1. Poems describing the moonlight in the countryside
"Moon over the Xijiang River" by Xin Qiji The bright moon scares the magpies on its branches, and the breeze sings the cicadas in the middle of the night.
The fragrance of rice flowers speaks of a good harvest, and the sound of frogs sounds. There are seven or eight stars in the sky, and two or three drops of rain in front of the mountain.
In the old days, by the woods of Maodian Society, I suddenly saw a bridge over a stream when the road turned. Returning to the Garden and Living in the Fields (Part 3) Tao Yuanming's "Returning to the Garden and Living in the Fields" has five poems in one poem, and this is the third of them.
On the surface, this poem is about the joy of working in the countryside and expresses the thought of retreating to the mountains and forests; but comparing this poem with other poems, the author’s "wishes" In fact, it has its special connotation. At the foot of the southern mountain where beans are planted, there are few bean seedlings in the grass.
These two sentences are written about planting beans at the foot of Nanshan Mountain. The grass is very lush but the bean seedlings are sparse. The sentence starts very plainly, like an old farmer standing there talking, which makes people feel very friendly.
In the morning, I clean up the wasteland and filth, and return with a hoe in the moonlight. In order to prevent the bean fields from becoming barren, the poet went to the fields early in the morning and came back in the evening under the moonlight.
Although it is very hard, he does not complain, which can be seen from the beautiful scenery of "returning to the hoe with the moon load". The road is narrow, the grass and trees are long, and the evening dew touches my clothes.
It is not a pity to have stains on your clothes, but your wishes are true. The road is narrow, the grass is long, and the evening dew sticks to your clothes, but what's the pity if your clothes get wet? This sentence seems plain, but this plainness exactly reflects the last sentence, "But my wish will not go against me", which makes "My wish will not go against me" fully emphasized.
The "wishes" here also contain the meaning of not losing yourself in the dirty real world. The language of this poem is very plain and natural.
"Beans are planted at the foot of the southern mountain" and "the evening dew stains my clothes" are as simple as spoken casually without any modification. This natural and plain verse is integrated into the mellow artistic conception of the whole poem, which elevates the spoken language to poetry, harmoniously unifying the plainness of the spoken language and the mellowness of the poetry, forming the plain and mellow artistic characteristics of Tao's poetry.
Tao's poems are both plain and full of interest. The interest of Tao's poems comes from freehand brushwork.
"Returning with a hoe and a lotus in the moon", although the poet returning from labor is alone, he is accompanied by a bright moon. The poet under the moon carries a hoe on his shoulder and walks through the waist-deep grass. What a beautiful picture of returning to farming on a moonlit night! It is filled with the poet's joyful mood and pride in hermitage.
"Growing beans at the foot of the southern mountain" is a plain sentence, and "returning home with a lotus in the moonlight" is a beautiful sentence; the former sentence is true, and the latter sentence is false. The whole poem complements each other with plainness and beauty, real scene and virtual scene, soft and perfect.
"Passing the Old Friend's Village" "Passing the Old Friend's Village" writes about the poet's special feelings and understanding of being in the outside world, which reflects his leisurely poetic style. This poem depicts the poet's feelings about the pastoral atmosphere.
An old friend invited me to Tian’s house with chicken and millet. A friend invited me to be a guest.
The simple and honest narration of "Going to Chicken Millet" and "Going to Tian's House" expresses the sincere feelings between old friends and is filled with the joy of Tian's family. The green trees border the village, and the green mountains and hills slope outside.
Write about the scenery of mountain villages. The village is surrounded by green trees, which is a close-up view; the green mountains outside Guo are a distant view.
As you get closer and farther away, the scenery becomes more and more open, creating a quiet and tranquil atmosphere. Open a pavilion and a garden, talk about mulberry and hemp over wine.
Write some wine gossip. As soon as the window is opened, what comes to the face is the grain farm and vegetable garden, with green trees and green mountains in the distance. Close friends are drinking wine and talking about farming, and the wind brings the smell of soil and crops.
