Second, strong emotional color and explosive lyric way. Free and easy temperament, arrogant and independent personality, approachable, and strong feelings come out of generate, which forms the distinctive features of Li Bai's lyric style. It is often explosive, and once emotions are aroused, they rush out without restraint, making people feel the shock of the soul directly.
Third, the imagination is unpredictable, random and bizarre, dreamy and dreamy, and the image is magnificent without lack of freshness and lightness. Combined with explosive emotional expression, the imagination of Li Bai's poems is unpredictable, often unreasonable and strange.
Fourth, magnificent and beautiful images. In Li Bai's poems, there are many magnificent images of mountains and rivers, including the sun and the moon, which are related to his great verve and rich imagination. Li Bai seems to be particularly fond of huge and spectacular things. Dapeng, giant fish, long whales, as well as rivers, seas and snow-capped mountains, are all objects he likes to recite. Li Bai described them in an unusually broad spatial background, which constituted a magnificent poetic image.
Five, fresh and lively language style. The language style is fresh and lively, and it is the basic tone of its words. As the saying goes, "clear water produces hibiscus, and natural carvers".
In Li Bai's poems, the most commonly used color words are white, followed by gold, cyan, yellow, green and purple. He is cheerful by nature and prefers bright colors to dark ones. His poems blurted out without carving often present a transparent, pure and dazzling brilliance, which reflects his noble personality of rejecting secular identity.
In Li Bai's poems, imagination, exaggeration, metaphor and personification are often used comprehensively to produce magical brilliance and magnificent artistic conception, which is the reason why Li Bai's romantic poems give people heroic, unrestrained, elegant and immortal.
Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.
Extended data
Li Bai (70 1 -762), whose real name is Taibai, also known as "purple laity" and "fallen fairy", was a great romantic poet in the Tang Dynasty, and was praised as "poetic fairy" by later generations, and was also called "Du Li" with Du Fu. In order to distinguish himself from two other poets, Li Shangyin and Du Mu, that is, "Little Du Li", Du Fu and Li Bai merged again.
According to the Book of the New Tang Dynasty, Li Bai is the ninth grandson of Gui Li, the king of Liang, and he is a descendant of all kings. He is cheerful and generous, loves to drink and write poems, and likes to make friends.
Li Bai was deeply influenced by Huang Lao's idea of sorting out villages. Li Taibai's poems have been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, Entering Wine, Liang, The First Building of Baidicheng, etc.
There were biographies of Li Bai's Ci and Fu in the Song Dynasty (such as Wen Ying's Xiang Ji). As far as its pioneering significance and artistic achievements are concerned, Li Bai's Ci Fu enjoys a high status.
Li Bai has the highest achievements in Yuefu, Gexing and Jueju. His songs completely broke all the inherent forms of poetry creation, with no one to rely on and many strokes, reaching the magical realm of vagaries and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language.
Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only one who is good at both the Five Odds and the Seven Odds.
Li Bai's poems are magnificent and elegant, and his artistic achievements are extremely high. He eulogized the mountains, rivers and beautiful natural scenery of the motherland, and his style was unrestrained, elegant and fresh, full of romantic spirit, achieving the unity of content and art.
Why do you call him "fallen immortals"? Most of his poems are mainly about scenery and lyricism. Li Bai's poems have the artistic charm of "the pen is shaken by the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature in his poems.
Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. He and Du Fu are called "Big Du Li" (Li Shangyin and Du Mu are called "Little Du Li").
References:
Li Bai-Sogou Encyclopedia
2. What are the characteristics of Li Bai's poems? What are Li Bai's poems? Li Bai lived in the prosperous Tang Dynasty. He is heroic and spirited, loves the mountains and rivers of the motherland, travels all over the country, and writes a lot of magnificent poems praising famous mountains and rivers. His poems are bold and unrestrained, fresh and elegant, rich in imagination, beautiful in artistic conception and light in language. People call him "Poet Fairy".
