After school, I became literate, and the teacher called some poems, but only to explain them. It was not until I entered junior high school that I became familiar with poetry appreciation.
Many poems only have an ordinary story, sometimes it is too small to mention, but the poet can write it into a famous sentence through the ages and spread it widely. This is the charm of poetry. There are many schools of poetry, such as bold and graceful, and different schools of poetry have their own unique aspects.
Many of Li Bai's poems belong to the uninhibited school. There is an atmosphere of "flying to thousands of feet for three days, and it is suspected that the Milky Way has set for nine days", a sense of complacency of "laughing at the sky and going out is our Artemisia selengensis people", a confidence of "Dapeng rises with the wind one day and soars in Wan Li", and also "I want to cross the Yellow River, but the ice-choked ferry will climb Taihang Mountain" and "I left my food bar and cup, and I can't eat or drink.
When he is not reused, he has sufficient self-confidence; When he was in a high position, he was complacent and heroic; When he saw the ugly side of the imperial court, he had a great personality and despised the powerful. When he leaves because of this, he will also be depressed and confused. If you want to taste poetry, you must understand the poet's life experience and even social background.
It is not difficult to understand, but what you get will only be superficial and meaningless. When you really understand it, feel it and understand it, you will get endless feelings and real meaning.
You can even feel that you are breathing with the poet, sharing joys and sorrows. You understand his feelings and even have the impulse to comfort him. We are enjoying poetry, poets and society, and we enjoy it.
I was deeply attracted when I read The Difficult Road in Shu. The poet's unpredictable brushwork vividly depicts the dangers of Shu Road, artistically shows the winding, majestic and rough face of ancient Shu Road, and depicts a colorful landscape painting, which is fascinating.
I was deeply attracted by his wild imagination. He created a broad artistic realm for me and fascinated me with his romantic colors. If you really want to appreciate a kind of poetry, you must also appreciate the beauty of other factions.
Du Pu's "Hope for Spring" will make people sad, and war will separate people from their loved ones and leave their homes. Meng Jiao's Ode to a Wanderer reminds people of my mother's care for me in the past, and a warm feeling comes to my mind ... Every time I appreciate it, I can feel different and throb.
This is the charm of poetry, and I want to be intoxicated with the charm of this poem! Never appreciate it. It's a new harvest to appreciate it. -Zhu Guangqian-Inscription 1 Poetry is the most extraordinary.
The earliest poems came from the ancient working people, who can be said to be the representatives of the lower Bali people. Later, it was gradually favored by literati, so Chun Xue like Nineteen Ancient Poems appeared. These are all things I just felt recently.
I wasn't like this when I was a kid. (2) because of my good memory, I recited the five-character and seven-law of the Tang Dynasty almost once, and I never forgot it, but I can't taste the general rhyme.
Even if there is, it is only a kind of obscurity of "the so-called Iraqis are in the water". Long-term swallowing dates eventually led to "indigestion" until I read Li Bai's "Into the Wine".
Looking at that gray-yellow paper, I looked helpless. But I didn't know there was Gan Kun in it until I looked carefully.
I was shocked by the first sentence-"didn't you see how the water of the Yellow River moved out of heaven and into the ocean, never to return?" It seems that I have been standing on the surging river bank, watching the Yellow River merge into the East China Sea with China's five thousand-year complex.
There is an atmosphere of "a hundred rivers go east to the west" between heaven and earth, which makes me, like Li Bai, unable to see the lovely person in the mirror on the shelf. Although it is silky black in the morning, it turns into snow at night. Reminds me of Zhang Jiuling's poem "Stay in the Clouds, Waste a Hundred Years" and Cao Cao's outlook on life "If the morning dew shows, it's hard to go to Japan". Seeing this, I feel a little depressed from my agitation just now.
Please write a composition with an ancient poem. Can you take a look at this?
Love songs in autumn
Since ancient times, every autumn has been sad and lonely.
I say autumn is better than spring.
