Spring is a season full of vigor, beauty and beauty, and poets are particularly full of natural beauty and self-sufficiency. Therefore, the "empathy phenomenon" caused by spring association is more common in poetry. For example, Zhang, a poet in the Tang Dynasty, wrote a lyric poem "Flowers on the Spring River in jathyapple", saying: "It's a pity to wander upstairs and under the moon, leaving someone to make up the mirror. I can't be wrapped in the curtain of Yuhu Lake, so I have to smash it on the anvil and return it. " Due to the application of "empathy", the objective scenery in the poem is endowed with human touch. Yue Ming expressed deep sympathy for the lonely heroine in front of the dresser upstairs and could not bear to leave. This poem is an excellent combination of truth and scenery, and it is worthy of being a typical work of "thinking well and thinking together". Another example is Wang Changling's "funeral march" in the Tang Dynasty: "Young women in boudoir don't know how to worry, and they put on their makeup in spring. Suddenly I saw the willow color on the stranger's head and regretted teaching my husband to find the marquis. " The poem describes a young woman in a boudoir, who dresses up in spring and goes to the Cuilou. Suddenly, she saw the verdant willows on the road, which produced many associations about early spring, so she was worried about her husband's deep yearning for the war and secretly regretted that she should not have let her husband join the army to seek fame. Because of the conciseness and jumping of the poem, the association of the young woman suddenly seeing the strange willow color in the poem is not much to talk about, so that readers can imagine and supplement it. Readers can imagine the changes of young women's thoughts when they appreciate it: from willow color to spring color, scenic spots, sunshine, bridges and flowing water, birds and flowers, and then think of the happy life they spent with their husbands in those years, walking on the grass, talking with Liu Xia at the window ... So the objective natural scenery "willow" seems to be shrouded in a little sadness. In addition, poems such as "the spring breeze is green in Jiang Nanan" and "the east wind outside the curtain follows the swallow" are also empathy phenomena caused by the association of spring.
In autumn, the cold forest is bleak, and it is a bleak scene. The prodigal son can easily leave people, be moved by the scene, produce various associations, and then produce many poems of "empathy". Such as: "A thousand miles of smoke is inexhaustible, and autumn grass is inexhaustible in one river" (Bian by Zhang Mi in the late Tang Dynasty), "Autumn comes, leaving a foreign heart" (Zhang Jiuling's "Early Autumn Memories Gold, Two Brothers"), "The wind blows bamboo and knocks the autumn charm in the third night, and Chiba is full of hate" (Yu Lou, I don't know how far you are after parting). It is also the empathy phenomenon caused by cheerful "mood", which is different from "the branches of red apricots are in spring" and "birds are singing and playing orchestral strings"; Empathy is also caused by sentimental "mood". "And the geese cry and worry about my sad heart, and the feelings in the clouds are the guests" (Xin Li's Farewell to Weiwan) and "The mountain doesn't hate but breaks the heart, and the water falls into the dream" (Luo Yin's "Miangu returns to Chua's Kunzhong") are also different.
"People have seven emotions, so they should be sensitive to things and express their aspirations", so they can "climb mountains and see the sea with emotions" (Liu Xie's Wen Xin Diao Long), which leads to the phenomenon that "all scenery and words are emotional" (Wang Guowei's Words on Earth). The exposition of senior experts can be used as an incisive footnote for "empathy phenomenon" caused by "emotion".