What is the full text of Sima Xiangru's Changmen Fu?

When Changmen Fu is combined with Emperor Chen, it is lucky, but it is also harmful. Don't feel sad at Nagato Palace. According to legend, people in Shujun, Chengdu, have made works in the world, offering 100 Jin of gold as their relatives to get wine and solve their worries because of words. And phase is like understanding the Lord's words. Queen Chen is lucky to be back. In his words, he said: the husband is a beautiful woman, walking freely for his own fear, his soul is excessively sad but not rebellious, haggard and living alone. Say "I will come sooner or later", eat and drink happily and forget people, forget things when you are sad, but don't forget things, so I made friends and went on blind dates. My ambition is slow and stupid, and I take pleasure in my virginity. I am willing to ask questions and make progress, and I will get the jade sound of Zunjun. I hope my empty words are sincere. I will leave the palace in the south of the city. Repair thin tools and set yourself up, but you refuse to be lucky. The outline dives alone and is specialized, the sky floats and the wind blows, and you can see it from a distance on Lantai, and you can wander and commit adultery. Clouds are gloomy and crowded, the sky is overcast, and thunder rumbles like the sound of a car. Floating back to the boudoir, lifting the curtain, the osmanthus trees compete for fragrance, the fragrance disappears the jade, the peacock sings harmoniously, the mysterious ape sings, the jade comes from the wings, and the husband and wife are fragrant, north and south. When the heart is uncomfortable, evil spirits attack. Go to Lantai and take your time in the palace. The main hall is gloomy and full of worship. By the east wing, the husband is decadent. Squeeze the jade gate and shake the gold shop, which sounds like a silver bell. Carved Mulan thought it was a dream, decorated with satellites and beams, and Luo Shuzhi's behavior dream, leaving the building and the road to support each other, giving a rose-colored wood a dream, and the Committee and the beam staggered. It seems that things have changed, like stones. The five colors are dazzling and shine against each other. Right or wrong stone, just like tortoise shell. Qi's curtains are hung. The connection of the Chuichu Formation. Stroking the lintel calmly, you can see the center of the platform. White cranes cry sadly, lonely in the withered poplar, looking at dusk, leaving an empty hall alone. Hang the bright moon and look at yourself, and stay in the bridal chamber for the night. Ya Qin's aid is mainly tone sandhi, which can't last long, but the case turned to Xi, with a beautiful voice and generosity. Weeping around, tears flowing. Relax and increase, stumble and hesitate. I waited a long time to feel sorry for myself and count my past sorrows. I was ashamed to show up, so I went to bed with a depressed mood. If you think it is a pillow, then the orchid in the spring is fragrant. Suddenly falling asleep and dreaming, the spirit is like a gentleman. If you feel it and don't see it, the soul will die. When a chicken crows, it worries about the moon. The audience is among the stars, and the blue clouds come from the East. Looking into the atrium, it looks like autumn frost in four seasons. At night, when I am old, I can't suppress it any more. Wait until dawn, and your eyesight will be restored. My wife feels sorry for herself secretly, but she dare not forget her age. Changmen Fu first appeared in Selected Works of Zhaoming with the title of Sima Xiangru. The preface says that Chen Ajiao, the queen of Emperor Wu of the Han Dynasty, fell out of favor because of jealousy and lived in Nagato Palace. She asked Sima Xiangru to write a poem with 100 Jin of gold, hoping to impress Emperor Wu. After reading the poem, Emperor Wu actually doted on Gillian. Because the preface is called "filial piety to Emperor Wu" from the beginning, this is posthumous title after Liu Che. Sima Xiangru died before Liang Wudi, so it was impossible to predict the funeral. "Good fortune again" was inconsistent with historical facts, so later generations often didn't believe that this gift was written by Sima Xiangru. Gu thinks this Fu is "a masterpiece of later generations" (see Record of the Day, Volume 19). But there are also opposing opinions. Zhang Huiyan said, "This article can't be written unless it is similar.". The author thinks that many fu works in the Han Dynasty were preserved by Hanshu and Houhanshu, and when these works were included in the history books, they often had some explanatory words, so later generations took this as the order. Although "Changmen Fu" has not been seen in historical biography, it is very simple and possible for editors to imitate historians' preface. The fact that Sima Xiangru didn't write a preface can't prove that this essay is forged. Some people say that this poem "has nothing to do with Empress Chen's fall from grace". The author thinks that Queen Chen's fall from grace is not only a problem of Nagato's proposition, but also a problem of the work itself. Of course, literary works with historical events as the theme can