This pastoral scenery is simply intoxicating! When the Double Ninth Festival comes, there will be chrysanthemums. The poet told his friend: I will come to your house to drink chrysanthemum wine on Double Ninth Festival.
The harmonious feelings between friends and the poet's love for the countryside are beyond words. Meng Haoran's landscape pastoral poems have made great achievements in art. He is good at using seemingly plain descriptions to create profound and lofty artistic conceptions. "Crossing the Village of My Old Friend" is a good example of his style.
It is worth emphasizing that Meng Haoran’s pastoral taste is, after all, the leisure and tranquility of feudal literati, which is essentially different from the pastoral taste of laborers. Spring Journey to Qiantang Lake by Bai Juyi North of Gushan Temple and west of Jia Pavilion, the water surface is initially flat and the clouds are low.
The poet traveled to the West Lake in the spring, from the north of Gushan Temple to the west of Jiagong Pavilion. Looking at the horizontal embankment of the lake in the distance, the white clouds were low on the water, as if he wanted to explore the water to wash. Spring is here, and the water in West Lake has risen.
In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud. As the poet walked along, he could occasionally see the early oriole flying up to the sunny branches to sing. They were still a little afraid of the cold; I don't know who's new arrival, but a pair of little swallows flew back to build their nests with mud from the water's edge.
When spring arrives in West Lake, the birds begin to become active. The random flowers are gradually enchanting the eyes, but only Asakusa has no horse hooves.
The poet saw that the wild flowers on the roadside seemed to have not bloomed yet, but soon they would bloom in colorful colors, dazzling people's eyes; the grass was already green, but the grass was not deep enough. Just buried under it. In the spring of West Lake, everything is full of vitality.
My favorite part of the lake is the east side of the lake, the white sand embankment in the shade of green poplar trees.
Finally, the poet came to the white sand embankment covered with green willows. The scenery here was so beautiful that people couldn't bear to leave for a long time, so he exclaimed: This is my favorite place! The purpose of this poem about the West Lake is not to introduce a certain scenic spot or a certain scenery, but to describe the flourishing spring on the lake from an overall perspective.
To this end, the author adopts two writing methods: 1. Describe the scenery while traveling. It starts from Gushan Temple to Jia Gongting, and ends with the White Sand Embankment of East Lake. The poet’s footprints cover most of the West Lake; 2. Combining the selection of typical examples with classification and arrangement: the four sentences in the middle are about orioles, swallows, flowers, and grass, which best reflect the spring scenery. The scenery, warblers and swallows are birds and belong to animals, while flowers and grass are plants. This choice and combination is unique.
Poets are also good at grasping the characteristics of scenery and using the most accurate and expressive words to describe and render it. In poems, water, clouds, orioles, swallows, flowers, and grass are all written like this.
Let’s take a look at the two words “increasing desire” and “talent” in “The flowers gradually become more charming, and Asakusa has no horse’s hooves.” They are very dynamic, expressing the vitality of the flowers and Asakusa. In the first six sentences, the poet has described the spring scenery of West Lake very beautifully. At the end, he said that he "favorites" the white sand embankment in the east of the lake. As for how lovely it is, except that it is "in the shade of green poplars", No description is given, and it is entirely up to the reader to associate and imagine based on the previous description, thereby achieving the effect of "infinite opinions hidden behind the words".
Poetry is precious and subtle. Such a subtle ending is even more valuable.
Mr. Shu Huyin's Bi Wang Anshi was a famous politician in my country's Northern Song Dynasty. History has mixed praise and criticism for his political achievements, but all praised his literary achievements. Many of his poems are written in a unique style and are both superb. 2. Poems describing the moonlight in the countryside
"Moon over the Xijiang River" by Xin Qiji The bright moon scares the magpies on its branches, and the breeze sings the cicadas in the middle of the night.
The fragrance of rice flowers speaks of a good harvest, and the sound of frogs sounds. There are seven or eight stars in the sky, and two or three drops of rain in front of the mountain.
In the old days, by the woods of Maodian Society, I suddenly saw a bridge over a stream when the road turned. Returning to the Garden and Living in the Fields (Part 3) There are five poems in Tao Yuanming's "Returning to the Garden and Living in the Fields", and this is the third of them.
