The promotion is very small, and the mourning is very touching.
Grass roots can't sing steadily, and there is a blind date under the bed.
A long-time guest has no tears, but it is difficult to let his wife go in the morning.
Worry and worry, gratitude is different and naive.
Translation:
Cricket's cry is very subtle, and the sad voice is so touching!
It barked badly in the cold grass, and moved to bed to bark, as if it were in my mood.
Alas, I have been away from home for a long time. How can I cry when I can't hear the sound? Abandoned women or widows can hardly sleep at midnight until dawn.
Thinking of the sad silk songs and passionate wind music is not as touching as this naive voice.
This poem is a true portrayal of the poet's sad mood at that time. The front of the first sentence is clear and concise, and the contrast between the second sentence "very subtle" and "how touching" sets off an unusual moan.
Express feelings with scenery, and enter feelings with scenery. Write a sentence or two about the natural environment, the trees are rustling, the cold sounds are bursting, and the autumn wind is Qiu Jiang, conveying the feeling of wandering and desolation; The last two sentences are nostalgia, and the children at home may still be playing cricket late at night. When I am lonely, I fantasize about my family. The scenery of Xiaosuo reminds me of the fun of playing.
What you read in the night book [? Song dynasty? ] Ye Shaoweng
The rustling leaves send the cold sound, and the autumn wind moves the guests on the river.
I know that children choose to promote weaving, and a lamp fell on the fence at night.
Translation:
The rustling autumn wind blows the leaves of the phoenix tree, bringing a chill. The autumn wind blows from the river, making me miss my hometown when I am in a foreign land.
Several children at home are still playing cricket in high spirits! The light is still on in the dead of night, and I refuse to sleep.
The poem "What I See in the Night Book" interweaves the author's sadness, warmth and joy. We can appreciate it from nine aspects to express the aestheticism of the ancient poem "What I saw in the night book".
The understanding of the whole poem should be: (title) Write what you miss on a lonely night.
The rustling autumn wind blows the leaves, bringing chills, and poets who are traveling abroad can't help but miss their hometown. I miss my beloved children the most. At this time, I may still be fighting crickets with great interest and refuse to sleep in the dead of night.
As the scene blends into emotion, the scene blends, sets each other off into interest, and the artistic conception is wonderful. Dynamic and static combination, with dynamic lining static. Autumn leaves, autumn wind, autumn sounds, Qiu Jiang, autumn boats, solitary lamps, urchins and cricket fighting are all vivid and lifelike.
The fence fell into the hut and the night was dark. This is a quiet scene, it is so sad and cold, full of melancholy. The rustling leaves also inspired the poet to miss his hometown relatives at midnight in the silent late autumn. Sorrow and joy are intertwined, and joy hides sadness.
Fruit is the general name of some large songbirds of Insecta, Orthoptera and Tettigonidae. It is big, looks like a grasshopper, has a grass-green body and slender tentacles. The front wings of male insects rub against each other, which can make a "containing" sound, crisp and loud.
I like to eat melons, fruits and beans. People raise and watch in small bamboo cages. As an ornamental and recreational insect, it has a long history in China. For example, in Guyi area (now Yixian County, Hebei Province), there is a history of catching slugs in cages for hundreds of years.
In the Shang and Zhou Dynasties, grasshoppers were collectively called "grasshoppers", while in the Song Dynasty, grasshoppers were confused with the Weaver Girl, and in the Ming Dynasty, there were names such as "Guo Huan", "Guo Huan" and "Guo Huan".
People in China have always kept fruit as pets. In the Song Dynasty, people began to use animal heat to raise fruits. In the Ming Dynasty, it was more common to raise Guo from the court to the people.
If Yu Yu, the eunuch of the Ming Dynasty, said in the palace that there were two doors named after the State of Guo, one named "EMI" and the other named "Thousand Babies", which of course continued the worship of the fertility of the State of Guo in ancient times. In the Qing dynasty, there was an unprecedented tide of slugs.
Extended data:
Appreciation of "promoting weaving":
People often regard meowing as the language of animals, so when they hear repeated sounds, they naturally imagine what they are constantly telling or asking for, and imagine endless talking.
