A person lives in seclusion, overlooking the city, spring is gone, summer is clear.
The grass was drowned by the rain and finally got the love of God. The rain was sunny.
Climbing on the high shelf, overlooking the distance, the sky is high and the afterglow of the sunset passes through the window lattice.
Birds' nests have been dried, and their bodies are light again.
It may not be too difficult to paint the landscape of yat sen villa more delicately. However, if we want to integrate the poet's unique feelings and moods into the description of scenery, especially if we want to imply a positive attitude towards life without trace, so that readers can be inspired ideologically, this requires the poet to "go up a storey still higher" in his ideological realm and artistic skills.
The first couplet said that he lived in seclusion, overlooking Jiacheng (Qucheng outside the city gate), and the season was early summer in Qinghe. At first glance, it seems irrelevant, and the upper and lower sentences are irrelevant. In fact, the "deep house" overlooking the city is the foothold to watch the sunset, and the quiet early summer further points out the specific season of the sunset, which can be said to be the only embodiment of this poem from both time and place-the sunset seen by Gao Lan in the early summer.
Lingnan is quiet and rainy in early summer (at this time, the poet works in Zheng Yamu, Guilin). After a long rain, it cleared up, and in the evening, everything suddenly became clear and people's spirit was completely new. This kind of sight and feeling is what ordinary people are used to and what they have. The poet's uniqueness lies in that he does not write the scene of yat sen villa in general or describe it in detail, but only takes the grass that grows in the dark and is not noticed by people, hides it in the dark with a pen in the imaginary place, and then writes his understanding and feelings about yat sen villa. After a long drought, the quiet grass meets the rain suddenly, so that it can absorb the afterglow and increase business. Excited by the scenery, the poet suddenly had the whimsy of "God pities the grass". This makes "grass" as a natural thing virtually personified, giving people rich associations. The poet himself had a similar fate, so he naturally found himself in the grass. Here is the poet's life experience. While he was gratified by his current fortune, he unexpectedly showed sadness about the past bad luck, or was comforted by the past bad luck. This naturally leads to "there is a sunny day in the world" and gives it a special meaning in life. Yat sen villa is beautiful, but it is short-lived. People often appreciate lingering and feel sorry and disappointed at its hasty passing. But the poet doesn't care about its simplicity, but only emphasizes "emphasizing the evening." From here, we can experience a feeling of cherishing beautiful and ephemeral things and a positive and optimistic attitude towards life.
The parallel couplets are vague, comprehensive and deeply entrusted, and the necklaces turn to yat sen villa paintings. In this way, reality and density alternate, and poetry appears relaxed and purposeful, rather than dull and monotonous. It's sunny after the rain, and the clouds are clear, and there is a high blue overlooking it, so the line of sight is farther, so it is said that "a shelf has been added" (this shelf is the pavilion where the poet lives). This sentence is written from the side, the scenery is written from the inside out, and the next sentence is written from the front and the angle is from the outside to the inside. The afterglow of the sunset streamed down the small window, bringing a ray of light. Because it is twilight, the light is weak and soft, so it is called "micro-note". Nevertheless, this oblique pulse still brings joy and comfort. Through the detailed description of the evening scene, this couplet writes a clear and happy mood, which makes the word "heavy" concrete.
Birds don't write homing, their posture is light and smart, or what you can see when you climb to the top. Dry Nest, Light Body, Sunny, Guifei and Evening. The return of birds usually touches the traveler's mind, but it has become a foil to the happy sunshine mood here. There is a saying in the ancient poem "Crossing the south branch of the Bird's Nest". What is written here is that birds return to their nests, which has its own meaning. If "Youcao" is a symbol of the poet's life experience of "depravity and hardship", then "Moonbird" seems to be the embodiment of the poet's good mood and refreshing.
Here, I want to explain something about the author before and after he entered Guimu. Since Li Shangyin married Wang Maoyuan in 838 (regarded as Li's party), he has been in the narrow valley of party struggle and was hated and excluded by the Niu Party. Xuanzong followed suit, and the Niudang dominated the state affairs, which made the situation worse for him. He had to leave Chang 'an and follow Zheng Ya to Guilin as an adjutant. Zheng Ya trusts him more. He can feel some warmth in the curtains. At the same time, leaving Chang 'an, the vortex of party struggle, can temporarily avoid being constantly looked down upon by the Cattle Party, which is also a kind of spiritual liberation. Because of this, there is a feeling in the poem that the grass meets the sunset and the birds return to the nest.
As a meaningful poem, the writing of "Yat Sen Qing" is closer to the "Xing" of "intentionally or unintentionally". Perhaps the poet had no clear intention to express his ambition, but when he climbed to the top of the mountain, he touched something and triggered an association. His feelings were integrated with the environment, thus integrating the feeling of understanding for a moment into the description of the late sunny scenery, so it was particularly natural and seamless.
(Liu) According to