1. Write a 400-word essay based on dreaming back to prosperity
Dreaming back to prosperity and imagining the composition
How many times have I dreamed back to the prosperous times, hoping that one day, I can touch That pulse spans thousands of years of history. The golden city is thousands of miles away, and the accumulation of five thousand years tells the story of China's long history. Finally, with excitement, I stepped into Xi'an, the ancient city with splendid culture in my dreams.
Lishan Mountain is said to be the place where Nuwa made stones to mend the sky. Climb up the ropeway and admire the beauty of Lishan Mountain. Isn't the beacon tower on the viewing platform the place where King You of Zhou used to beacon fire plays on the princes? When you admire Huaqing Pool again, it feels like Concubine Yang has traveled through time and recounted her beautiful love. It is spring, and I am even more fortunate to enjoy the beautiful scenery of Baliu and snow in the morning glow.
Entering the Qin Underground Palace again, I visited the famous Mausoleum of the First Emperor of Qin at home and abroad. Each terracotta warriors and horses had different outfits, expressions, and even hairstyles. With thousands of majestic troops standing tall, the First Emperor's underground army was magnificent. It is worthy of being the eighth wonder of the world.
The long and ancient Xi'an is a charming city. Xi'an, with many universities and colleges, is a cultural capital. Xi'an, which keeps pace with the times, is a fashion capital. Every brick and tile in this city is an accumulation of history. Under the thick city wall, it carries the prosperity of the prosperous age. And I haven’t bowed devoutly on the stone steps in front of Famen Temple, haven’t stood in front of Asia’s largest musical fountain square (Big Wild Goose Pagoda) to take a group photo, haven’t tasted enough of the unique Shaanxi cuisine in the Hui Minfang, and haven’t yet The journey will come to an end when you listen deeply to the story of this ancient city.
With full memories and reluctance, I will definitely visit Chang'an again and appreciate the prosperity again. 2. Which paragraphs in the text "Dream Back to Prosperity" are close-ups and which paragraphs are abbreviated
In the text "Dream Back to Prosperity", paragraphs 1, 2 and 3 are naturally abbreviated, while paragraphs 4 and 5 are abbreviated. Paragraphs are written in detail.
Write in detail the content of the painting, the artistic characteristics and status of the painting. It briefly sketches Zhang Zeduan's life and the overall characteristics of the painting. The content of the introductory painting describes the Bianhe River Hongqiao in detail and briefly describes other contents.
Detailing the content of the painting reflects the author's writing purpose, and the content is the core of the painting; describing its artistic features and achievements in detail can highlight the value and historical status of "Along the River During the Qingming Festival". In this way, the details are appropriate and the density is consistent, so that the center and key points of the article are clear and prominent, so that readers can easily learn knowledge and understand things.
The main content of the article paragraph:
The first natural paragraph:
It mainly describes the prosperity of the handicraft industry during the Song Dynasty, the rapid development of commercial handicraft industry, and the urban layout that broke the square The strict boundaries with the city have led to unprecedented prosperity. It laid the background for the emergence of "Along the River During the Qingming Festival" and has rich social heritage.
The second natural paragraph:
Briefly introduces the author's life, and introduces "Along the River During the Qingming Festival", which introduces the historical significance behind this painting and reflects the historical significance of the painting at that time. The illusion of prosperity in the Song Dynasty.
The third natural paragraph:
It serves as a link between the previous and the following, and its main purpose is to introduce the main introduction to "Along the River During the Qingming Festival" in the next paragraph.
The fourth natural paragraph:
Describe in detail the content of the painting, the artistic characteristics and status of the painting. It mainly describes the prosperous scene in the painting and the living conditions of the people at that time.
The fifth natural paragraph:
Mainly introduces the painting characteristics of "Along the River During the Qingming Festival" and the spatial sequence of the painting. And explain the problem by listing the content in the text.
Extended information:
About the author
Mao Ning, a native of Zhoushan, Zhejiang, was born in December 1975. Graduated from China Academy of Art in June 2003, majoring in fine arts.
Associate professor in the Art Department of Zhejiang University of Finance and Economics, teaching Chinese and foreign art history, art appreciation and other courses.
Research fields: art history and art theory.
Courses offered: Chinese and foreign art history, modern design history, Chinese and foreign architectural history, art appreciation, and architectural appreciation.
His representative works include "The Statues of the Heavenly King and Hercules in Longmen Grottoes - Also on the Localization and Secularization of Chinese Buddhist Art", "Dream Back to Prosperity", etc.
"Dream Back to Prosperity" was selected as a text in the first volume of the eighth-grade Chinese textbook (2017 autumn revised edition) published by the People's Education Press.
Baidu Encyclopedia - Dreaming Back to Prosperity 3. What are the four-character idioms in the article "Dreaming Back to Prosperity" written by Mao Ning
Busy traffic, bustling, endless flow, endless flow, lively wait.
1. Busy traffic
Explanation: Cars are like running water, and horses are like swimming dragons. Describing the lively and prosperous scene
Source: "Looking to the South" by Li Yu Tang Dynasty: "How much hatred was in my dream last night." It still looks like the old days when you were swimming in Shangyuan, with cars like flowing water and horses like dragons. ‘’
Translation: How many regrets were in my dream last night. Just like before, when I was the monarch of my homeland, I often played in Shangyuan. Cars passed through it like running water, and horse teams flowed like a long queue.
2. Bustling
Explanation: It describes the coming and going of people, very lively and crowded.
From: Sima Qian·Western Han Dynasty's "Historical Records·Huozhi Biography": "The bustling world is all for profit; the bustling world is all for profit."
