Ishikawa Woodpecker (1886 ~ 19 12) is a Japanese poet and novelist.
Ishikawa Ichi,1was born in Iwate Prefecture on October 28th,1886 10. Influenced by the poet and Xie Yekuan in middle school, he wrote for the poetry magazine Star edited by Xie Yekuan and began to write poems. During this period, newspapers were sold to support the victims of copper poisoning in Zuway. Later, he was appreciated by Xie Yekuan and became a member of the "New Poetry Society" led by him. 1905, published the first book of poetry "Vision", and created the novel "Cloud is a Genius" based on the life experience accumulated during my tenure as a primary school teacher, which showed the courage to innovate teaching methods.
/kloc-moved to Hokkaido in 0/907, and worked as a reporter for local newspapers in Hakodate, Otaru, Kushiro and other places to experience the hardships of the lower intellectuals' life. During this period, influenced by the naturalistic literary movement, he went to Tokyo on April 1908 to write novels with his good friend Jin Tianyi Jing Zhu. He also wrote songs to express his feelings, saying that if he were in Russia, he would die for the uprising and launch a big uprising in Japan. In terms of composition skills, inspired by the works of his best friend Tu Qishan, he changed the short song written in one line so far into a three-line writing form closely combined with the content.
1909 published the famous paper "Edible Poetry", which opposed that poetry was divorced from reality, and advocated that poets pay attention to and praise real life in a down-to-earth manner and write works that people need. A handful of sand (19 10), a collection of poems, laments the sadness of youth and the poverty of life with easy-to-understand and forceful language, which lays the foundation for the development of lyric poetry style. For example, "East Island, Tingzhou lies in white sand; Songs such as "Weeping with Tears, Playing with Crabs" are widely read by Japanese readers.
19 10, he published the article "The Status Quo of Times Blockage", pointing out that naturalistic literature has reached a dead end, and the only way to open the status quo of times blocking is to face up to state power and make an organized inspection of the "tomorrow" society. This paper is regarded as a rare document with profound historical analysis and forward-looking in the history of modern Japanese literature. 19 12 songji's "Sad Toys" was published, which included the works of 19 10/author.
From June 19 10 to June191165438, the so-called "great rebellion" occurred in Japan, and the socialist revolutionary Yukio Edano was arrested and killed. In this so-called "cold winter era" of socialism, poverty and illness are compounded in the later years, and the songs are gloomy and nihilistic, which is called "the record of gray life and thoughts". But he also described the poverty of farmers and expressed his belief that a new tomorrow would come. Flute and Whistle (191~1912) is the last poetry collection of Peckwood, which is regarded as the representative work of socialist poetry and has special significance in the history of modern literature. After endless discussion, a series of poems in the collection of poems show the anxiety of longing for revolution but difficult to realize.
The diary written by woodpecker Ishikawa (3 volumes, 1948 ~ 1949) spans from 1902 to 1965438+20 February (13 April died).
Most of the major works of Woodpecker were edited and published by Twitch Shan Yu after the author's death. 1962 China translated and published a collection of poems and novels by woodpecker Ishikawa.
Kawai Zuiming (1874— 1965) is a poet. Formerly known as Ping. Born in a small business family in Beilulong Town, Osaka. /kloc-began to approach poetry at the age of 0/3, and first tried to create chorus, haiku and folk songs. Around 1894, I got to know the poet and Xie Ye Tiegan, and gradually became active in the poetry circle. The maiden poem Bow Without String 1900. After the publication of 1904' s masterpiece Tower Shadow, it caused great repercussions. Kuku magazine, with him as the main contributor, has trained many young writers, most of whom later became famous poets. 1906 quit the library club, started the poetry and grass club and founded the poet, which promoted the development of the oral free poetry movement. Since then, his poetic style has also turned to colloquialism. 1937 was elected as a member of the Japanese Academy of Arts. His other poetry collections include Yayoi Collection (192 1) and Violet Flowers (1937).
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