Wen tingjun
Series: Selected Song Poems-300 classic Song Poems
Memories of Bodhisattva's Full Jade Building and Bright Moon Appearance
Looking back on the bright moon in Lou Yu, there is another village. There is grass outside the door to take you to smell Ma Si.
Painting Luo Jin Emerald, fragrant and tears. Flowers cry regularly, and green windows are full of dreams.
Brief analysis
Spring is getting warmer, the wind is getting softer, the boudoir is lonely, there is no feeling or mood, and even the swaying willow is powerless in the feeling. Every night when the building is bright, there will always be unforgettable memories that Yi can't sleep.
Distinguish and appreciate
This is the sixth sentence in the fourteen sentences of Bodhisattva Man, which shows the scene that the thinking woman is struggling to remember in the jade building and her dream is reversed. The first two paragraphs show the time, place and the identity of the hero in the poem. The willows are graceful, and it is the end of spring. The thinking woman in the boudoir, in the bright moon sky, is thinking hard about leaving people far away. The building is like white jade, with weeping willows swaying outside. Under the bright moon, the scene is very quiet. Intoxicated by the spring breeze, this should be a great Guang Chen in Chun Qing. This scene was seen by Sifu, but it taught her to regret. The word "spring weakness" describes the tenderness of spring willow, reflects the protagonist's long and deep acacia, and implies the woman's painful, trance and helpless thinking state. Write a farewell story in three or four sentences. This should be a dream that a homesick woman lingers for a long time, and it is the reappearance of the farewell plot in the dream. Outside the gate, pedestrians are far away, only the grass grows and the warbler flies, and only Ma Si can be heard in the distance. The scene of this parting moment is the most unforgettable.
Xia Tan returned to the scenery in the "Jade House" in the long night. The dead of night, trance, emptiness and silence set off the loneliness and emptiness of the protagonist. But I saw the curtain hanging, the jade color was gorgeous, the fragrance disappeared and the tears piled up. Poets are good at choosing distinctive scenery, forming a unique artistic realm and expressing the feelings of characters. These five or six sentences are examples, which not only contrast the unique mood of the character, but also imply that her beauty is unlucky. No wonder Chen Tingzhuo commented on these two sentences: "Every word is beautiful, and you can read your soul." The last two sentences went on to write what I saw and felt when I woke up at dawn. Zi Gui's crying woke up the protagonist and brought her back to real life. Purple laurel cries when the flowers fall in late spring, echoing the "graceful willows" at the beginning. "Remnant Dream Fan" is cleaning up the dream ahead. Dream in the Green Window not only describes the spring outside the window, but also describes the hero's feelings. The delicious spring grass outside the window makes readers want to see the beauty of the heroine.
This word is written far away from people, and everyone in the boudoir is affectionate. Delicate images, beautiful words, feelings from the scene, the scene blend. Although the length is short, it is thought-provoking and shows the characteristics of warm words. This is a distinctive poem in the fourteen poems of Bodhisattva Man. As Xu Zhuang said, "In the first few chapters, there were good sentences, but the whole body was unbalanced and more clear and interesting." ("Xu Zhuang Ji Man")