completely break through the shackles of historical facts. As long as we don't equate the protagonist and historical figures in Fu, we can understand it in this way, although it is only an exaggeration for future generations to love this Fu. Fu can be roughly divided into three layers. The first layer, from the beginning to "You Refuse Luck", has been written about the pain of Queen Chen being abandoned. At the beginning of the article, I asked: Why do beautiful women wander around to eliminate their troubles, and they are so excited that they are haggard and lonely? Opening the first four sentences with the word "he" in one breath, the image of an unfortunate woman who is so sad that she is insane has attracted readers' attention. Then explain the reasons from two aspects: first, the spouse reneges on his word and transfers love; The second is infatuation, I hope my husband will come back, and finally I am disappointed. The second layer, from "loneliness and specialization" to "loneliness and loneliness", specifically describes the pain of Queen Chen's abandonment-loneliness and loneliness. The article uses floating wind, heavy clouds, graceful sky and talking thunder to render a depressing and uncomfortable depressing atmosphere. In a trance, she mistook the thunder for the sound of the king's car. When she realized that it was the wind that affected everything, not people, she seemed to wake up from the illusion. Thus, the dense handover of osmanthus branches, the gathering of birds and the echo of apes made her realize her loneliness. She wandered around the palace with terrible loneliness. However, there is nothing in the deserted palace that can warm people's hearts: the halls are grand and inaccessible. There are countless small and exquisite ornaments in the east wing, but they just show off their beauty without sympathy. On the door of the temple, the lock ring sounds like a pet bell, and there is no gentle voice of intimacy. At the top of the hall are rafters, beams and rafters. Although it is beautiful, it is as high as a stone mountain and cannot be persistent. The underground is a five-color staggered stone with beautiful and neat patterns, but it looks pale because of the emptiness of the curtains. Touching the lintel and looking out, it is the Qutai Hall connected with Weiyang Palace (the emperor's yamen), which is far away and difficult to reach. All these constitute a vast but empty, gorgeous but cold artistic conception, which makes people feel sad. Therefore, the crane "audible in the sky" sounds like crying to her; The lonely female bird on the withered poplar tree in the evening sunset looks as pitiful as herself. How lonely she should be! The third layer, from "hanging the bright moon to taking pictures" to the end of the article, specifically describes the other two aspects of Queen Chen's mental pain: desolation and emptiness. Evening is the time when couples used to sing together. She used to hang herself in front of the mirror. Although all dressed up neatly, she can only spend the night alone. She used the piano to vent her sadness, but the sound of the piano actually urged the girls to cry, and the weight of her sadness can be imagined. How can she not sigh and choke again and again? She took all the blame for her misfortune on herself, counted her mistakes and covered her face with shame. This kind of remorse shows her virtue, and more importantly, she can't get rid of the prisoner-like life pain. Therefore, her "going to bed" is not an act of psychological calm after unloading the burden, nor is it a break with the feeling of "no longer in love"; It is a sign of helplessness, a gasp in pain, and a release when you are short of breath. Only in this way, when she suddenly fell asleep, she seemed to feel that the king was still with her, and then when she woke up, she fell into an empty valley like a slouches. In the quiet night, the crowing of pheasants made her feel the ethereal sound, the fresh stars made her feel the deep ethereal sky, the moonlight in the atrium made her feel the ethereal palace, and even the endless night gave people a feeling that the pace of time was too unrealistic. It uses concrete things to write empty sounds, colors and shapes, making the melancholy pain of Queen Chen something that readers can hear and see clearly, and gaining people's sympathy. Prose has a complete structure and clear levels. Its first layer is general writing and general writing, while the second and third layers are divided writing and specific writing. The first layer is about the causes of pain, and the second and third layers are about the manifestations of pain. The article concretizes the pain into four feelings of loneliness, loneliness, desolation and emptiness, which run through the activities of Queen Chen in one day. In this way, a horizontal line juxtaposes different feelings, and a vertical line shows the activities of characters in chronological order. These activities are: from "day" to "dusk", visit Lantai and go around Lantai. From The Riverside Scene at Qingming Festival to Seeing the Light Again, I helped Ya Qin express his feelings and hesitation after waking up. At the end of