Poet: Gong Zizhen
Only the great explosive power of lightning can make the land of China exude vitality, but the social and political situation is not angry, but a kind of sadness.
I suggest that God stand up again and give full play to his talents.
To annotate ...
1, Kyushu: China.
2. Wind and thunder: social changes are like thunder and lightning.
3, angry: a lively situation.
4. rely on.
5. Hey (yρn): There is no sound.
6. Wanma Qi Qi: This is a metaphor, which shows that the social and political situation is lifeless.
7. Research: After all, after all.
8. providence: the creator also represents the emperor.
9. weight: weight.
10, come on: come on.
1 1, detention: constraint, bondage.
12, Health: Birth.
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China is so big and full of vitality, but also depends on reform. After all, it is heartbreaking. I advise the emperor to rally, don't stick to certain specifications, and send more talents.
Make an appreciative comment
This is an excellent political poem. The whole poem has distinct levels, which are divided into three levels: the first level is about the realistic society in which thousands of troops and horses are harmonious and the ruling and opposition parties are silent. On the second level, the poet pointed out that to change this dreary and decadent situation, we must rely on the great power of storms. For example, to make China full of vitality, it is necessary to undergo magnificent social changes. Third, the poet believes that such strength comes from talents, and what the court should do is to recommend talents in an exceptional way. Only in this way can there be hope for China.
Subjective images such as "Kyushu", "Fenglei", "Wanma" and "Tiangong" are chosen in the poem, which have profound implications and are magnificent.
The first two sentences of this poem use two metaphors to express the poet's views on the situation in China at that time. "Harmony of thousands of troops and horses" means that under the decadent and cruel reactionary rule, thoughts are imprisoned, talents are stifled, and the reality of drowsiness, vulgarity, ignorance, silence and suffocation is everywhere. "Wind and thunder" is a metaphor for emerging social forces and sharp and violent reforms. Focus on the overall situation, focus on the whole, majestic, majestic and profound artistic realm. The last two sentences of the poem, "I urge God to be energetic again and drop talents in an unconventional way", are well-known sentences. The poet expressed his ardent hope with his peculiar imagination. He is looking forward to the emergence of outstanding figures, to the formation of new "storms" and new vitality in the general trend of reform, and to sweeping away the dreary and depressed situation in Kyushu, exposing contradictions, criticizing reality, looking forward to the future and being full of ideals. It is unique, unique, calling for change and the future.
Extension:
Creation background
Gong Zizhen has lived in Beijing for a long time, and only when Cao is idle does she look tall and heroic. Because her father is over 70 years old, her uncle, father-in-law Wen, was appointed as the minister of rites, which is an avoidable example. So she begged for support, returned on April 23, resigned and returned to the south, left Beijing, and arrived at home in Hangzhou on July 9. After that, I went to Kunshan County, Suzhou, and made a feather mountain pavilion to settle down. On September 15, I went north to meet and greet my wife and children who had left Beijing in Gu 'an County, Hebei Province. 1/kloc-0 returned to the south with his wife, He Jiyun, (Chang Mi), Tao (Nianmi) and A Xin, and arrived at the badminton court on1February 26th (1840 65438+1October 30th). During the half-year trip from south to north, the author wrote 3 15 quatrains, named "Ji Hai Za Shi". In the 20th year of Daoguang (1840), the author wrote The Book with Wu Hongsheng (12) to discuss the writing process and content of this group of poems, saying, "My brother left the capital last year and suddenly broke the poem. Every time he wrote a poem, he wrote it on the account paper with a brush, threw it in a broken book, and traveled nine thousand miles back and forth until the 26th of the twelfth lunar month. Among them are poems about leaving Beijing, begging for food in Tianjin, remembering Hong Sheng, and Yuan Puji's adventure poems. You have to copy a whole point and send it to you. Don't read the Moon Heart ten times, and don't even sit down and eat. " Wu Changshou's Chronicle of Mr. Shi Ding said: "I wrote my mental journey on the way, and I also wrote 315 quatrains about the past, named Ji Hai Za Shi, for textual research."
Brief introduction of the author
Gong Zizhen (1792— 184 1) was born in Ding 'an. Renhe (now Hangzhou, Zhejiang) was born. In his later years, he lived in Yushan Pavilion in Kunshan, also known as Yushan people. Thinker, poet, writer and reformist pioneer in Qing Dynasty. Promoted at the age of 27, Jinshi at the age of 38. He used to be cabinet secretary, director of Zongrenyuan, and director of etiquette department. He advocated abolishing graft and resisting foreign aggression, and once fully supported Lin Zexu to ban opium. He resigned at the age of 48 and returned to the south. The following year, he died suddenly at Yunyang Academy in Danyang, Jiangsu. His poems advocated "changing the law" and "changing the painting", exposed the corruption of the Qing rulers, and were full of patriotic enthusiasm. They were praised by Liu Yazi as "the first class in three hundred years". He is the author of Ding 'an Anthology, with more than 300 articles and nearly 800 poems. There is the Complete Works of Ding 'an.