In the clear sky, a crane is walking among the clouds.
It brought poetry to Bixiao.
-Inscription (Liu Yuxi's autumn poems)
Autumn is a bleak season. When the wind blows, the yellow leaves on the tree rustle down, like a golden butterfly with a broken soul, flying to the embrace of Mother Earth. It melts in the soil of spring and becomes nectar, protecting the tree and the hope of spring germination.
Autumn gives people withering, desolation and desolation, and it also gives people maturity, floweriness and deep thought.
Autumn is a harvest season, and the wheat in the field opens its mouth and eyes, waiting for the farmers who come to harvest. Storage in winter, sowing in spring and farming in summer finally ushered in the golden autumn and golden harvest. How much blood and sweat, how much busy, are indifferent to dissipate in this golden ocean, and finally go up in smoke, leaving only the beautiful scenery in front of us. Autumn is a reward for the sweat of the other three seasons.
Autumn is the season of maturity. The dream of spring, the feeling of summer and the memory of winter are all gone. Autumn gets rid of the innocence of spring, the fanaticism of summer and the silence of winter, and becomes more mature, gorgeous and graceful.
The autumn moon is clear, unlike the spring moon, Xia Yue is elegant, and the winter moon is bleak;
Autumn rain is elegant, unlike spring rain, summer rain is unbridled, and winter rain is dull;
Autumn flowers are very delicate, unlike spring flowers, which are elegant in summer and Leng Yan in winter.
Autumn is an extremely romantic season, and the wild geese in the south will make you think a lot.
I love autumn, love its beauty, love its truth and love its romance.
Autumn is an extremely realistic season, and its chilling autumn colors accommodate the withering of everything. Desolate, mature, without any cover.
I love autumn, its beauty and solemnity. Autumn is hazy and bright, full of romance.
It is best to write a 300-word composition around an ancient poem. I have written before, that is, from a distance, the mountain becomes a peak, and the distance is different.
Now there is a craze for learning ancient poems in schools. However, some students only pay attention to the number of ancient poems memorized, but they don't know much about them, and even have many wrong words. I use it; Fifth, reading and learning poetry; The effect is very good. Let me tell you how I taught Wang Anshi's Yuan Ri by myself.
I teach myself ancient poetry in five steps. The first step is to read the whole poem. When reading, I encounter new words; Hey; It is good to learn. Second, read carefully. I find out the key words I don't understand in every sentence, such as; Tu Su, cloudy day, new peach, old symbol; Wait, read the notes or find out what they mean. The third step is translation and reading. When reading, say the meaning of each line of poetry. The fourth step is to read through. Connect the meaning of each poem and tell the meaning of the whole poem. The fifth step is reading. Look at the brief analysis, understand the background of the author writing this poem, imagine the scenery described in the author's poem when reading, and then think about what thoughts and feelings the poem expresses. January Day reminds me of Wang Anshi's political reform seen in extracurricular books. It turned out that he wrote this poem to reflect his old ideas. Finally, I memorized the whole poem.
Never swallow ancient poems by yourself. If you don't ask for answers, you will learn by rote and get too little.
4. Write a composition about ancient poetry. Climb high, the sharp wind ape is sobbing from the vast sky, and the bird flies home on the clear lake and white beach.
Leaves fall like a waterfall, when I watch the long river roll forward.
I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone.
Bad luck has formed a bitter frost on my temples, and heartache and fatigue are a thick dust in my wine.
Du Fu
In the sharp wind from the vast sky, apes are sobbing, and birds fly home on the clear lake and white beach.
Leaves fall like a waterfall, when I watch the long river roll forward.
I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone.
Bad luck has formed a bitter frost on my temples, and heartache and fatigue are a thick dust in my wine.
Du Fu
In the sharp wind from the vast sky, apes are sobbing, and birds fly home on the clear lake and white beach.
Leaves fall like a waterfall, when I watch the long river roll forward.
I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone.
Bad luck has formed a bitter frost on my temples, and heartache and fatigue are a thick dust in my wine.
