"Well frogs can't speak in the sea, but they are confined to the air; Summer insects can't talk to ice or time; QuShi can't talk to tao, but be bound to teach "means:
Don't talk to the frog in the well.
This sentence comes from Zhuangzi, a famous thinker, philosopher and writer in the mid-Warring States period, and his later classic "Zhuangzi Qiushui", which is a dialogue between Hebo and Hai Ruo.
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Zhuangzi's prose philosophy is profound and profound, and it is a treasure in China's classical works. Zhuangzi is not only a famous thinker in the history of China philosophy, but also an immortal essayist in the history of literature. No matter in philosophy or literary language, he had a far-reaching and great influence on thinkers and writers in China, and occupied an extremely important position in the history of China's thoughts and literature.
This passage is the first paragraph in the opening of Zhuangzi Qiushui, which is about a conversation between Hebo and Hai Ruo. Through dialogue, the author thinks that people's understanding can't go beyond the living environment, and it is bound to be restricted by limited space, time and knowledge level. In the infinite universe, people's knowledge is infinite, and personal knowledge and role are very limited, so we need to keep forging ahead and never be complacent.
Baidu Encyclopedia-Zhuangzi Qiushui
The well frog can't talk to people in the sea, but is confined to the air; Summer insects can't talk to ice makers, they can only stick to time. What do you mean?
It means: don't talk to the frog about the sea, because it is too illusory for him, and don't talk to insects in summer about ice, because of the seasons, it can't see ice all its life.
This sentence is mostly used for shallow people. Don't reason with him because you don't understand.
Source: Qiushui
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Qiushui is selected from Zhuangzi Waipian and Qiushui. Zhuangzi, surnamed Zhuang, Zhou, Zi Xiu, was born in Song Dynasty. He was a famous thinker, philosopher and writer in the middle of the Eastern Zhou Dynasty and the Warring States Period. Zhuangzi, an important school of philosophy in China, was founded. He is a representative of the Taoist school in the Warring States period after Laozi and one of the main representatives of the Taoist school.
Zhuang Zhou should not be employed by Chu Weiwang because he advocates freedom. He only worked as a lacquer garden official in the Song Dynasty. History is called "the proud official of Qiyuan" and is regarded as a model of local officials. Zhuangzi first put forward the idea of "sage inside and king outside", which had a far-reaching influence on Confucianism.
Zhuangzi has a profound insight into Yi-ology, profoundly pointing out that "Yin and Yang are easy to use"; Zhuangzi's thought of "three tones" is consistent with the three talents in the Book of Changes. His masterpiece is Zhuangzi, among which the famous ones are Xiaoyao Tour and On Wuqi. As famous as Laozi, it is called Laozi and Zhuangzi.
Zhuangzi's imagination is extremely rich, his language is freely used and flexible, and he can make some subtle and unspeakable philosophies fascinating. His works are called "literary philosophy, philosophical literature".
It is said that he lived in seclusion in Nanhua Mountain, so at the beginning of Tianbao, Emperor Xuanzong of the Tang Dynasty, he named Zhuang Zhou as the South China Reality and his book Zhuangzi as the South China True Classic.
The only remaining Zhuangzi is divided into three parts: internal, external and miscellaneous, which was written by Zhuangzi and his later scholars.
The second paragraph of "Zhuangzi Qiushui": Beihai Ruo said: "Well frogs can't talk to people in the sea", the whole paragraph. Translation and suggestion?
Translation:
Beihai Ruo said, "Don't talk to the frog at the bottom of the well about the sea, because its vision is limited by its small residence;" Don't talk about ice with insects in summer, because it is limited by seasons; Don't argue with a country music scholar with shallow knowledge, because he is bound by ethics. Now that you have come out of Hebo between the banks of the Yellow River and seen the sea, you will know your meanness, and you can talk to you about some great things. There is no water bigger than the sea in the world. Thousands of rivers flow to the sea, and there is no time to stop, but the sea is not full; I don't know when it will stop, but the sea has not decreased.
Whether in spring or autumn, the water level of the sea remains unchanged, and whether in flood or drought, the sea has no feeling. The capacity of the sea exceeds the water flow of the Yangtze River and the Yellow River, and it is almost impossible to calculate by numbers. But I'm not boasting. I think I have accepted the spirit of yin and yang between heaven and earth. I am between heaven and earth, like a small stone and a small tree on a high mountain. I feel small, how can I boast? In this big space of heaven and earth, it is four seas. Isn't it like a small ant nest in a big lake? Isn't the Central Plains in the four seas just like the rice stored in the granary?
There are ten thousand things in the world, and man is just one of them. Although human beings are all over Kyushu, the land they live in accounts for only one tenth of the land where grains are born and ships and cars pass. Compared with everything, isn't it like a hair on a horse? The continuation of five emperors, the struggle for three kings, the concern of people with lofty ideals, and the hard work of talents who take the world as their responsibility are all just like this. Boyi gained fame by resigning from the post given by the king of Zhou, while Confucius showed profound knowledge by talking about "benevolence" and "courtesy". When the river rises, don't they boast about themselves like you? "
Moral: Everything is relative and there is nothing to add.