On the surface, this poem is about the joy of working in the countryside and expresses the thought of retreating to the mountains and forests; but comparing this poem with other poems, the author’s "wishes" In fact, it has its special connotation. At the foot of the southern mountain where beans are planted, there are few bean seedlings in the grass.
These two sentences are written about planting beans at the foot of Nanshan Mountain. The grass is very lush but the bean seedlings are sparse. The sentence starts very plainly, like an old farmer standing there talking, which makes people feel very friendly.
In the morning, I clean up the wasteland and filth, and return with a hoe in the moonlight. In order to prevent the bean fields from becoming barren, the poet went to the fields early in the morning and came back in the evening under the moonlight.
Although it is very hard, he does not complain, which can be seen from the beautiful scenery of "returning to the hoe with the moon load". The road is narrow, the grass and trees are long, and the evening dew touches my clothes.
It is not a pity to have stains on your clothes, but your wishes are true. The road is narrow, the grass is long, and the evening dew sticks to your clothes, but what's the pity if your clothes get wet? This sentence may seem plain, but this plainness exactly reflects the last sentence, "But my wish will not go against me", which makes "my wish will not go against me" fully emphasized.
The "wishes" here also contain the meaning of not losing yourself in the dirty real world. The language of this poem is very plain and natural.
"Beans are planted at the foot of the southern mountain" and "the evening dew stains my clothes" are as simple as spoken casually without any modification. This natural and plain verse is integrated into the mellow artistic conception of the whole poem, which elevates the spoken language to poetry, harmoniously unifying the plainness of the spoken language and the mellowness of the poetry, forming the plain and mellow artistic characteristics of Tao's poetry.
Tao's poems are both plain and full of interest. The interest of Tao's poems comes from freehand brushwork.
"Returning with a hoe and a lotus in the moon", although the poet returning from labor is alone, he is accompanied by a bright moon. The poet under the moon carries a hoe on his shoulder and walks through the waist-deep grass. What a beautiful picture of returning to farming on a moonlit night! It is filled with the poet's joyful mood and pride in hermitage.
"Growing beans at the foot of the southern mountain" is a plain sentence, and "returning with hoeing under the moonlight" is a beautiful sentence; the former sentence is true, and the latter sentence is false. The whole poem complements each other with plainness and beauty, real scene and virtual scene, soft and perfect.
"Passing the Old Friend's Village" "Passing the Old Friend's Village" writes about the poet's special feelings and understanding of being in the outside world, which reflects his leisurely and leisurely poetic style. This poem depicts the poet's feelings about the pastoral atmosphere.
An old friend invited me to Tian’s house with chicken and millet. A friend invited me to be a guest.
The simple and honest narration of "Going to Chicken Millet" and "Going to Tian's House" expresses the sincere feelings between old friends and is filled with the joy of Tian's family. The green trees border the village, and the green mountains and hills slope outside.
Write about the scenery of mountain villages. The village is surrounded by green trees, which is a close-up view; the green mountains outside Guo are a distant view.
As you get closer and farther away, the scenery becomes more and more open, creating a quiet and tranquil atmosphere. Open a pavilion and a garden, talk about mulberry and hemp over wine.
Write some wine gossip.
As soon as the window is opened, what comes to the face is the grain farm and vegetable garden, with green trees and green mountains in the distance. Close friends are drinking wine and talking about farming, and the wind brings the smell of soil and crops.
This pastoral scenery is simply intoxicating! When the Double Ninth Festival comes, there will be chrysanthemums. The poet told his friend: I will come to your house to drink chrysanthemum wine on Double Ninth Festival.
The harmonious feelings between friends and the poet's love for the countryside are beyond words. Meng Haoran's landscape pastoral poems have made great achievements in art. He is good at using seemingly plain descriptions to create profound and lofty artistic conceptions. "Crossing the Village of My Old Friend" is a good example of his style.