1. Boldness is the main feature of Li Bai's poems. His poems are bold and unrestrained, fresh and elegant, rich in imagination, wonderful in artistic conception and light in language, and are called "poetic immortals".
2. Li Bai's poems and songs not only have typical romantic spirit, but also have typical romantic artistic characteristics from the aspects of image shaping, material intake, genre selection and the application of various artistic techniques.
Li Bai successfully shaped himself in his poems, expressed himself strongly, and highlighted the unique personality of the lyric hero, so his poems have distinct romantic characteristics. He likes to express himself in a magnificent image, expressing his feelings and emotions in his poems without disguise or restraint.
Boldness is the main feature of Li Bai's poems. In addition to the factors of ideological character and talent, the artistic expression and genre structure used in Li Bai's poems are also important reasons for his bold and elegant style. Being good at relying on imagination and being subjective and objective are the important characteristics of romantic artistic techniques in Li Bai's poems. His imagination is extremely rich, almost every article has imagination, and some even use a variety of imagination throughout. Realistic things, natural landscapes, myths and legends, historical allusions and dreamland have all become the media of his imagination. He often uses imagination to transcend time and space, interweaves reality with dreams and fairyland, interweaves nature with human society and reproduces objective reality. The images in his works are not the direct reflection of objective reality, but the externalization of his inner subjective world, which is the truth of art.
One of the artistic techniques of romanticism in Li Bai's poems is to skillfully combine personification with metaphor, empathize with things and compare things with people.
Another romantic artistic technique in Li Bai's poems is to grasp a certain feature of things and boldly imagine and exaggerate on the basis of real life. His exaggeration is not only strange in imagination, but also always combined with concrete things, so natural and unobtrusive; So bold, true and credible, it has played a role in highlighting the image and strengthening feelings. Sometimes he combines bold exaggeration with sharp contrast to enhance the artistic effect by increasing artistic contrast.
3. Li Bai (Feb. 8, 7065438+0—Feb. 65438+Feb. 762), whose real name is Taibai, was named Qinglian layman, also known as "fallen immortal". He was a great romantic poet in Tang Dynasty, and was praised as "Poet Fairy" by later generations. It is also called "Du Li" with Du Fu. In order to distinguish it from the other two poets, Li Shangyin and Du Mu, namely "Little Du Li", Du Fu and Li Bai are also called "Big Du Li". He is cheerful and generous, loves to drink and write poems, and likes to make friends.
Li Baiyou's Collection of Li Taibai has been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, Entering Wine, Liang, First Sending Baidicheng, etc.
There were biographies of Li Bai's Ci and Fu in the Song Dynasty (such as Wen Ying's Xiang Ji). As far as its pioneering significance and artistic achievements are concerned, Li Bai's Ci Fu enjoys a high status.
3. What are the characteristics of Li Bai's poems? The main artistic features of Li Bai's poems are: (1) free and unrestrained, not bound by the metrical form of poetry, flexible use of ancient style and Yuefu style to create beautiful poems with romantic colors. Among Li Bai's poems and songs, there are few metrical poems, only more than 80 poems with five or seven words, most of which are Yuefu and Gexing. These two styles are more flexible in the number of words. It can freely express the poet's profound thoughts, unrestrained emotions and rich imagination. For example, "Into the Wine" begins with a long cross sentence "You can't see the water of the Yangtze River coming from the sky", with three or five sentences in the middle, which can be used freely. This poem is a work to drown one's sorrows and vent one's grievances by drinking. With heroic language, he expressed the poet's lofty sentiments of despising fame and wealth and pursuing the ideal of freedom. Pour down, showing optimism and full of romantic spirit. (2) Rich in imagination, fantastic in conception, good at using metaphor and exaggeration to create novel and distinctive artistic images. Li Bai is an imaginative poet with a wide range of knowledge and experience. In his works, things in the world, stars in the sky, myths and legends, historical treasures, natural landscapes and dreamland all become the media of his imagination. Dream on Mount Tianmu is a masterpiece to show Li Bai's imagination. Li Bai's imagination is not only used in a poem or a song, but also in almost every poem. This makes his poems vivid and profound. (3) fresh and natural, clear and smooth. This is the artistic feature of Li Bai's poetic language. The formation of this feature is inseparable from Li Bai's hard work and good at learning in his creation. Li Bai attached great importance to the strengths of predecessors and contemporary poets, especially praised Yuefu folk songs since the Han, Wei and Six Dynasties, from which he learned nutrition and exercised his own unique artistic language. Many of his poems are never tired of reading, and they have been circulated for a long time because of the brilliance of language. Li Bai's language style has always been highly praised by scholars in past dynasties. Wang Anshi has a good summary of this: "The poet has his own income,' clear water produces hibiscus, natural carving', and so does Li Bai." In Li Bai's poems, many poems are sparkling, eye-catching and surprising. Some sentences seem ordinary at first glance, such as blurting out, effortless and not well thought out, but their charm makes you unforgettable. If you get to know them better, you will feel them.
