Li Qingzhao [Song]
Swing on the swing, too lazy to rub delicate hands. Beside her, the thin Germany hung with crystal dew, and the sweat on her chest permeated with the thin silk robe.
Suddenly, a guest came. She was desperate. She walked away without shoes, only wearing socks, and even the gold pin on her head fell off. She ran away shyly and leaned against the door, smelling the fragrance of plum flowers.
In the first film of this word, "careless hands" and "thick flowers and thin clothes, thin sweat and light clothes" were used to describe the beautiful image of a petite flower girl who just got off the swing with sweat hanging from her brow. Then, the poet turned the pen and let the quiet world of words set off a storm. The girl suddenly found someone coming. Naturally, she quickly put on her shoes, exposed her socks, and ran shyly towards the house, with the gold hairpin slipping off her head. This vividly depicts another kind of psychology and action of boudoir girls in feudal society, that is, adhering to the so-called "ceremony" under the bondage of feudal ethics. However, she ran shyly to the door, but did not hide in the house as usual. "Leaning back against the door, she sniffed at the green plum." The "looking back" in Li Qingzhao's two short sentences is the girl's unhappiness with those who disturb her free play. She wanted to see who bothered her, who and what kind of people embarrassed him so much. This shows her innocence and courage, and shows her contempt for the shackles of feudal ethics.