It is worth emphasizing that Meng Haoran’s pastoral interest is, after all, the leisure and tranquility of feudal literati, which is essentially different from the pastoral interest of laborers. Spring Journey to Qiantang Lake by Bai Juyi North of Gushan Temple and west of Jia Pavilion, the water surface is initially flat and the clouds are low.
The poet traveled to the West Lake in the spring, from the north of Gushan Temple to the west of Jiagong Pavilion. Looking at the horizontal embankment of the lake in the distance, the white clouds were low on the water, as if he wanted to explore the water to wash. Spring is here, and the water in West Lake has risen.
In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud. As the poet walked along, he could occasionally see the early oriole flying up to the sunny branches to sing. They were still a little afraid of the cold; I don't know who's new arrival, but a pair of little swallows flew back to build their nests with mud from the water's edge.
When spring arrives in West Lake, the birds begin to become active. The random flowers are gradually enchanting the eyes, but only Asakusa has no horse hooves.
The poet saw that the wild flowers on the roadside seemed to have not bloomed yet, but soon they would bloom in colorful colors, dazzling people's eyes; the grass was already green, but the grass was not deep enough. Just buried under it. In the spring of West Lake, everything is full of vitality.
My favorite part of the lake is the east side of the lake, the white sand embankment in the shade of green poplar trees. Finally, the poet came to the white sand embankment covered with green willows. The scenery here was so beautiful that people couldn't bear to leave for a long time, so he exclaimed: This is my favorite place! The purpose of this poem about the West Lake is not to introduce a certain scenic spot or a certain scenery, but to describe the flourishing spring on the lake from an overall perspective.
To this end, the author adopts two writing methods: 1. Describe the scenery while traveling. It starts from Gushan Temple to Jia Gongting, and ends with the White Sand Embankment of East Lake. The poet’s footprints cover most of the West Lake; 2. Combining the selection of typical examples with classification and arrangement: the four sentences in the middle are about orioles, swallows, flowers, and grass, which best reflect the spring scenery. The scenery, warblers and swallows are birds and belong to animals, while flowers and grass are plants. This choice and combination is unique.
Poets are also good at grasping the characteristics of scenery and using the most accurate and expressive words to describe and render it. In poems, water, clouds, orioles, swallows, flowers, and grass are all written like this.
Let’s take a look at the two words “increasing desire” and “talent” in “The flowers gradually become more charming, and Asakusa has no horse’s hooves.” They are very dynamic, expressing the vitality of the flowers and Asakusa. In the first six sentences, the poet has described the spring scenery of West Lake very beautifully. At the end, he said that he "favorites" the white sand embankment in the east of the lake. As for how lovely it is, except that it is "in the shade of green poplars", No description is given, and it is entirely up to the reader to associate and imagine based on the previous description, thereby achieving the effect of "infinite opinions hidden behind the words".
Poetry is precious and subtle. Such a subtle ending is even more valuable.
Mr. Shu Huyin's Bi Wang Anshi was a famous politician in my country's Northern Song Dynasty. History has mixed praise and criticism for his political achievements, but all praised his literary achievements. Many of his poems are written in a unique style and are both superb. 3. Poems about the moonlight in the countryside
Asking the Moon about Wine Author: Li Bai When will the moonlight come in the blue sky, I will stop drinking today and ask.
People cannot reach the bright moon, but the moon travels with people. The bright sky is as bright as a flying mirror approaching Danque, and the green smoke extinguishes the clear brilliance.
But when I see the night coming from the sea, I would rather know that it has disappeared into the clouds. The white rabbit makes medicine, autumn returns to spring, who is Chang'e living alone next to?
People today do not see the moon of ancient times, but today’s moon once illuminated the ancients. People in ancient times and today are like water flowing, and it is the same when they look at the bright moon.
I only wish that the moonlight would always shine in the golden cup while singing and drinking. There is a bright moon on the sea, and the end of the world is at this moment.
——Zhang Jiuling "Looking at the Moon and Huaiyuan" The bright moon rises from the Tianshan Mountains, among the vast sea of ??clouds. ——Li Bai "Moon over the Mountain" I sing and the moon wanders, and my dancing shadows are scattered.