4. What are the characteristics of Li Bai's poems? From which poem can we see the characteristics of Li Bai's poems: unrestrained, fresh and elegant, rich in imagination, wonderful in artistic conception and light in language.
Related verses:
1, one day I will ride the wind and waves, sail straight up and cross the deep sea. It's hard to go.
But since the water is still flowing, although we cut it with a sword, sadness will come back, even though we drown them with wine. Xie Tiao Building in Xuanzhou sends off the school book Shu Yun.
3. Yanshan snowflakes are as big as seats, and pieces of them blow off Xuanyuantai. Popular in the north
Since God has given talents, let them be used! , spin one thousand silver, all back! . Invite for a drink
5. You didn't see how the water of the Yellow River moved out of heaven and into the ocean, never to return; Have you seen the lovely hair in the bright mirror in the high room, although it is still silky black in the morning, it turns into snow at night? Invite for a drink
Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! . Invite for a drink
7. The green hills on both sides of the strait are opposite, and the lonely sails come from the sun. Wangtianmen mountain
8. Sailing alone in the blue sky, only the Yangtze River flows in the sky. Farewell to Meng Haoran on the way to Yangzhou from Yellow Crane Tower.
9, flying three thousands of feet, suspected that the Milky Way fell for nine days. Look at Lushan Waterfall
10, three mountains and a half fall out of the sky, and Bailuzhou is full of water. Climb the Phoenix Terrace in Nanjing.
1 1, laugh and watch the sky go out. I'm from Artemisia. Children in Nanling don't enter Beijing.
The highest cliff is less than a foot from heaven, and the withered pine trees hang low on the cliff surface. The road to Shu, so steep, steeper than Heaven.
13, a cloud rises between the light of heaven and me, hiding his city from my melancholy heart. Climb the Phoenix Terrace in Nanjing.
I will think of you in the clouds, so think of me in the sunset. See a friend off
15, which is the end of the mountain and the beginning of the plain. The river winds through the wilderness. Farewell friends at Jingmen Ferry.
16, Lin Ping is misty, and Hanshan area is sad and melancholy. Bodhisattva-level people
17, I have sorrow in my heart. When the moon is bright, I will always follow you until Yelangxi. "I heard that Wang Changling left and moved to Longbiaoyao to send this."
18, Taohuatan is deeper than thousands of feet and not as good as Wang Lun. A gift for Wang Lun.
19, white hair, three thousands of feet, long sorrow. Song Pu of Autumn
20. Oh, when will the Tatar army be conquered and when will my husband come back from the long battle! . Midnight Wu Ge
2 1, until, holding up my cup, I asked the bright moon to bring me my shadow and make the three of us. Drink the moon alone.
On the 22nd, on both sides of the ape's cry, the canoe has passed Chung Shan Man. Baidi City was released in advance.
23. The ladies-in-waiting are like full spring palace, but today only partridges can fly. Visiting ancient Vietnam and China.
Today, people can't see the ancient moon. This month, they have taken photos of the ancients. Borrow wine for the moon.