Du Fu
In the sharp wind from the vast sky, apes are sobbing, and birds fly home on the clear lake and white beach.
Leaves fall like a waterfall, when I watch the long river roll forward.
I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone.
Bad luck has formed a bitter frost on my temples, and heartache and fatigue are a thick dust in my wine.
Du Fu
In the sharp wind from the vast sky, apes are sobbing, and birds fly home on the clear lake and white beach.
Leaves fall like a waterfall, when I watch the long river roll forward.
I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone.
Bad luck has formed a bitter frost on my temples, and heartache and fatigue are a thick dust in my wine.
Du Fu
In the sharp wind from the vast sky, apes are sobbing, and birds fly home on the clear lake and white beach.
Leaves fall like a waterfall, when I watch the long river roll forward.
I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone.
Bad luck has formed a bitter frost on my temples, and heartache and fatigue are a thick dust in my wine.
Du Fu
In the sharp wind from the vast sky, apes are sobbing, and birds fly home on the clear lake and white beach.
Leaves fall like a waterfall, when I watch the long river roll forward.
I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone.
Bad luck has formed a bitter frost on my temples, and heartache and fatigue are a thick dust in my wine.
5. Write a a night-mooring near maple bridge with an ancient poem as the topic.
(Tang)
Crows fell on the moon, crowed coldly, slept on maple trees, and slept in fishing lanes by the river.
In the lonely Hanshan Temple outside Suzhou, the bell that rang in the middle of the night reached the passenger ship.
Late at night, a waning moon hangs in the sky, the stars blink greedily and crows crow in the branches. Ripples appeared on the river, and a bamboo raft boat appeared on the river, in which Zhang Ji, who failed to make the list, sat. At this moment, Zhang Ji's heart is full of sadness. Why can't there be a few simple "Zhang Ji" strokes in the list? Today, he read a lot of scriptures and was on his way to Beijing to take an exam, but he lost his name in Sun Shan. Once again, he rippled on the river with a sad mood. Looking up, first frost was full of sky, and how to tell his thoughts to whom. What should I tell my family when I go home? Zhang hesitated, strolled from the cabin to the planking, looked at the red leaves on the river bank and the lights on the fishing boat, and was so sad that he couldn't sleep. Zhang Ji walked back and forth on the board several times. The leaves rustled and a cool breeze blew. He closed his coat and stood there. In a blink of an eye, outside the city of Gusu, stone walls stood tall, tiles shone, and merchants hurried to carry goods. The bamboo pole paddled gently on the river. There used to be a temple called Hanshan Temple on the mountain where the monk lived. There was a faint bell from Hanshan Temple. In Zhang Jill's ear, the ringing and pleasing bell is really harsh now.
Zhang Ji's heart welled up. He walked into the cabin, grinded ink, picked up a pen, and sadly wrote "A Night by the Maple Bridge-Berthing", and whispered: "Frosty night, river wind, fishing sleep. Hanshan Temple outside Gusu City, passenger ships are ringing at midnight. " The voice was mixed with sadness and grief. The boat gradually disappeared in the breeze, carrying Zhang Ji's dream of becoming the first.
Words: 557 words
6. Write an article about ancient poetry. As soon as Du Mu's A Fang Gong Fu came out, it attracted the admiration of scholars and rushed to read it. Du Mu inherited the tradition of ancient prose movement in Tang Dynasty, used prose style, introduced prose brushwork and sentence patterns into Fu, managed the world, criticized the current malpractices, broke through the trend of more and more harmonious, rhythmic and formal Fu since the Six Dynasties, and created a new style of China ancient Fu-San Fu. "Epanggong Fu" is full of odd and even sentences, which are parallel and scattered, combining length and length, and integrating narrative, description and discussion. The full text is full of the rational style of historical theory and the brilliance of poetry and painting. Throughout the full text, the following three authors are unique and have always been respected and praised by people.