——Li Bai's "Drinking Alone under the Moon" The bright moon hangs in the autumn sky, moistened with lustrous dew. ——Meng Haoran's "Feelings under the Moon at Autumn Night" Jade Rabbit (I purposely climb up the stairs to see the Jade Rabbit, who puts up a curtain to cover the silver tower - Xin Qiji) Luminous Light (What is the virtue of luminous light? After death, it also brings nourishment? - Qu Yuan) Su'e (Su'e is the moon) Another name - "Young Learning Qionglin") Ice Wheel (the jade hook determines who hangs it, the ice wheel has no trace - Lu You) Moon (the moon rolls over the dew and wet the light, the Luan meets the osmanthus on the road - Li He) Yu Chan (Cold toad) Outside the mist at night, there are three or five jade toads in autumn - Fang Qian) Gui Po (Gui Po flies to the place where the light shines, and soaks the autumn green for a day in the cold - Su Shi) Toad (Fujian sails away, the toad is reunited after losing money - Jia Dao) Gu Tu (Yangcrow has not yet come out of the valley, Gu Tu is half-hiding - Li Bai) Chanjuan (I hope that life will last forever, and thousands of miles will be with me - Su Shi. 4. Poems describing the moonlight in the countryside
Xijiang Moon" Xin Qiji's bright moon leaves the branches startled, and the cicadas chirp in the breeze in the middle of the night.
The fragrance of rice flowers speaks of a good harvest, and the sound of frogs sounds. There are seven or eight stars in the sky, and two or three drops of rain in front of the mountain.
In the old days, by the woods of Maodian Society, I suddenly saw a bridge over a stream when the road turned. Returning to the Garden and Living in the Fields (Part 3) Tao Yuanming's "Returning to the Garden and Living in the Fields" has five poems in one poem, and this is the third of them.
On the surface, this poem is about the joy of working in the countryside and expresses the thought of retreating to the mountains and forests; but comparing this poem with other poems, the author’s "wishes" In fact, it has its special connotation. At the foot of the southern mountain where beans are planted, there are few bean seedlings in the grass.
These two sentences are written about planting beans at the foot of Nanshan Mountain. The grass is very lush but the bean seedlings are sparse. The sentence starts very plainly, like an old farmer standing there talking, which makes people feel very friendly.
In the morning, I clean up the wasteland and filth, and return with a hoe in the moonlight. In order to prevent the bean fields from becoming barren, the poet went to the fields early in the morning and came back in the evening under the moonlight.
Although it is very hard, he does not complain, which can be seen from the beautiful scenery of "returning to the hoe with the moon load". The road is narrow, the grass and trees are long, and the evening dew touches my clothes.
It is not a pity to have stains on your clothes, but your wishes are true. The road is narrow, the grass is long, and the evening dew sticks to your clothes, but what's the pity if your clothes get wet? This sentence seems plain, but this plainness exactly reflects the last sentence, "But my wish will not go against me", which makes "My wish will not go against me" fully emphasized.
The "wishes" here also contain the meaning of not losing yourself in the dirty real world. The language of this poem is very plain and natural.
"Beans are planted at the foot of the southern mountain" and "the evening dew stains my clothes" are as simple as spoken casually without any modification. This natural and plain verse is integrated into the mellow artistic conception of the whole poem, which elevates the spoken language to poetry, harmoniously unifying the plainness of the spoken language and the mellowness of the poetry, forming the plain and mellow artistic characteristics of Tao's poetry.
Tao's poems are both plain and full of interest. The interest of Tao's poems comes from freehand brushwork.
"Returning with a hoe and a lotus in the moon", although the poet returning from labor is alone, he is accompanied by a bright moon. The poet under the moon carries a hoe on his shoulder and walks through the waist-deep grass. What a beautiful picture of returning to farming on a moonlit night! It is filled with the poet's joyful mood and pride in hermitage.
"Growing beans at the foot of the southern mountain" is a plain sentence, and "returning home with a lotus in the moonlight" is a beautiful sentence; the former sentence is true, and the latter sentence is false. The whole poem complements each other with plainness and beauty, real scene and virtual scene, soft and perfect.
