Jiangnan Shi Chun Peihua

The collocation methods of Jiang Nanchun's poems are as follows:

1, direct description method. This method is to draw the artistic conception of the poem directly with a brush. For example, it can describe the spring scenery in the south of the Yangtze River, show the quietness and freshness of the water town in the south of the Yangtze River, and make people feel the beauty of spring scenery in the south of the Yangtze River. Color rendering method. This method is to express the artistic conception of poetry with different colors.

2. Line drawing. This method is to express the artistic conception of poetry through the outline of lines. For example, lines can be used to outline buildings, landscapes and other scenery in the south of the Yangtze River, making people feel the charm of spring scenery in the south of the Yangtze River. There are many ways to set off Jiang Nanchun's poems on paintings. You can choose the method that suits you according to your own preferences and painting skills.

3. Detailed description. This method is to express the artistic conception of the poem by describing the details in the poem. For example, you can describe the details of willows, peaches and birds in Jiangnan, which makes people feel the beauty of spring in Jiangnan more deeply. No matter which way you choose, you should pay attention to expressing the artistic conception and emotion of poetry, so that the audience can better understand and appreciate the perfect combination of poetry and painting.

Jiangnan Spring Painting Knowledge

1. Spring in Jiangnan is a Chinese painting depicting the spring scenery in the south of the Yangtze River. The author is Dong Yuan. This painting shows the beauty and agility of spring scenery in the south of the Yangtze River with delicate brushwork and rich colors. From the point of view of composition, this painting adopts a horizontal method to compose. The picture takes the river as the main element, connecting the scenery on both sides of the river into a whole, making the picture have depth and breadth.

2. From the color point of view, this painting adopts elegant tone. The painter painted the freshness and vitality of spring scenery in Jiangnan with green, blue and yellow colors. Green means lush vegetation in the south of the Yangtze River, blue means the water in the south of the Yangtze River is as clear as a mirror, and yellow means the brilliance of rape flowers in the south of the Yangtze River. The use of these colors makes the picture more vivid and full of vitality.

3. In terms of brush strokes, this painting adopts delicate brush strokes. The painter painted the details of spring scenery in the south of the Yangtze River with meticulous lines. Such as willow, peach blossom, bird and other elements in the picture are vivid and have high artistic value. These delicate strokes make the picture more vivid and real.