't just love an abstract concept of life, and he doesn't just treat life as an empty thing without spiritual connotation, but feels the spiritual meaning of life through his love for specific life phenomena. He believes that this is the meaning of life.
This poem expresses the poet's love for life and his emphasis on the value of life.
Wen Yiduo specializes in painting in America. In this poem, he uses painting theory to explain the meaning of life, which is very novel. But now it seems that the poem is somewhat rational and conceptual, and its emotional color is relatively light, giving people more rational enlightenment than emotional infection.
(Wang Furen) Qingshi/Jianshang /xs/2334