First of all, the description of Epang Palace is magnificent and the weather is spacious, which fully shows the author's high foothold and broad mind. Open the first sentence, "six kings finish, the four seas are one; The rhyme of "one side of Shu is Chu" is abrupt and powerful, giving people the feeling of "Taishan topping the top". It not only briefly explains the background of a square palace, but also puts the full text in the perspective and height of the rise and fall of a country and the replacement of dynasties. Then, the author uses the so-called "camera" technology to drive the reader's vision to feel the grand and exquisite beauty of Epang Palace architecture from multiple angles. Seen from the air, the words "Overpressure" and "Mount Li" describe the vast area and scale of Epang Palace. The sentence "corridor waist" belongs to the concept of looking up, with heavy buildings and high eaves and extraordinary momentum; The phrase "a good dish" lengthens and broadens the lens, and looks at groups of pavilions from a macro perspective; The sentence of "long bridge" and "multiple roads" makes the reader's eyes shift with the camera and directly brings the reader into a colorful picture. Here, the author shows the grandeur, magnificence, wonders and brilliance of Epang Palace from far and near, combining with reality.
Secondly, this paper focuses on reality and is ambitious, which fully shows the insight of a sober politician. Du Mu lived in the late Tang Dynasty when domestic troubles and foreign invasion deepened. He has been concerned about state affairs since he was a teenager and has the ideal of reviving the Tang Dynasty. The book "Revelation" says: "Paulie has a big palace, full of voices, pretending to be" Epang Palace Fu "." It can be seen that this article reminds the rulers of the Tang Dynasty that extravagance will inevitably lead to boiling public grievances and the destruction of the country and the nation, showing the feelings of an upright scholar who cares about the country and the people and helps the people. This paper consists of two parts. The first part mainly describes and elaborates the extravagant and dissolute life of the rulers of the Qin Dynasty from three aspects: palace architecture, palace beauty and palace treasures. The second half is mainly about reasoning and discussion, which summarizes the historical lessons of the demise of the Qin Dynasty. "Qin people can't help but feel sorry for themselves, and later people mourn for them. Later people mourn for them without learning their lessons, and they also mourn for future generations." What's more, it is like a huge cymbal Hong Zhong, echoing in the historical sky forever, echoing in people's ears, alerting the rulers from generation to generation.
Thirdly, the cross-use of various figures of speech is the prominent feature of this paper. As a pioneering work of prose, this paper breaks through the four-sentence style of parallel prose. Full-text sentence patterns are different in length, parallel prose coexists, and there is considerable leap between sentences, which has the meaning of prose. Sometimes pure prose sentence patterns are used, which makes the article have the characteristics of agile and changeable prose and prose poetry. Especially in rhetoric, this paper uses a variety of techniques, such as parallelism, exaggeration, duality, metaphor, comparison and so on. , and often combined with several criss-crossing rhetorical devices, so that the language of the article is concise, novel and strange, giving people a strong sense of beauty. On the whole, the two sentences of "Long Bridge" and "Multi-channel" use duality, and the single sentence uses metaphor to unify the preceding and following sentences, while metaphor vividly depicts the wonders of the bridge and multi-channel. On the whole, six sentences use parallelism, and single sentences use "strong metaphor" figuratively, implying contrast and exaggerated rhetoric; It is precisely because of the combination of parallelism, metaphor, contrast and exaggeration that this passage effectively highlights the number of various items available to the rulers in Epang Palace, thus showing that the life of the rulers in Qin Dynasty was extremely luxurious, and the luxury and enjoyment of feudal emperors were based on the painful life of the people. "The stars are shining, and the cosmetic mirror is opened ..." The five sentences also use a variety of rhetorical devices, such as parallelism, metaphor and exaggeration. In particular, the use of metaphor, put metaphor in front of the ontology, highlight metaphor, first give people a vivid picture, and then the ontology appears, arousing readers' rich imagination, deepening readers' impression, and indirectly rendering many beautiful women in Epang Palace.