25. Oh, how can I bow and scrape to those people with high status and important positions? They never want to be seen with a sincere face. Climb Mount Tianmu in my dream.
Your approval is the motivation for my answer, please adopt it.
5. Characteristics of Li Bai's Poetry Among the poets in the prosperous Tang Dynasty, Li Bai was a man with a very distinctive artistic personality. In the history of China's poetry, the artistic individuality of his works is also unique.
First, Li Bai's poetry and ci creation has a strong subjective color, which is mainly manifested in the expression of heroism and passionate feelings, and rarely describes the objective image and specific events in detail. Li Bai's poems often run through with unrestrained momentum, paying attention to galloping in one go, and have the characteristics of winning people with qi, such as "Li Yong": "Dapeng rises with the wind one day and shakes nine Wan Li." He said that his poem was "Xing Han put pen to paper to shake the five mountains, and the poem became a proud Cangzhou".
Second, strong emotional color and explosive lyric way. Free and easy temperament, arrogant and independent personality, approachable, and strong feelings come out of generate, which forms the distinctive features of Li Bai's lyric style. It is often explosive, and once emotions are aroused, they rush out without restraint, making people feel the shock of the soul directly. For example, "singing to send Cen" expresses indignation at the political darkness and the inversion of right and wrong. This kind of emotional expression is completely Li Bai's style.
Third, the imagination is unpredictable, random and bizarre, dreamy and dreamy, and the image is magnificent without lack of freshness and lightness. Combined with explosive emotional expression, the imagination of Li Bai's poems is unpredictable, and it is often unreasonable and strange, such as "entering wine": "I don't know how to lock the bright mirror in the high room cutely, although it is silky black in the morning and turned into snow at night." I really want to fall from the sky. It's incredible. His strange imagination is often linked in an unusual way, changing with the flow of emotions. There is a huge leap between one imagination and the next. The combination of images is also long-span, bizarre and dreamy, changing vertically and horizontally, and doing his best to be smart.
Fourth, magnificent and beautiful images. In Li Bai's poems, there are many magnificent images of mountains and rivers, including the sun and the moon, which are related to his great verve and rich imagination. Li Bai seems to be particularly fond of huge and spectacular things. Dapeng, giant fish, long whales, as well as rivers, seas and snow-capped mountains, are all objects he likes to recite. Li Bai described them in an unusually broad spatial background, forming magnificent poetic images, such as seeing friends off at Jingmen Ferry, which is extremely vast and spectacular. However, there are many beautiful images in Li Bai's poems. The beautiful images of Qingxi, bright moon, egret, bamboo color and white dew have greatly enriched the artistic connotation of Li Bai's poems.
Five, fresh and lively language style. The language style is fresh and lively, and it is the basic tone of its words. As the saying goes, "clear water produces hibiscus, and natural carvers". In Li Bai's poems, the most commonly used color words are white, followed by gold, cyan, yellow, green and purple. He is cheerful by nature and prefers bright colors to dark ones. His poems blurted out without carving often present a transparent, pure and dazzling brilliance, which reflects his noble personality of rejecting secular identity.
6. What are the characteristics of Li Bai's poems? They are bold, elegant and romantic. His representative works include Looking at Lushan Waterfall, Difficult Road, Difficult Road, Laicheng Wine, Liang, First Making Baidicheng, etc.
Li Bai (February 8, 7065438+0—February 65438+February 762), born in Taibai, was named Qinglian Jushi, with the name "fallen immortal", and was of Han nationality. He was a great romantic poet in Tang Dynasty, and was praised as "Poet Fairy" by later generations. It is also called "Du Li" with Du Fu. In order to distinguish it from the other two poets, Li Shangyin and Du Mu, namely "Little Du Li", Du Fu and Li Bai are also called "Big Du Li". He is cheerful and generous, loves to drink and write poems, and likes to make friends.
Li Bai was deeply influenced by Huang Lao's idea of sorting out villages. Li Taibai's poems have been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, Entering Wine, Liang, First Sending Baidicheng, etc.