Source: Selected from Zhuangzi Waipian and Autumn Water written by Zhuangzi during the Warring States Period.
Original text: Beihai Ruo said: "Well frogs can't talk to people in the sea, but they are confined to the air; Summer insects can't talk to ice or time; Qu's family can't talk to Taoists, but can only be tied to religion. Today, I'm on the cliff, looking at the sea, but I know I'm ugly. I'm sure I can talk to Dali. The water in the world is bigger than the sea. Wan Chuan's return, I don't know when to stop; I don't know when it is empty; Spring is the same as autumn. We don't know about floods and droughts. This is the flow of the river, which cannot be measured. However, I have never regarded this as self-enrichment. Self-comparison is the shaping of heaven and earth, and I am suffering from yin and yang. I am between heaven and earth, and Xiao Mu is among the mountains.
I almost see less square inches, and I laugh at myself! Between heaven and earth, unlike _ osawa empty? What China has in the sea is not like what rice has in the warehouse? Tens of thousands of things, people are at a loss; People die in Kyushu, grains are born, boats and cars are connected, and people are there. This is more important than anything else, unlike the end of luxury goods lies in the horse? The connection between the five emperors, the dispute between the three kings, the concern of people with lofty ideals, the works of any literati, all this! Boyi's ci is famous, but Zhong Ni's ci is rich. This is more self-sufficient, unlike you who are more self-sufficient than water? "
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Autumn Water is another long story in Zhuangzi. The first two words are titled, and the center is to discuss how people should know foreign things. Zhuangzi's articles are rich in imagination, changeable in style, full of romanticism, humorous and satirical in the form of fables, which have a great influence on the literary language of later generations. His extraordinary imagination and unpredictable fables constitute Zhuangzi's unique and peculiar imaginary world.
Zhuangzi wrote Zhuangzi, one of the Taoist classics. There are 52 Zhuangzi articles recorded in the Records of Han Shu Literature and Art, and only 33 exist. Zhuangzi is of great philosophical and literary research value. Famous articles include Happy Travel, Zhuangzi's Autumn Water, On Wuqi, Master of Health, etc.
Baidu Encyclopedia-Zhuangzi Qiushui
"Well frogs can't talk to people in the sea, but they are confined to the air; Summer insects can't talk to ice or time; Qu's family can't talk to Taoists, but should be tied to religion. "
The rhetorical devices of parallelism and progression are used.
There are three "no" phrases or sentences, which are related or similar in meaning, the same in structure, the same in tone, and the paragraphs are juxtaposed to achieve the effect of strengthening the language situation.
"Zhuangzi Jishi" Volume 6 "Zhuangzi Waipian Qiushui" in a sentence. Frogs in the well can't talk to them about the sea because of their limited living space; Insects in summer are far from freezing to death, because they are limited by their survival time; It is impossible for people who sing in the countryside to talk to them about the avenue, because they are bound by education.
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Zhuangzi's articles are rich in imagination, changeable in style, full of romanticism, humorous and satirical in the form of fables, which have a great influence on the literary language of later generations. His extraordinary imagination and unpredictable fables constitute Zhuangzi's unique and peculiar imaginary world. "Beyond the dust, strange things happen." Zhuang Zhou wrote Zhuangzi, one of the Taoist classics.
There are 52 Zhuangzi articles recorded in the Records of Han Shu Literature and Art, and only 33 exist. Zhuangzi is of great philosophical and literary research value. Mr. Lu Xun once said, "His writing style is Wang Yang's, and his manners are all square. The works of the late Zhou philosophers should not be the first. " Famous articles include Happy Travel, Zhuangzi's Autumn Water, On Wuqi, Master of Health, etc. Among them, "My Clever Understanding of Cattle" is especially popular with later generations.
"Well frogs can't talk to people in the sea, but they are confined to the air; Summer insects can't talk to ice makers, but they are also good at timing! " How to understand?
Explanation: Don't talk to the frog in the well.
This article is taken from Zhuangzi Qiushui. The original intention of Zhuangzi Qiushui is to discuss the relativity of value judgment. Now we can take it as a relatively independent anthology, give a positive explanation and get new enlightenment. The main part of Autumn Water is seven dialogues between Hebo and Beihai Ruo.
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In argumentation, the abstract truth is often explained by figurative metaphor, and metaphorical reasoning is mostly individual-to-individual comparative argumentation. In the application of comparative argument, there are analogical arguments with similar nature, such as the comparison between Frog in the Well, Summer Insect in Time and Poet in Teaching. It also includes comparative argumentation with opposite nature, such as Qu Shi and Viewing the Sea. The comparison between Hebo, who is famous for ugliness and can be compared with Dali in language, is comparative argumentation.
"Well frogs can't talk to people in the sea, but they are confined to the air; Summer insects can't talk to ice makers, but they are also good at timing.
"Well frogs can't talk to people in the sea, but they are confined to the air; Summer insects don't talk to ice makers, but insist on time. " Zhuangzi Waipian Qiushui is translated into modern Chinese: Don't talk to frogs in the well.