Du Mu's "Epanggong Fu" got rid of the slender and elegant style of writing in artistic style, swept away the old habits of the Six Dynasties and was very original. In terms of interest and knowledge, it is appropriate for him to stand tall and see far, and to satirize the present with the ancient and express his deep concern. The general catalogue of sikuquanshu evaluates him as "a broad-minded and multi-cut".
7. Write a composition around the ancient poem "Ascending the Mountain". In the autumn of the second year of Tang Daizong Dali (767), Du Fu went to Kuizhou.
At this time, the 56-year-old old poet was very embarrassed. At that time, four years had passed since the Anshi Rebellion, but local warlords took the opportunity to compete for territory with each other.
Du Fu entered the Yanwu shogunate, relying on Yanwu. Shortly after Yanwu's death, Du Fu lost his dependence and had to leave the Chengdu Caotang, which had been in business for five or six years, to buy a boat and go south.
I wanted to go straight to Kuimen, but because of illness, I stayed in Yun 'an for several months before I arrived in Kuizhou. If it were not for the concern of the local government, he would not have lived here for three years.
In these three years, his life is still very difficult and his health is very poor. One day, he climbed the high platform outside Bai Di, Kuizhou, with mixed feelings in his heart.
What you saw in hope aroused your heart; The bleak scenery of Qiu Jiang evokes his wandering life experience and permeates his old illness and loneliness. Thus, there was this song "Ascending the Mountain", which was known as the "crown of seven laws".
By writing about the scenery of Qiujiang River, he poured out the poet's complex feelings of long-term wandering, old illness, loneliness and loneliness, which was impassioned and touching. The first four sentences of this poem are about climbing mountains.
The first couplet is right. Focusing on the specific environment of Kuizhou, the poet used the word "wind rush" to drive the All-China Federation, and from the very beginning, he wrote a quatrain that was told for generations.
Kuizhou is famous for its many apes, and the canyon is famous for its windy weather. It is cool in autumn, but it is windy here.
When the poet climbs the mountain, the sound of "high apes whistling" comes from the gorge, which means "the empty valley echoes, and the sorrow turns to leisurely" ("Water Classics Notes Rivers"). The poet moved his eyes from the heights to the rivers and lakes, and on the background of clear water and white sand, he was dotted with birds dancing with the wind and never looking back. This is really a beautiful painting.
Among them, the sky, wind, sand, Zhu, apes whistling and birds flying are all made in heaven and naturally paired. Not only the upper and lower sentences are correct, but also the sentences are self-correct, such as the above sentence "day" to "wind" and "height" to "urgency"; The next sentences "sand" versus "Zhu" and "white" versus "green" are full of rhythm.
After the artistic refinement of the poet, fourteen words, each of which is accurate and appropriate, are all in name only. In words, "thank you for your axe" has reached a wonderful and difficult state. More notably, the first sentence of the couple is usually pronounced in a flat voice at the end, but this poem rhymes in a flat voice.
Shen Deqian's eulogy is "Two rhymes are still used, but they change because of strangeness" (Tang Poetry). This couplet embodies the typical characteristics of Kuizhou in autumn.
The poet looked up at the endless rustling leaves and looked down at the endless rolling river. While writing about the scenery, he expressed his feelings affectionately. Endless and inexhaustible, it makes the rustling roll more vivid, which reminds people of the rustling of fallen trees and the surging Yangtze River, and invisibly conveys the feeling that youth is fleeting and ambition is hard to pay.
Through the gloomy and sad dialogue, it shows superb brushwork, and it does have the majestic momentum of "repairing the palace" and "pouring hundreds of rivers into the east". It is reasonable for predecessors to call it "the absolute step of the past and the present" and "the transformation in the sentence"
The first two couplets describe autumn scenery, and it was not until the necklace that the word "autumn" was pointed out. "Alone on the stage" shows that the poet looks down from a height and closely connects the eye scene with the heart.
Frequent visitor points out the poet's wandering life. "One hundred years" means a limited life, here refers to the twilight.