There were biographies of Li Bai's Ci and Fu in the Song Dynasty (such as Wen Ying's Xiang Ji). As far as its pioneering significance and artistic achievements are concerned, Li Bai's Ci Fu enjoys a high status.
7. Artistic features of Li Bai's poems
Like many great writers, all Li Bai's works also contain romanticism and realism, but as far as his dominant tendency is concerned, he is a master of positive romanticism. As a romantic, although he also accepted the influence of realism in The Book of Songs, it was Qu Yuan's works in The Songs of the South that influenced him more deeply. Li Bai and Qu Yuan have similar political ideals and misfortunes, the same rebellious spirit of dissatisfaction with reality, and equal noble quality and artistic genius. On the basis of these characteristics, he is bound to embark on the road of positive romanticism initiated by Qu Yuan, and enrich and develop it according to his own life practice and artistic practice. Li Bai inherited and developed Qu Yuan's tradition. He combined his political ideal of "securing the country" and "helping the poor" with the Taoist cynicism and the spirit of resisting violence, saving the weak and helping the poor in the ranger thought, and expressed his love for the motherland. Express sincere sympathy for the oppressed and damaged people; He expressed deep hatred and anger at the dark phenomenon hatched by feudal system; He expressed strong resistance and contempt for the dignitaries in the ruling class-his positive romantic spirit is indeed broader than Qu Yuan's. In terms of expression, he also inherited and developed Qu Yuan's romantic expression, especially the exaggeration in folk poems, and improved it in creative application to make it more perfect. On the object of description, he contacted more subjects than Qu Yuan, so he used romanticism more widely. He not only uses this technique to express romantic themes such as "self", seeking eternal life and sleepwalking, but also often uses this technique to reflect wars and describe daily life and natural scenery, so as to gallop his imagination of "wanting to fall from the sky". He expressed his hatred for the cruelty and ugliness of the enemy and his sympathy for the suffering of the people through such a fantasy realm:
The fairy shines like a star on the lotus peak in Huashan Mountain. Holding hibiscus in hand, the imaginary step is too clear, the skirt is wide, and you are on cloud nine. I boarded the rainbow platform and bowed to Wei Shuqing. Anxiously follow them and take Hongyan to Zixuan. Inadvertently, the Luoyang Plain was full of soldiers in the Anshi Rebellion. The bones are bloody, and the traitors turn their backs on the court.
8. What is the poem that best represents Li Bai's poetic style? 1, one day I will ride the wind and waves, sail straight up and cross the deep sea.
"it' s hard to go to the sky", but since the water is still flowing, although we use swords to cut it, it' s even more worrying to raise a glass to dispel our worries. "Xuanzhou Xie Tiao Villa Farewell to Secretary Shu Yun" 3. Snowflakes in Yanshan Mountain are as big as seats, and pieces of them blow off Xuanyuantai.
"Popular in the North" 4. Since God has given talents, let them find jobs! , spin one thousand silver, all back! . Yuefu will enter the wine 5. You can't see how the water of the Yellow River flows out of the sky and into the ocean, never to return; Have you seen the lovely hair in the bright mirror in the high room, although it is still silky black in the morning, it turns into snow at night?
Jin Jiu in Yuefu River: Oh, let a courageous man take risks where he likes, and never point his golden cup at the moon! . "Yuefu will enter the wine" 7. The green hills on both sides of the strait are opposite, and the sails come alone.
Looking at Tianmen Mountain 8. Lonely sail overlooking the blue sky, I saw the Yangtze River flowing in the sky. Farewell to Meng Haoran on the way from the Yellow Crane Tower to Yangzhou 9. Suspected that the Milky Way had fallen for nine days.
Looking at Lushan Waterfall 10, three mountains and a half fall out of the sky, and Bailuzhou is full of water. (Also known as "The Island Where the Egret Divides the River") On climbing to the terrace of Phoenix 1 1 in Nanjing and laughing at the sky, are we Artemisia people?
