Classical poems about the Spring Festival

The classic poems about the Spring Festival are as follows.

In Wang Anshi's January Day, one-year-old firecrackers, spring breeze send warm into Tu Su. The rising sun sheds light on doors of each household, New peachwood charm is put up to replace the old. 1069, Wang Anshi was appointed as deputy prime minister, in charge of political reform. In the Spring Festival of the same year, Wang Anshi saw that every household was busy with the Spring Festival, and it was a new atmosphere. So he wrote this song "January Day", which expressed Wang Anshi's confidence in reform and his vision for the future of the country through the description of "New Year's New Atmosphere".

The first sentence of the poem is about the scene of the Spring Festival, and the second sentence is about the breath of spring. The third sentence says that every household is bathed in the light of the morning sun in early spring, showing a yearning for a better future; The Last Residence shows the poet's satisfaction and joy at the victory of political reform and the improvement of people's life.

Gao Shi's "Working Beyond Night" hotel is too cold to sleep, and the guest's heart turns sad. My hometown is thinking thousands of miles tonight, and it is another year of the Ming Dynasty. Spring Festival on New Year's Eve is a time for reunion, but not everyone can be reunited with their families. On this day, there are still people wandering in the end of the world, or staying in the post station and spending the night alone.

There were many such poems in the Tang Dynasty, and Gao Shi's Night Walk is the most typical one. Chinese New Year is the happiest thing for children, but for adults, it means getting one year older and getting old.

Wang Wan is a berth at the foot of Beibao Mountain. Under the green hill, we meander, and my boat and I follow the green water. Until the river bank widens at low tide, and no wind blows my lonely sail. ... night gives way to the ocean of the sun, and the old year melts in freshness. I can finally send my messenger, the wild goose, back to Luoyang. Wang Wan's "The Next Stop on the North Fort Mountain" is also a wandering scene, but the scene in the poem is not as bleak as "Night Walk", but contains some positive factors.

The third triple "... the night now gives way to the ocean of the sun, and the old year melts into something new." Take "the sun" and "spring" as symbols of new and beautiful things. The author has no intention of reasoning, but when describing landscapes and festivals, he contains a natural interest in reasoning. The sea is born in the dead of night, which will drive away the darkness; Jiang Chun, the "spring" of river scenery, will break into the old year and drive away the severe winter.