The word "sad autumn" is written very painfully. Autumn is not necessarily sad, but when the poet witnessed the desolate and magnificent autumn scenery, he couldn't help thinking of his own exile, the old, the weak and the sick, so he gave birth to infinite sadness.
The poet summed up the feelings of a long-time guest who is most likely to be sad and sick and loves a person to go on stage, which makes people deeply feel his heavy emotional pulse. The "Wan Li" and "Centennial" of this couplet also echo the "Boundless" and "Endless" of the previous couplet: the poet's travel worries and loneliness, like fallen leaves and rivers, are inexhaustible and cannot be driven away, and his feelings and scenery are integrated.
At this point, the poem has given the general meaning of missing a stranger, added the content of loneliness after a long separation, added the feeling of sadness and pain in autumn, added the sigh of people who have left their homes in Wan Li and are in their twilight years, and is more poetic. There are five or six sentences at the end.
The poet suffers from hardship and poverty, worrying about the country and the people, and his hair is getting gray. In addition, because of illness and alcohol deprivation, it is even more difficult for them to let go. The poet's ambivalence is easy to understand, because he once longed to climb high and look far, but now he provokes hatred for no reason, adding to his sorrow.
The first six sentences are "flying", and here is "soft and cold, infinite sorrow is beyond words" ("Poetry"). The first half of the poem describes the scenery, the second half is lyrical, and the writing style is different.
The first couplet focuses on describing the specific scenery in front of us, just like the meticulous brushwork of a painter, showing the shape, sound, color and state one by one. The second couplet focuses on rendering the atmosphere of the whole autumn, just like the painter's freehand brushwork, which should only be vivid and easy to understand, so that readers can supplement it with imagination.
Triple expression of feelings, from vertical (time) and horizontal (space) two aspects, from wandering to sick and disabled. Quadrupling the number of white hair, protecting illness and abstinence from alcohol can be summed up as the hardship of the times is the root of poverty.
In this way, Du Fu's feelings when he was worried about the country and the people and hurt the country were vividly displayed.
Qiu Si, who was born in Luoyang, saw the autumn wind and wanted to write a meaningful book. Fear of fear is endless, and pedestrians are about to open it. He started his homesickness in autumn, blew it gently, and took Miss Qiu to Luoyang. She brought ups and downs and fresh sunshine. As soon as she entered Luoyang City, there was a fragrance. The sky is so blue that the white clouds don't know where to hide. Wan Li is really cloudless in Wan Li. The whole city of Luoyang is bathed in soft sunshine and the autumn wind blows gently. The flowers nodded frequently and smiled, showing people its beautiful and charming style. Rows of trees are no longer flourishing. The green leaves gradually turn golden and fall slowly, just like flying butterflies, laying a golden carpet for the earth. By the lake, Zhang Ji, a state-owned enterprise, is walking. The lake is as calm as a mirror. It's even more charming Walking to the lake, I picked up a stone, and the calm of the lake was broken with a bang. He looked at the rising microwave and was in a daze. Rows of weeping willows danced with the wind by the lake. Willow branches stretched out to the lake gently brushed on the lake, as if stroking their children. But Zhang Ji has no time to enjoy such beautiful scenery. His mind is full of thoughts about his hometown and love. The autumn wind has started and the weather has turned cold. You must pay attention to your health, and my mother, are you all right ... "He has a thousand words to tell his relatives, but he doesn't know where to start ... so Zhang Ji decided to send a letter home. On this day, Zhang Ji invited the postman to his home, handed the letter to him personally, and said, "Brother, thank you, please send this letter back to my hometown. ""I see, "the postman said with a smile." You can rest assured. "Then he turned away and suddenly thought of something." Can you let me read this letter again? ""oh. " The postman who was about to get on the horse had to dig out his satchel. Zhang Ji took the letter, opened it again and again, and finally gave it to the postman. The wind is still blowing gently, with Zhang Ji's homesickness, he goes further and further.