What does it mean to listen to the spring rain all night in the small building in Ming Dynasty and sell apricot flowers in the alley?

Living in a small building and listening to the spring rain all night, I will hear apricot blossoms in the depths of the alley in the morning.

Content of the whole poem:

The first period of spring rain in Lin' an

Lu you

In recent years, officials are interested in a thin layer of gauze. Who will let me take a bus to Kyoto to visit this bustling city?

Living in a small building and listening to the falling spring rain, you will hear the sound of selling apricots in the depths of the alley early in the morning.

Slowly spread out small pieces of paper sideways, every word is organized, carefully boil water and tea under the sun window, skim it and try to taste famous tea.

Oh, don't sigh that the dust in Kyoto will stain the white clothes, and there is still time to return to the mirror house in Lake Ubak.

In recent years, the interest of officials is as light as a veil. Who let me ride a horse to Kyoto to pollute the bustling? Living in a small building and listening to the spring rain all night, I will hear apricot blossoms in the depths of the alley in the morning.

Spread out a small piece of paper and write leisurely and diagonally. The words are very organized. Carefully boil water, make tea, skim the foam and try to taste famous tea in front of a sunny window. Oh, don't sigh that the dust in Kyoto will stain the white clothes. There is still time to go back to my hometown in the mountains by the Mirror Lake during the Qingming Festival.

Appreciation of the original poem: a poet's personality is complicated, and a martyr who is always strong and unyielding will inevitably be depressed from time to time. This kind of depression and melancholy is not in contradiction with its grandeur and tragic.

Only when he is depressed and miserable will there be a stronger emotional explosion. At the beginning of the poem, it is said that "the taste of the world is as thin as yarn", which is the author's denial of reality and also reflects the author's integrity. The departure at the end of the poem is also the poet's disdain for the flashy imperial city. Therefore, through the surface of the original poem, we can still vaguely see a mighty and unyielding image, which is the author's true and consistent self.