Who is Hehuang? A reed hangs a branch. Who said that the realm of Song was far away? Looking forward to (3). ?
Who says the Yellow River is very wide? Knife (4) is not allowed. Who said that the realm of Song was far away? Once did not worship the DPRK [5]. [ 1]?
Annotation translation annotation?
(1) River: Yellow River. ?
(3) Reed: A raft made of reed. Hang up: pass the "gas". ?
(3) (Qi): Gu Tong "enterprise", stand on tiptoe. Here: and. ?
(4) Zeng: Yes, actually; Knife: the boat. There is no room for knives, which means that the Yellow River is too narrow for a boat. ?
5. Worship the dynasty: the last dynasty, from Dan to Shi. Describe the time is short. ?
Translation?
Who says the Yellow River is very wide? Reed rafts can fly. Who said Song was too far away? Stand on tiptoe, and you are right in front of you. ?
Who says the Yellow River is very wide? In the meantime, it is difficult to accommodate a small boat. Who said Song was too far away? Go to Shang for breakfast. [ 1]?
Editing this passage to appreciate the strange exaggeration of poetry appreciation can often exert a surprisingly strong infection effect unexpectedly. ?
Therefore, Li Bai, an ancient poet in China, described the flying snow in the northern winter and shouted: "Yanshan snowflakes are as big as seats, and they blow off Xuanyuantai one by one!" If the snow falls from the sky, what a magnificent world of rotating north wind! If it weren't for exaggeration, there wouldn't be such a thrilling spectacle. A western writer, admiring the richness of the motherland, suddenly had a whim: "Even if a cart pole is inserted there, branches and leaves will grow!" " "The richness of the earth, with this incredible exaggeration, has created a miracle that can only be seen in myth. The countless swaying green leaves and branches of the "car bar" should bring people infinite surprises and ecstasy. ?
"Feng Wei He Guang" has been circulated through the ages, and those who can do it are also surprised by its exaggeration. According to Mao Xu, the protagonist in the poem is the mother of Wei Wengong's sister. Because I miss my son, I can't violate etiquette, so I have poems. Today's researchers are not what they used to be, and regard it as a homesick work of Song people who traveled in Wei and longed to return to their parents' hometown. Because between Wei and Song, there is a magnificent and endless Yellow River, and the poem begins with a strange question about the Yellow River-"Who is it? Hang up! " ?
Wan Li River, which originated in Kunlun Mountain, was originally a magnificent and wonderful river in the eyes of the ancients. When it fell from the sky like thunder and went straight to the central plains, it had the trend of "seeing the grandeur of many rivers" and "flying first" It is ridiculous to ask such a negative question as "whose width is the river?" However, the protagonist in the poem not only doesn't care about this question, but also categorically answers: "A reed hangs on it!" He wants to fly a reed raft, and he flies over the endless river-the boldness of imagination, because the exaggeration of "a reed" has the power to break the earth. ?
Where there is strange exaggeration, there must be unusually strong feelings to rely on. Why does the protagonist in the poem face the Yellow River and have the whimsy of "a reed hanging on it"? That's because in his heart, there is an overwhelming feeling of going home at the moment. Then, "Who is Song Yuan?" Looking forward to "is launching another fantasy of grounding gas with eager homesickness." It is impossible to "see" the distant Song kingdom across the Yellow River on tiptoe, which shows that the hero's desire to return to China is not blocked by any obstacles. Strong thoughts and feelings narrowed the objective space distance between Wei and Song with extraordinary imagination. Then the small Yellow River in front of us can be crossed by reed rafts. ?
Therefore, when the second chapter of the poem actually overlaps with the exaggeration of "Who said that the river is wide and no knives are allowed", readers are no longer surprised or ridiculous, but feel that this "miracle" is completely reasonable. Strong feelings not only urge the poet to think strangely, but also urge readers to imagine boldly together: the exaggerated absurdity is dissolved by emotional identification, and the reality is "deformed" in strange feelings and thoughts. The hero image that appears in your eyes at this moment is of course no longer a figure isolated from the Yellow River, but a reed crossing a river where knives were once not allowed, and becomes a smile of "eating" happily at the home you care about. ?
The whole poem expresses tourists' homesickness with abrupt questions and strange exaggerated answers, which is the biggest feature of the artistic expression of "He Guang". Negative questioning is like the reversal of the raging waves of the Yellow River in Wang Yang; Rock-breaking exaggeration, the response is like the mainstay of the towering peaks. In the meantime, it is the deepest homesickness of mankind, which can't help but move readers through the ages. [2]?
Extended analysis: This poem should be a homesick poem written by the Song people living in Weiguo to express their urgent feelings of returning home. ?
Poetry is simple in content and obvious in meaning, with few explanations. ?
When people appreciate this poem, they must have noticed its exaggerated rhetoric, which is the tradition of China literature. "Leaving Baidi Caiyun, Jiangling will return thousands of miles a day." "The official hamster is as big as a bucket" and "I want to eat pork and talk about thirsty Hun blood!" These are the famous poems of China people. ?
As a literary creation, it is feasible to use appropriate artistic exaggeration and metaphor to enhance the appeal and arouse readers' strong feelings. However, it is ridiculous and absurd to surpass and spread to other fields, and it will become a bad habit that modern civilized people are very disgusted and despised, such as bragging and bragging. ?
Many China literati have this bad habit. They can't distinguish the boundary between literature and reality. In their daily work and life, even in the serious field of science and technology, they still retain serious associative, exaggerated and vague thinking characteristics, which our nation must overcome. In a sense, this is also a cultural feature of backward agricultural society. In today's era when modern industrial and commercial civilization is in the ascendant, such outdated thinking habits and expressions are very undesirable. ?
Reference materials?
1.？ Dictionary of pre-Qin poetry appreciation. Shanghai Dictionary Publishing House, 1998, 12, p. 24.
2.？ Dictionary of pre-Qin poetry appreciation. Shanghai Dictionary Publishing House, 1998, 12, p. 124- 125.
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