"Passing the Old Friend's Village" "Passing the Old Friend's Village" writes about the poet's special feelings and understanding of being in the outside world, which reflects his leisurely poetic style. This poem depicts the poet's feelings about the pastoral atmosphere.
An old friend invited me to Tian’s house with chicken and millet. A friend invited me to be a guest.
The simple and honest narration of "Going to Chicken Millet" and "Going to Tian's House" expresses the sincere feelings between old friends and is filled with the joy of Tian's family. The green trees border the village, and the green mountains and hills slope outside.
Write about the scenery of mountain villages. The village is surrounded by green trees, which is a close-up view; the green mountains outside Guo are a distant view.
As you get closer and farther away, the scenery becomes more and more open, creating a quiet and tranquil atmosphere. Open a pavilion and a garden, talk about mulberry and hemp over wine.
Write some wine gossip. As soon as the window is opened, what comes to the face is the grain farm and vegetable garden, with green trees and green mountains in the distance. Close friends are drinking wine and talking about farming, and the wind brings the smell of soil and crops.
This pastoral scenery is simply intoxicating! When the Double Ninth Festival comes, there will be chrysanthemums. The poet told his friend: I will come to your house to drink chrysanthemum wine on Double Ninth Festival.
The harmonious feelings between friends and the poet's love for the countryside are beyond words. Meng Haoran's landscape pastoral poems have made great achievements in art. He is good at using seemingly plain descriptions to create profound and lofty artistic conceptions. "Crossing the Village of My Old Friend" is a good example of his style.
It is worth emphasizing that Meng Haoran’s pastoral interest is, after all, the leisure and tranquility of feudal literati, which is essentially different from the pastoral interest of laborers. Spring Journey to Qiantang Lake by Bai Juyi North of Gushan Temple and west of Jia Pavilion, the water surface is initially flat and the clouds are low.
The poet traveled to the West Lake in the spring, from the north of Gushan Temple to the west of Jiagong Pavilion. Looking at the horizontal embankment of the lake in the distance, the white clouds were low on the water, as if he wanted to explore the water to wash. Spring is here, and the water in West Lake has risen.
In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud. As the poet walked along, he could occasionally see the early oriole flying up to the sunny branches to sing. They were still a little afraid of the cold; I don't know who's new arrival, but a pair of little swallows flew back to build their nests with mud from the water's edge.
When spring arrives in West Lake, the birds begin to become active. The random flowers are gradually enchanting the eyes, but only Asakusa has no horse hooves.
The poet saw that the wild flowers on the roadside seemed to have not bloomed yet, but soon they would bloom in colorful colors, dazzling people's eyes; the grass was already green, but the grass was not deep enough. Just buried under it. In the spring of West Lake, everything is full of vitality.
My favorite part of the lake is the east side of the lake, the white sand embankment in the shade of green poplar trees. Finally, the poet came to the white sand embankment covered with green willows. The scenery here was so beautiful that people couldn't bear to leave for a long time, so he exclaimed: This is my favorite place! The purpose of this poem about the West Lake is not to introduce a certain scenic spot or a certain scene, but to describe the flourishing spring on the lake from an overall perspective.
To this end, the author adopts two writing methods: 1. Describe the scenery while traveling. It starts from Gushan Temple to Jia Gongting, and ends with the White Sand Embankment of East Lake. The poet’s footprints cover most of the West Lake; 2. Combining the selection of typical examples with classification and arrangement: the four sentences in the middle are about orioles, swallows, flowers, and grass, which best reflect the spring scenery. The scenery, warblers and swallows are birds and belong to animals, while flowers and grass are plants. This choice and combination is unique.
Poets are also good at grasping the characteristics of scenery and using the most accurate and expressive words to describe and render it. In poems, water, clouds, orioles, swallows, flowers, and grass are all written like this.