Children from Nanling entered Beijing 12. The highest cliff was less than a foot from heaven, and dry pine trees hung down from the surface of the cliff. A cloud rises between the light of heaven and me, hiding his city from my melancholy heart.
When I boarded the Phoenix Terrace 14 in Nanjing, I would think of you in the clouds, so I would think of me in the sunset. Send a friend 15, here is the end of the mountain, the beginning of the plain, and the river winds through the wilderness.
"Seeing Friends Off at Jingmen Ferry" 16, the forest is vast, the haze is vast, and the area around Hanshan is sad and melancholy. "Bodhisattva Man" 17, I was worried about the bright moon and went with the wind until Yelangxi.
(Another work is "Follow the King to Yelangxi") "I heard that Wang Changling moved to Longbiao Kiln to send this news" 18, Peach Blossom Lake is deeper in thousands of feet than in Wang Lun. To Wang Lun 19, with white hair and three thousands of feet, looks like a long sorrow.
Song of Autumn Pu 20. Oh, when will the Tatar army be conquered? My husband will come back from a long battle! . Midnight Wu Ge 2 1, until, holding up my cup, I asked the bright moon to bring me my shadow and make the three of us.
Drinking the bright moon alone 22. Apes on both sides of the Taiwan Strait can't stop crying. The canoe has passed Chung Shan Man. Early Baidu City 23. Ladies-in-waiting are like spring palace, but only partridges are flying today.
Visit to Ancient Vietnam 24. Today, people can't see the ancient moon. This month, they have taken photos of the ancients. 25. Oh, how can I bow and scrape to those high-ranking people? They will never tolerate others showing them a sincere face.
Climbing Mount Tianmu in the Dream 26. The foot of the bed is so bright. Will it have frosted? . Quiet night thinking 27, when you, my love, ride a bamboo horse, run in circles and throw your childhood.
We live in an alley in Qingkan. We are all young and happy. On the 28th of the Long March, halfway through the sunny ocean, the sacred space crowed.
"Climbing Mount Tianmu in a Dream" 29. The birds are high and the lonely clouds are alone. Sitting alone in Jingting Mountain 30. Those who dislike me can't stay yesterday, and those who disturb my heart are more worried about today.
Say goodbye to the secretary at Xuanzhou Villa 3 1. The bones of great writers are your brushes. In Tianyuan, I grew up beside you. "Xuanzhou Xie Tiao Villa Don't Shu Yun Secretary" Thirty-two or three cups of vomit, five mountains are light! "Chivalry" 33, Jin Baiyu bought songs and laughed, drunk and tired.
Recalling the past, I went to the county to join the army. At first glance, Geng Jie died on the grass, not asking for a golden cage. Set up geisha to ward off evil spirits and advocate pheasant-spotted songs. Dapeng rises with the wind and soars in Wan Li.
Yong Li Shang.
9. What are the characteristics of Li Bai's poems? From which poem can we see the characteristics of Li Bai's poems: unrestrained, fresh and elegant, rich in imagination, wonderful in artistic conception and light in language.
Related poems: 1, one day I will ride the wind and waves, sail straight and cross the deep sea. It is hard to go to 2, but because the water is still flowing, although we cut it with our swords, sadness comes back, although we drown them with wine.
Uncle Yun Lou in Xie Tiao, Xuanzhou 3. Yanshan snowflakes are as big as seats, and pieces of them blow off XuanYuanTai. "Popular in the North" 4. Since God has given talents, let them find jobs! , spin one thousand silver, all back! .
"Into the wine" 5. You don't see how the water of the Yellow River moves out of the sky and into the ocean, which is gone forever; Have you seen the lovely hair in the bright mirror in the high room, although it is still silky black in the morning, it turns into snow at night? Oh, let a man with spirit take risks where he likes, and never point his golden cup at the moon empty! .
"Into the wine" 7. The green hills on both sides of the strait are opposite, and the sails come alone. Looking at Tianmen Mountain 8. Sailing alone in the blue sky, only the Yangtze River flows in the sky.