Translation: The world is bustling. , all come for profit; all the hustle and bustle in the world are for profit.
3. Continuous flow
Explanation: Chuan: river. Describes pedestrians, cars and horses, etc. as continuous as water flow.
From: "The Thousand Character Essay" written by Zhou Xingsi of Liang Dynasty in the Southern Dynasty: "The stream never stops, and the deep water reflects it."
Translation: Extending to descendants, like the endless flow of a great river, influencing the world, like Bitan is clear and shining.
4. Continuous stream
Explanation: Describes the continuous coming and going of pedestrians, cars and horses.
From: "Book of the Later Han·Biography of the Southern Huns": "There is an endless stream of people fleeing into the fortress."
Translation: There is an endless stream of people fleeing into the fortress.
5. Busy and lively
Pinyin: rè nào fēi fán
Explanation: Describes a lively scene or scene. "Extraordinary" means outstanding or outstanding, which is different from the ordinary meaning. 4. Thoughts after reading the text "Dream Back to Prosperity", 800 words
The article "Dream Back to Prosperity" is selected from "Eighty Lectures on Masterpieces of Chinese and Foreign Painting" (Guangxi Normal University Press, 2004 edition). This article introduces "Along the River During the Qingming Festival", one of China's top ten famous paintings handed down from generation to generation. This surviving masterpiece and national treasure-level painting and cultural relic depicts the bustling market style of the Northern Song Dynasty. It teaches us about the social scene at that time and inspires our rich imagination about ancient life.
Mao Ning, the author of "Dream Back to Prosperity", was born on May 23, 1969 in Shenyang City, Liaoning Province. Popular male singer, film and television actor, and host in Mainland China. After graduating from the Liaoning Sports and Sports Technical College in 1986, he stayed at the school to teach. In 1987, he joined the Liaoning Opera House. At the same time, he served as the Youth League Committee Secretary of the Liaoning Sports and Sports Technical College and received a doctorate in art history from the Central Academy of Fine Arts. 5. Introduction to Mao Ning, the writer who wrote "Dream Back to Prosperity"
Mao Ning, a writer, was born in Zhoushan, Zhejiang in December 1975. The university he studied at is the China Academy of Art, majoring in fine arts. He graduated in June 2003.
After graduation, he served as an associate professor in the Art Department of Zhejiang University of Finance and Economics, where he mainly taught Chinese and foreign art history, modern design history, Chinese and foreign architectural history, art appreciation, architectural appreciation and other courses.
Extended information:
1. Mao Ning’s research direction:
Mao Ning mainly studies the fields of art history and art theory. His representative works during the research process include " Works such as "The Statue of the Heavenly King of Longmen Grottoes - Also on the Localization and Secularization of Chinese Buddhist Art" and "Dream Back to Prosperity".
Among them, "Dream Back to Prosperity" was selected as a text in the first volume of the eighth-grade Chinese language revised by the People's Education Press in the fall of 2017.
2. Appreciation of "Dream Back to Prosperity":
"Dream Back to Prosperity" is a famous article that introduces the theme of "Dream Back to Prosperity" and depicts the prosperity of the Northern Song Dynasty. The market scene enriched people's understanding of the social scene at that time and inspired people's imagination of ancient life.
When introducing paintings, the author Mao Ning followed the order of "background-subject-value", which is in line with the rules of painting appreciation. The content focuses on the main part of the painting and uses elegant language to highlight the prosperity of the scroll.
The author has chosen content closely related to the main content and artistic features of the work for introduction. The language of the introduction not only conforms to the characteristics of the work, but also takes into account the reader's acceptance and expectations. The order of the introduction also conforms to the viewer's appreciation order and the arrangement of the paintings, and conforms to people's cognitive rules. 6. How to write the essay "Dream Back to the Cottage", about 500 or 600 words
"Dream Back to the Cottage"
"The mountains are not high, if there are immortals, they will be famous; if the water is not deep, if there are dragons, there will be spirits" . Reading this famous line that has endured for centuries, I felt relaxed and clear. It was as if I had dreamed of returning to the Tang Dynasty and encountering the humble house and the unfazed Liu Yuxi.
Time flies, spring and autumn pass by, and we are getting farther and farther away from the era of ancient Renren, but I want to recall the spiritual state of this ancient Renren in my dreams. Unknowingly, I had put on a robe and turned into an ancient person, and this simple yet unusual humble house was right in front of me. The house was just an ordinary small house, without any prosperous decorations, just with white walls and black tiles. There.
There was a melodious sound of the piano in the distance. It was probably the owner of the shantytown playing the plain harp. Through the cover of the bamboo trees, one could see that the shantytown was covered with moss, growing without scruples. The lush greenery is flourishing on the walls and on the steps. Walking towards the house, you can gradually see the whole picture of the hut. The owner is bowing to the Confucian scholars, then sitting down, making a pot of tea, chanting poems and having fun, chatting and laughing.
On his case there was only a plain Qin that accompanied him through the four seasons, and countless scriptures in the bookcase. It is conceivable that whenever he was lonely, he would play the piano or read a scripture, express his feelings about the mountains and rivers, stay quietly in his humble room, and talk with nature and his soul. This is probably why he was able to write such an otherworldly article as "Inscription on a Humble Room".
Falling to the bottom in life and climbing to the top in art may be his own comfort and self-transcendence. I couldn't help but visit such a chic and indifferent ancient man, but my time didn't allow it, so I could only reluctantly return to the present world.
I can't help but admire Liu Yuxi's free and easy and indifferent attitude. "This is a humble house, but I have the virtue of virtue." Although it is a simple little house, because noble people with ambitions live in it, it is no longer simple and ordinary.