the article, it is said that "you will recover your eyesight after being abandoned", suggesting that the next day is as boring and difficult as the day when you wrote your composition in detail, so that your words are endless. The protagonist of the prose evokes the reader's feelings, not his love and respect for her, but his sympathy and pity. Therefore, what really touched her was not her gentle and honest personality, her complaints without anger and self-denial, and so on. According to the so-called aesthetic principle of "neutralization" in Han Dynasty, it is not the similar life experience and feelings caused by her unfortunate experience, but the highly harmonious beauty of her complex emotional cohabitation environment and atmosphere, which is the life summary and artistic appeal of this image. Fu writers write about the inner pain of Queen Chen, which is a very abstract description object. It is difficult to accurately convey to readers and leave a deep impression. In order to avoid abstraction and conceptualization, Fu does not adopt the rigid statement of ordinary Han Fu works, but expresses emotions through scenery, melting the complex feelings of the protagonist into clear landscape pictures and turning them into artistic images and artistic conception that readers can perceive. In this respect, it inherits Chu Ci and has its own characteristics. For example, it and Song Yu's Nine Arguments are both masterpieces with mixed scenes, but the setting of Nine Arguments is to directly express the atmosphere for the characters. However, Longmen Fu blends natural scenery into complex life images as the background of characters' activities, so that readers can feel the feelings immersed in the scenery and thus perceive the thoughts and emotions of the protagonist. The picture it wrote is like this: (1) The natural scene of the Fengyun bird tree seen by Queen Chen on the stage. It is characterized by gloom and boredom, giving people a feeling of tension and discomfort, which is used to express the loneliness of the protagonist. (2) Zhou Lan saw the tall, profound, exquisite and gorgeous palace view. It is characterized by solemnity and meticulous workmanship, giving people a feeling of being closed and complicated, which is most suitable for rendering the loneliness of the protagonist. (3) The picture of the bride's life in the clear night, crying and worrying about the explosion. It is characterized by coldness and sadness, and its mood is completely consistent with the desolation of the characters. (4) The night view of the cold starry sky court in Bai Yue. It is characterized by quietness, which sets off people's inner emptiness. In a word, every scene has the activities of the characters, which are expressed through the feelings of the protagonist, thus showing the highly harmonious beauty of the unified integration of scene and emotion. Here, all the scenery is stained with a strong color of sadness, and sadness adds weight and concentration in the realm of depression, claustrophobia and loneliness, showing an aesthetic style basically consistent with the "sadness is beauty" in Chu Ci, which is different from the grand outline of Da Fu. Zhu said that "this article is ancient and strange, and it is close to Chu Ci" refers to its characteristics. "Justice in Shi Mao" said: "His poems and poems reach Chen Qi directly, but they are all ci-fu." The grievances written in "Changmen Fu" are straightforward: "I will come when I say it, leave when I say it, eat when I say it, forget people when I say it, move when I say it, and have no feelings. I will make friends and have a blind date. " "I made my own thin tools, but you refused to be lucky." Poetry can leave enough room for imagination by using artistic techniques such as contrast and contrast, thus showing the beauty of graceful songs, while "Longmen Fu" uses techniques such as line drawing and direct expression. Of course, its sketch is not a purely objective reflection, but is saturated with strong feelings; Its lyricism is also a mixture of admiration for truth, goodness, beauty and ugliness, which contains the feudal society's perception of life and correct aesthetic evaluation, so it has exciting emotional power. In addition, the use of the word "Xi" every other sentence enhances the charm of chanting and shows a long and profound emotional beauty. There is no lack of rhyme in excellent lyric poetry, and the beauty of rhyme in Changmen Fu even exceeds that of ordinary Dafu. Here, I only compare the main features of the two works. Because of its high artistic expression and critical significance to the feudal system and feudal ethics, the poem "Changmen Fu" has always been read by people, and it is a masterpiece of ancient lyric poetry. Changmen Fu is the earliest and most successful work on the theme of palace resentment. Ban Jieyu's "Self-mourning" was influenced by many poems about spring and palace style after the Six Dynasties, especially in the Tang Dynasty. Li Bai's Yuefu poem Bai Tou Yin and Xin Qiji's ci Fish also sang the story of Fu. Therefore, Longmen Fu is an influential and excellent work in the history of China literature, which is worth reading.