Farewell to Meng Haoran on the way from the Yellow Crane Tower to Yangzhou 9. Suspected that the Milky Way had fallen for nine days. Looking at Lushan Waterfall 10, three mountains and a half fall out of the sky, and Bailuzhou is full of water.
On Climbing Nanjing to Phoenix Terrace 1 1, laughing and watching the sky go out, I am Artemisia. Children from Nanling entered Beijing 12. The highest cliff was less than a foot from heaven, and dry pine trees hung down from the surface of the cliff.
A cloud rises between the light of heaven and me, hiding his city from my melancholy heart. When I boarded the Phoenix Terrace 14 in Nanjing, I would think of you in the clouds, so I would think of me in the sunset.
Send a friend 15, here is the end of the mountain, the beginning of the plain, and the river winds through the wilderness. "Seeing Friends Off at Jingmen Ferry" 16, the forest is vast, the haze is vast, and the area around Hanshan is sad and melancholy.
"Bodhisattva Man" 17, I have sorrow in my heart. When the moon is bright, I will always follow you until Yelangxi. "I heard that Wang Changling moved to the Longbiao kiln on the left and sent this message" 18, Peach Blossom Lake is deep in thousands of feet, not as good as Wang Lun's.
To Wang Lun 19, with white hair and three thousands of feet, looks like a long sorrow. Song of Autumn Pu 20. Oh, when will the Tatar army be conquered? My husband will come back from a long battle! .
Midnight Wu Ge 2 1, until, holding up my cup, I asked the bright moon to bring me my shadow and make the three of us. Drinking the bright moon alone 22. Apes on both sides of the Taiwan Strait can't stop crying. The canoe has passed Chung Shan Man.
Early Baidu City 23. Ladies-in-waiting are like spring palace, but only partridges are flying today. Visit to Ancient Vietnam 24. Today, people can't see the ancient moon. This month, they have taken photos of the ancients.
25. Oh, how can I bow and scrape to those high-ranking people? They will never tolerate others showing them a sincere face. Your recognition of "Climbing Mount Tianmu in a Dream" is the motivation for my answer, please adopt it.
10. Characteristics of Li Bai's poems 1. Characteristics of Li Bai's poems: 1. Summarizing Li Bai's Yuefu, Gexing and quatrains is the highest achievement.
His songs completely broke all the inherent forms of poetry creation, with no one to rely on and many strokes, reaching the magical realm of vagaries and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language.
Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only one who is good at both the Five Odds and the Seven Odds. Li Bai's poems are magnificent and elegant, and his artistic achievements are extremely high.
He eulogized the mountains, rivers and beautiful natural scenery of the motherland, with bold and unrestrained style, beautiful and fresh, full of romantic spirit, and achieved the perfect unity of content and art, so he was called "fallen immortal". His poems mainly described the mountains and rivers and expressed his inner feelings.
Li Bai's poems have the artistic charm of "the pen is shaken by the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature in his poems. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming.
He and Du Fu are called "Big Du Li" (Li Shangyin and Du Mu are called "Little Du Li"). In Li Bai's poems, imagination, exaggeration, metaphor and personification are often used comprehensively to produce magical brilliance and magnificent artistic conception, which is the reason why Li Bai's romantic poems give people heroic, unrestrained, elegant and immortal.
Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.
2. The style is unrestrained, fresh and elegant, with rich imagination, wonderful artistic conception, wonderful language, romance and clear artistic conception. Li Bai lived in the prosperous Tang Dynasty. He has a heroic personality and loves the mountains and rivers of the motherland. He traveled all over the country and wrote many magnificent poems praising famous mountains and rivers.
His poems are bold, fresh and elegant, with rich imagination, wonderful artistic conception and light language. People call him "Poet Fairy". Li Bai's poems and songs not only have typical romantic spirit, but also have typical romantic artistic characteristics from the aspects of image shaping, material intake, genre selection and the application of various artistic techniques.
Li Bai successfully shaped himself in his poems, expressed himself strongly, and highlighted the unique personality of the lyric hero, so his poems have distinct romantic characteristics. He likes to express himself in a magnificent image, expressing his feelings in his poems without disguise or restraint.
