Men love stepwives, while women value ex-husbands. There is a new truth in life, and the nobility and the lowliness do not surpass each other.
"Luo Fu" and "Hu Ji" represent the independent, just and strong side of ancient women in China. They are not afraid of violence, but dare to resist the male power under monarchy. Their love and hate are the same as those of the broad masses of the people. They not only embody the brilliance of human nature, but also make their individual images last for a long time, adding a rich and indispensable stroke to the image of "women" in ancient China.
However, whether it is the image of "abandoning women" or "resisting women", whether it is abandoned or bravely resisting, the fundamental reason lies in the low status of women in the feudal patriarchal society. In the Han Dynasty, especially in the Eastern Han Dynasty, tycoons, nobles and even eunuchs plundered and occupied women at will, and women could only become accessories of men in a patriarchal society, thus forming the image of tragic women.
Another figure in China's poems is the image of "immortal", and the typical representative is the figure "Wang Ziqiao". Wang Ziqiao, also known as Wang Qiao, is an ancient immortal image, with a life span comparable to that of heaven and earth. Its image first appeared in Wang Ziqiao: