Being natural and plain is the life interest of Tao Yuanming, and it is also the overall artistic feature of his poems. Tao Yuanming recorded his inner world sincerely with inner monologue language and line drawing. There is no fascinating language in the poem, no tortuous structure in the poem, no impressive momentum, but like "spring rain moistens things silently", every word moistens the reader's heart. In addition, because of his noble personality and profound life experience, when he first wrote without carving a stroke, he was very infectious and unpretentious, just like his original life. Before him, many poets were very concerned about state affairs, and their poems also expressed important themes. Only Tao Yuanming attaches importance to selecting common "common things", small, ordinary and ordinary things to describe the lives of ordinary people. He also focuses on the state of mind and understands the state of mind of life and official career. For example, the images that often appear in poetry, such as pine trees, autumn chrysanthemums, lonely clouds and birds, are all too common. They are both objective images and carriers of the poet's subjective feelings.
"Drinking" Part V: "What can you do? Self-prejudice in the Distance is not only an answer to other people's questions, but also a summary of one's own experience. This is because he cut off secular contacts and was not disturbed by the outside world, and his mood was naturally calm. "The second half of the poem, through the scenery I saw when picking chrysanthemums, expressed my joy in finding the true meaning of life. Raise your hand and cast your foot, and your heart meets the mountain. The scenery and artistic conception returning to sunshine are harmonious and unified, plain and natural, and the language is usually unpretentious, but it is beautiful in plain.