Du Fu's months in Qin Zhou were the time to promote his knitting activities. Evening and morning, especially sleepless nights, are spent in promoting singing. When a poet is away from home for a long time, his mood is very bleak. He often can't help crying when he is excited about the promotion.
Three or four sentences and five or six sentences constitute two pairs of intertextuality in rhetoric.
That is to say: in the wild grass roots to promote weaving, under the bed indoors, always singing constantly; No matter where they cry, poets who are always dissatisfied are close to each other.
Hearing its cry, people who have lived in a foreign land for a long time have to shed tears and never sleep until dawn; Abandoned women or widows will also be awakened by wailing in the middle of the night, accompanied by tears.
Using this "intertextuality" format to express four meanings with two meanings on the surface can achieve a concise effect, which is a common rhetorical device in ancient poetry.
The last two sentences compare the words "sad silk" and "anxious tube" with the cry of promoting weaving, but the cry of promoting weaving is "naive" and is not affected by etiquette. On the basis of the effect that any musical instrument can't achieve, the woven sad sound writes "moving sad sound" to the extreme, which highlights the poet's homesickness and sadness.
"See" in Night Book is an ancient and modern word, but in this article, it means to see, see. So you should read "Jian" here.
Write a sad scene in one or two sentences, the autumn wind sweeps the leaves and the sky sends a chill; Say three or four words about love, choose at night to promote weaving, and think about love in different places. One is sad and the other is happy, and both are covered by joy, which shows the loneliness, helplessness and strong homesickness of the wanderer. Virtual and real complement each other, and real is against virtual. One or two of the four sentences in the poem describe the real scene: the leaves are cold, the water is moving and the air is cool.
Three or four sentences evoke imagination: night lights, children watching cricket fights. What you see and hear, bright or dark, set each other off. It is full of autumn sounds, autumn nights and homesickness. Reality is free, reality is free. Few words, endless meaning! Enthusiasm, far and near interaction. The poet suffers from the loneliness in the quiet night, and he has a heart attached to distant relatives.
Although I am thousands of miles away, the scene of frolicking is still in front of me. The sound of cold leaves nearby is disturbing, and the family is happy to come.
That thing, that scene, makes people sigh infinitely. Cold and warm, "cold" and "pick" are vivid. The word "cold" is a pun, which has both the feeling of chilly autumn wind and the meaning of being stranded at the end of the world.
The word "pick" in the details is very interesting. Write out the cricket fighting scenes in which children concentrate on playing, choose carefully, hold their breath and be suddenly enlightened, all in one "selection".
"Pick out" people, "pick out" charm, and "pick out" the warmth of remembering loved ones! "Move" and "know" in one go. Poetry uses fallen leaves to "send" the cold, and the cold sounds "move" the feelings, hug and miss the loved ones, and comfort the silence. "Motion" is the "bone" and "knowledge (thinking)" is the "heart" of the poem, which makes the whole poem rise and fall appropriately and Zhang Chi moderately.
Use allusions in secret to understand things. The autumn wind on the river moves the guests, which implicitly uses the allusions of Hans Zhang's resignation. According to legend, Hans Zhang, an official living in Luoyang, missed his hometown when he saw the autumn wind, so he resigned and returned to his hometown, but he got his wish.
"Autumn makes people sad" can better express the poet's feeling of being far away from home and full of homesickness. Clever use of words, affectionate. "The rustling leaves send a cold sound, and the autumn wind on the river is moving."
This kind of "sending" and "moving" embodies the feelings of things and endows Wu Ye and Qiu Feng with modal thinking. Why don't these poems, which express feelings, bring readers into Qiu Jiang's artistic conception and make them obsessed and full of melancholy?
The rustling leaves send cold sounds skillfully uses synaesthesia, urges desolation with rustling sounds, and conveys tactile feelings with auditory images, which is meaningful.
References:
Baidu Encyclopedia-Promoting Weaving (Du Fu in Tang Dynasty)
References:
Baidu Encyclopedia —— What Night Books See (Ye Shaoweng, a poet in Southern Song Dynasty)