For power, he "holds a chrysanthemum and stirs two thousand stones" (one of the two songs "Send Cui Shiyu after Drunk"); Seeing the hard work of the working people, he was "heartbroken like rain". When the country was destroyed and the people perished, he vowed to cross the river to clear the Central Plains.
Draw a sword and hit the front column, and the sad song is hard to recover "("South Ben Shu Huai "), so impassioned; When drinking with friends, "two people fall in love, one cup after another." "I am drunk and want to sleep, and the Ming Dynasty intends to hold the piano" ("Lovers in the Mountain"), so naive and straightforward.
In a word, his poems vividly show his bold character and bold image. Boldness is the main feature of Li Bai's poems.
In addition to the factors of ideological character and talent, the artistic expression and genre structure used in Li Bai's poems are also important reasons for his bold and elegant style. Being good at relying on imagination and being subjective and objective are the important characteristics of romantic artistic techniques in Li Bai's poems.
Almost every article has imagination, and some even use a variety of imagination throughout. Realistic things, natural landscapes, myths and legends, historical allusions and dreamland have all become the media of his imagination.
With the help of imagination, we often transcend time and space, interweave reality with dreams and fairyland, and interweave nature with human society to reproduce objective reality. The images in his works are not the direct reflection of objective reality, but the externalization of his inner subjective world, which is the truth of art.
3. Expression Techniques One of the artistic techniques of romanticism in Li Bai's poems is to skillfully combine personification with metaphor, empathize with things, and compare things with people. Another romantic artistic technique in Li Bai's poems is to grasp a certain feature of things and boldly imagine and exaggerate on the basis of real life.
His exaggeration is not only strange in imagination, but also always combined with concrete things, so natural and unobtrusive; So bold, true and credible, it has played a role in highlighting the image and strengthening feelings. Sometimes he combines bold exaggeration with sharp contrast to enhance the artistic effect by increasing artistic contrast.
4. Genre Li Bai's best genre is seven-character poems and quatrains. Li Bai's seven-character song also adopts the structure of opening, closing, jumping and swinging.
The beginning of a poem is often abrupt, such as a sudden surge, while the middle image of the poem is abrupt, often omitting the transitional care, as if there is no trace to follow, and the end of the poem comes to an abrupt end at the emotional climax. Li Bai's quatrains of five or seven words can better represent the fresh and lively style of his poems.
For example, the beauty of "Come to Baidicheng early", "Farewell to Meng Haoran on the way to Yangzhou" and "Thinking of a Quiet Night" lies in "only looking at the prospect and spoken language, but there are overtones and foreign flavors that keep people away." (On Talking about Poetry) 5. Language The language of Li Bai's poems, some fresh as spoken language, some uninhibited and close to prose, are all unified in the natural beauty of "clear water produces hibiscus, natural carving".
This is related to his conscious pursuit of natural beauty. He inherited Chen Ziang's literary thought and took it as his duty to restore the tradition of poetry and Sao. He once said, "Since Liang Chen, Yan Bo has been extremely thin, and Shen Xiuwen still pays attention to temperament and must go back to the ancients, not me but who?" (Bai Meng's "Gao Yi") He advocates "halal" and satirizes the ugly girl who is "naive in carving insects" and learns from Handan.
The natural beauty of his poetic language is the result of his careful study of folk songs and his understanding of popular characteristics, which is clear as words, popular and vivid. Second, expand the knowledge: Character profile Li Bai (70 1 February 8-762 65438+ February), the word Taibai, the number of Qinglian lay, the number "fallen fairy", Han nationality.
He was a great romantic poet in Tang Dynasty, and was praised as "Poet Fairy" by later generations. It is also called "Du Li" with Du Fu. In order to distinguish it from the other two poets, Li Shangyin and Du Mu, namely "Little Du Li", Du Fu and Li Bai are also called "Big Du Li".
He is cheerful and generous, loves to drink and write poems, and likes to make friends.