Let’s take a look at the two words “increasing desire” and “talent” in “The flowers gradually become more charming, and Asakusa has no horse’s hooves.” They are very dynamic, expressing the vitality of the flowers and Asakusa. In the first six sentences, the poet has described the spring scenery of West Lake very beautifully. At the end, he said that he "favorites" the white sand embankment in the east of the lake. As for how lovely it is, except that it is "in the shade of green poplars", No description is given, and it is entirely up to the reader to associate and imagine based on the previous description, thereby achieving the effect of "infinite opinions hidden behind the words".
Poetry is precious and subtle. Such a subtle ending is even more valuable.
Mr. Shu Huyin's Bi Wang Anshi was a famous politician in my country's Northern Song Dynasty. History has mixed praise and criticism for his political achievements, but all praised his literary achievements. Many of his poems and essays are written in a unique style and possess superb literary style. 5. What are the sentences describing the night scene in the countryside in ancient poems?
In "The Story of Yueyang Tower", the sentence describing the "night scene in Dongting" is: If the rain is falling, the moon is not open, the Yin Gang is howling, and the turbid waves are rowing. Empty
Du Mu's "Autumn Evening": The cold autumn light of silver candles paints the screen, and the light fan blows at the flowing fireflies. The sky is as cold as water at night. I lie down and watch the Altair and Vega.
After all the hardships, the stars are scattered all around.
Untitled Li Shangyin
Last night’s stars and last night’s wind, To the west of the painting building and to the east of Guitang.
Without a colorful phoenix flying in the body, my heart is still connected?
The next seat will be warmed by spring wine, and the red wax lamp will shine on each seat.
I listened to the drum and went to answer the official's request, and walked away to follow the ɡ pyrimidine?
The sky is high and the air is cold, and the Liesu Sen is in place. The big stars are shining, and the small stars are making a fuss. The vastness and uncertainty make me sigh.
Traveling at Night in Shuhuai
[Du Fu]
The shore is covered with fine grass and the breeze blows, and the boat is alone at night against the dangerous wall.
The stars hang down over the vast plains, and the moon surges across the river.
It’s not like writing articles, officials should retire due to old age and illness.
What does Piao Piao look like? There is a sandy gull in the sky and the earth.
Xijiang Moon
Xin Qiji
Walking along the yellow sand road at night
The snipe carries the swan and the guaniu?
The fragrance of rice flowers speaks of a good harvest, and the sound of frogs sounds.
Seven or eight stars are outside the sky, and two or three points of rain are in front of the mountain.
In the old days, by the forest of Maodian Society, I suddenly saw a bridge over a stream when the road turned.
Man Ting Fang · Night Thoughts
The stars are ruthless, the Milky Way is intentional, and we meet in the southeast and northwest!
Looking outside the customs, you can’t remember the old dormitories.
We talked about the mountains and rivers in our childhood, we have seen each other several times, and we have friends from the east and west.
After staying away for a longer time, I pushed the cup to change the cup, and my cheeks were red with dimples.
Li Shangyin
The candle shadow on the mica screen is deep, the Milky Way is gradually setting and the stars are sinking
Chang'e should regret stealing the elixir, and the blue sea and blue sky are in my heart every night
"Preface to Prince Teng's Pavilion" by Wang Bo
The old county of Yuzhang and the new mansion of Hongdu. The stars are divided into wings, and the ground is connected to Henglu.
What I saw in the boat night book·Cha Shenxing
When the moon is dark, I can see the fishing lanterns, and the lone light is a little firefly.
The gentle breeze stirred up the waves, scattering stars all over the river.
Shen Deqian - "Night Mooring on the Maple River"
Following the wild geese in the wild, it was the first night to leave home. The stars are in chaos, and I know it is Bo Fengqiao.
BMW's carved cars fill the road with fragrance. The phoenix flute sounded, the jade pot turned light, and fish and dragons danced all night.
Li Bai
The dangerous building is a hundred feet high, and you can pick the stars with your hands.
Don’t dare to speak loudly for fear of frightening the heavens.
Nineteen Ancient Poems
The distant Altair star, the bright river, the Han girl.
Slender and simple hands, playing tricks on the machine.
I can’t make up my mind all day long, crying like rain.
The river is clear and shallow, only a few degrees farther away.